Sentences with phrase «other creative content»

Not exact matches

While the «data scientist» title is somewhat all - encompassing now, Gnau expects that it will that three specialty fields will emerge soon: technologists, who write the algorithms and code to transverse the large amounts of data; statisticians and quantification experts; and artist - explorers, creative people who can navigate content and find something others don't see.

If your business is internet - based or primarily a computer - based enterprise such as software design, web content writing or other creative industries, a simple way of cutting down on your office space costs is to let your co-workers telecommute from home.

Leo Burnett has the largest creative department under one roof in the country and feeding all of those creatives with behavior analytics and insights will allow us to produce more personalized content, allowing us to compete and win against consultancies and other competitors who are trying to use data to their competitive advantage.

Jay Acunzo @jayacunzo VP of Platform, NextView Ventures Presenting: The Content Talent Crunch: How Marketing Leaders Approach Hiring A New Breed of Marketer, and Unthinkable: How the World's Most Creative Content Marketers Do What Others Wouldn't Dare, and This Session Disappears in 10 Seconds: A Fireside Chat and Q / A on Snapchat

For example, some content pieces (like videos or podcasts) may require more production resources than you have available; others may be well within your team's capabilities but might not be the best fit for your target audience; and some ideas might be brilliantly creative but just aren't likely to have the bottom - line impact you are looking to achieve.

In other words, a creative content which is not a derivative work.

In contrast to private data, a creative content allows consumption by other people under certain copyright terms, such as Creative creative content allows consumption by other people under certain copyright terms, such as Creative Creative Commons.

She added, «Combined with other acquisitions, MXM adds creative, digital marketing, content strategy and marketing execution heft to our North America business.

Lead analytics expert technical consultant teams in delivering project implementations and configurations Strategist for Client Implementations of Adobe Marketing Cloud Products (AEM, Analytics, Target, Social, Campaign, etc.) Participate and lead internal brainstorming and creative thinking sessions that solve client / prospect digital marketing roadblocks, customer roadmap & journey strategies, technical integrations, and discover upsell opportunities Leverage digital marketing consulting skills to assess client's requirements in aligning proper resources and provide on - time delivery of the scope of work Key strategic member of sales and business development teams by providing expert solutions to prospects leading to purchasing content management systems such as Adobe AEM (CMS & Communities), Target, Campaign, Analytics and other digital marketing technologies and services Collaborate with all business units including: consulting, technical, sales, and marketing Developed acquisition & demand generation strategies via event, email and content marketing programs Establish excellent sales and client retention strategies and demand generation by providing guidance through evaluation of current technologies and sourcing of complementary products and services to recommend Created sales strategy to increase sales pipeline and focus on opportunities in both inbound and outbound marketing Co-Sell, Cross-Sell, Upsell & Strategize with Partners.

Honesty compels us to recognize that we seek our own will and way, we try to stop the creative advance when it seems to go against our fond desires, we are content to remain in backwaters and deviate into side - channels, we love either imperfectly or in the wrong ways, we wish to over-ride and control others of our kind, we spoil the environment and refuse our proper human stewardship of the natural order.

Hence we are, on the one hand, confronted with an abundance of material, rich in analysis and content from a variety of perspectives that can offer to the Indian church sensitive viewpoints and creative directions for the understanding and practice of mission in India today, and, on the other, still confronted with the reality that, in so far as the mission question is concerned, an agreed upon standpoint, either in theological or practical terms continues to be elusive.

For the categories to be illustrated with each new divine feeling, there must obviously be those efficient causes (or there must have been others in place of them) to provide the content for the new creative synthesis; that all preceding efficient causes, divine and subdivine, will always have been required to provide that content will be argued below.

This Site may contain message boards, profiles, and other interactive features that allow users to post, submit, publish, display, or transmit content and materials, including, but not limited to, photos, videos, other creative transmissions («User Content&rcontent and materials, including, but not limited to, photos, videos, other creative transmissions («User Content&rContent»).

It is full of creative writing and original content, and gives you the freedom to promote your product and help others overcome your problem.

Authors Jan Kietzmann of the Simon Fraser University, Vancouver, Canada and Ian Angell of the London School of Economics, UK, have coined the term «Generation - C,» in the spirit of the well - known Generation - X and others, to encompass these «constantly connected citizens — creative, capable, content - centric, and community - oriented — who collectively communicate, collaborate, copy, co-develop, combine, contribute and consume common content.»

There are outlets like The Conversation that may invite you to write editorial and news content, high - gloss multimedia content services and creative professionals for hire, and a range of magazines and other online venues that promise to translate your work for broader audiences.

Most of us, especially those that have any kind of creative outlet online, like to think that their content is fresh and special and easily distinguable from others.

We should all support each other and be happy for what everyone has achieved so far, and never judge them because this is another job, a normal job which is all about creative and visual content and that takes lots of effort and work to put it all together on a site.

I usually spend the first hours working on designs or creative tasks having to do with Glamour Nest, such as newsletter content or, currently, I'm creating an online business course on how to implement systems for other entrepreneurs.

This is to avoid the possibility of future misunderstanding when projects developed by HBO staff or representatives might seem to others to be similar to the submitted concepts, creative ideas, suggestions, stories or other potential content.

(b) From time to time, areas on this Service may expressly request submissions of concepts, creative ideas, suggestions, stories, or other potential content from you («Invited Submissions»).

(a) HBO does not accept unsolicited submissions of concepts, creative ideas, suggestions, stories, or other potential content.

It seems to me that the creative thinking that comes so naturally to the arts could well serve students in other content areas.

On these open - source sites, materials created and reviewed by educators are shared under a Creative Commons license, which means other teachers may use and adapt the content for free.

I'd like to continue to help other non-profits IT infrastructure, as well as reach individuals in a new way through authorship and creative content.

The general capabilities aim to develop the skills of young people to: • be critical and creative thinkers who are innovative, enterprising and adaptable • have a strong ethical understanding, and can reason, investigate, evaluate and reflect • be confident, competent and safe information and communication technology users and creators • be empathetic, responsible young Australians with intercultural understanding, and respect their own and others» cultures • have the personal and social capability to effectively communicate and collaborate, and display resilience and leadership • be literate and numerate, and be able to develop a deep understanding of subject content

This school's Creative Leadership Team is focused on «Artists» Inquiry and Critique» professional development to help teachers embrace simple yet deep ways of integrating the arts into other content areas — and assessing their teaching using the critiquing processes that artists use.

William travels the creative and professional learning conference circuits inspiring others to create amazing and educational content.

eLearning projects tend to include a good deal of photos, illustrations, audio narration, and other creative and original content, all of which may be subject to copyright protections.

Essential Job Functions - eLearning • Produce dynamic, technology - enabled learning in eLearning, mobile and virtual delivery formats • Act in coordination with L&D consultants, business leaders and other managers and staff to identify eLearning needs, then match them with innovative self - paced and blended learning design solutions • Curate the best eLearning content to match requirements set by L&D learning consultants • Consult with members of the L&D Team and business leaders to deliver high - quality eLearning experiences that are instructionally sound, creative, visual and engaging through consultative design • Create and maintain tools for helping L&D team and business leaders to implement e-learning design projects in a consistent way • Stay up - to - date on eLearning techniques, gaming technology and e-learning technology in order to curate and develop innovative «PlayStation quality» learning experiences for employees • Effectively outsource eLearning development, when needed, or use multiple development tools to design, create and deliver in - house developed, self - paced (or blended) eLearning content (using tools like Articulate, Storyline, Captivate, Brainshark, etc.) • Ensure learning content adheres to specifications for mobile, virtual and desktop learning as well as brand guidelines and industry best practices, where appropriate • Work with learning consultants, instructional designers and business leaders where appropriate to create user instructions, FAQs, and other documentation that support effective use of the LMS.

Not every student learns at the same pace as another student in a class, so teachers from every content area need to get creative in order to meet the needs of all students, some of whom may need just a little support or others who may need much more.

This issue will explore how schools can bring visual arts, music, theater, dance, creative writing, and other arts into the content areas and use the arts to engage marginalized students.

In addition to traditional publishers, all producers of creative content are encouraged to participate: illustrators, game developers, corporate publishers, vloggers, bloggers, photographers and many others.

Amazon offers enticing content for an author's book page for $ 600, such as videos, sample page shots, photos and other creative promotion ideas.

Any information, proposals, requests, manuscripts, creative works, pictures, photographs, letters, documents, demos, ideas, suggestions, concepts, methods, systems, designs, plans, techniques or other materials submitted, posted, uploaded, sent or otherwise transmitted to us on or through the Website in any manner, or by email (collectively, the «Content»), will be deemed to be not confidential or secret, and may be used by us in any manner consistent with these General Terms of Use and the Privacy Policy.

But while everyone else here is taking author's creative content and using it to make an income, we indie authors are supporting ourselves by not giving our rights or work away to publishers, doing everything ourselves, taking control over our own marketing platforms, and urging other authors to do the same.

Parenthood in my 30s led me to take up my spiritual journey, and after several decades of being active in Unitarian Universalism, in my 60s I have also come to think of myself as a progressive Christian as well as a UU — a return to the faith I grew up in, but on a different level, taking scripture seriously but not literally (and for me, serious literature can be scripture too, especially poetry, and scriptures of other faiths...) I am content to say God is a mystery, a word we use to point to all that is good and beautiful and healing, a creative energy at work that we can experience through our loving relationships, through art and music, through the pursuit of science, and in the «church» of nature.

In this week's webcomic and comic news discussion we mostly talk about what it's worth to us when other people re-post our creative content.

Tech Tips — Bufo Calvin has a creative idea for using FreeTime on the Kindle Fire to set up something like collections for books and other content (scroll down to the update at the end of the post).

While nonfiction authors might be rightly concerned with traffic to their site (as a part of their platform — overall visibility and reach), novelists, poets, and other creative writers should probably treat their site as a critical tool underpinning career - long marketing and promotion efforts, but not necessarily as an end in itself — unless you're generating content, blogging, or doing something to attract attention, which we're about to discuss.

EIBF now, however, has issued a statement, headlined «EIBF Rejoices at the Result of the Second Trilogue,» referring to discussions that have now excluded ebook sales — and that of other copyrighted creative content — from the legislation to end geo - blocking.

In addition, if you have requirements for copywriting, online blog writing, promotional emails & e-newsletters, press releases, web content and SEO writing, marketing strategies, social media development and strategies and other creative and travel writing needs, drop us a line!

But we also have other roles in portfolio development, brand management, PR & communications, creative design, digital experience, content marketing, as well as finance, HR, and IT.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

BAFTA Guru primary content comprises a growing library of archived interviews, lectures, masterclasses, and debates with game industry figures like David Braben, Peter Molyneux, and Media Molecule's Alex Evans — along with luminaries from other creative spaces.

We need Nintendo to quit worrying about the others and just build a better Nintendo structure with a larger game library for the Wii U and more content that is original, unique, creative and exclusive to the Wii U. I'm crossing my fingers we will hear some of those announcements at E3!

There's already a huge amount of creative stages made by players on Wii U, add to that the 7,000 strong already made by players on other platforms and there's plenty of free content at your fingertips from the moment you download the game.

Just as exciting, we will also release all of the code, sound, and artwork under open source licenses: the MIT license for the code, and a Creative Commons license for all the other content that makes up SiSSYFiGHT.

It's not that big of a problem; the structure of the puzzles remains consistent with other point - and - click adventures, and in some cases they can get creative, though to go into further detail would spoil, perhaps even ruin, portions of the game's content.

Attendees will be treated to an first look at new game content and other surprises, with special guest appearances by members of the Insomniac team, including Marcus Smith (creative director), Kevin Grow (animation director), and Grant Hollis (art director), as well as actors from the Resistance 3 cast, including Robin Atkin Downes (Joseph Capelli) and Crispin Freeman (Charlie Tent).