Sentences with phrase «other cultural fields»

Although social progress moves in fits and starts (and often retreats), the movement towards inclusivity does coincide with a broader enthusiasm for women's voices and stories, visible in other cultural fields including television, film, literature, and music.

In between exhibitions, Dürst Britt & Mayhew will invite makers from other cultural fields to activate the gallery space through for example dance, theatre, literature, music or fashion.

Not exact matches

Hsieh is working to fill the neighborhood with tech startups from diverse fields, along with new restaurants, a health clinic, and other cultural attractions and municipal improvements.

By the time I had graduated, the field had become «one that maintains its interest in literary texts but explores all forms of aesthetic speech and that views performance as an art and recognizes its communicative potential and function» There were three challenges to those of us graduating with doctoral degrees in this discipline: 1) to locate which performances within art and / or culture we would focus our attention on as scholars and performers; 2) to interpret the core concepts generating from the cultural turn in our discipline to other studies of culture and human communication and 3) to develop «performance - centered» methods of research and instruction in whatever parts of the university we found ourselves.

Granted that religious forms and institutions, like other fields of human and cultural activity, are conditioned by the nature, atmosphere, and dynamics of a given society, to what extent does religion contribute to the cohesion of a social group and to the dynamics of its development and history?

That being said, the renewal of interest ought not to be overstated: much doctrinal theology in English remains preoccupied with keeping up a conversation with other fields of inquiry (often literary and cultural theory) and is so eager to do so that it often neglects the descriptive or dogmatic tasks of systematics.

On the other hand, it may make good sense to have some professional nurses alongside a larger group who work skillfully in the field without assuming any wider cultural and social role.

Smalley and other officials have pointed out that the Art Institute of Chicago, the Field Museum and other major cultural facilities routinely appoint directors from the highest ranks of industry and society whose sole function is to produce donations.

Portage Park offers something for every kind of play — six tennis courts, a new soft - surface ADA accessible playground, a slab for in - line skating, a new dog friends area, a bike path, a nature walk, five baseball fields, two combination football / soccer fields and two fieldhouses, one housing a gymnasium and the other a cultural arts building.

Specialists in textile technology, metallurgy, linguistics, physical anthropology, and other fields have added much to our understanding of the dynamics of cultural exchange in this period of early history and prehistory.

The aim of the association is to work for all deaf and other people with hearing disabilities in all fields: before, during, and after school age, within the field of education, in the labor market, as well as the social and cultural life.

And in the other study with the Walton Arts Center we are surveying more than 2,000 7th grade students in area schools to link the past performances they have seen on school field trips to their current behaviors as cultural consumers and producers as well as some empathy and tolerance outcomes.

Learning sciences: Interdisciplinary field bringing together findings — from research into cognitive, social and cultural psychology; neuroscience and learning environments, among others — with the goal of implementing learning innovations and improving instructional practice.

(a) Provides employment and / or practicum experiences with adolescents in urban public school settings; (b) Provides ongoing support in the development of skills necessary to be an effective group facilitator, utilizing a science - based affective curriculum; (c) Heightens facilitators» understanding of the cultural and contextual factors that impact the psychosocial development of urban adolescents and their ability to achieve academically; (d) Exposes facilitators to the process of designing, implementing and evaluating large scale preventive interventions; (e) Examines educational policy and its implications for practice and research for urban education and school reform; and (f) Encourages facilitators» interest and pursuit of careers in education, psychology social work, counseling and / or other related fields.

You will also appreciate the proximity to the historic Greenwood Cultural District and other great recreational venues, including the BOK Center and ONEOK Field.

Free cultural activities are included for all our Spanish students and include lectures, movie presentations, cooking classes, tango lessons and also field trips to museums, art galleries, parks and many others such as the Cemetery of Recoleta, and the famous Caminito in La Boca.

Our cultural courses have a diverse and interactive teaching style, including field trips to museums, art galeries, parks and many others such as the Cemetry of Recoleta, and the famous Caminito in La Boca.

While Mike Kelley took this up in the 1980s, and artists such as Sheila Pepe, Sheila Hicks, and Josh Faught have plotted other trajectories of textile in the expanded field, Susan Cianciolo's work reopens these questions surrounding the matriarch, the amateur, artisanship, and collectivity in the context of the accelerated speed of contemporary cultural production.

In this concentrated display, we see Green's keen ability to formally and conceptually collage several disparate histories and taxonomies in order to reveal overlapping cultural and social complexities — essentially her working methodology that would promptly be taken up by many others in the field of contemporary art.

Why do people with proven ability in other fields defer to a cultural sphere in which ability is a bit of a joke?

These resources include organizing class visits by artists, curators, and other arts professionals, offering classes tours of current exhibitions, and organizing field trips for students and faculty to Bay Area museums and cultural centers.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The exhibition brings together a group of artists whose interest in the cultural significance of the cosmos leads in multiple directions, intersecting with the fields of aesthetics, anthropology, philosophy, and others grounded in different art - making strategies and material explorations.

Even with my respect for the field, I am interdisciplinary in my approach, drawing on personal narrative, folklore, visual studies, cultural studies and other humanistic and social science disciplines to support my research.

Fusco is the Andrew Banks Endowed Professor of Art at the University of Florida and author of English is Broken Here: Notes on Cultural Fusion in the Americas (1995), The Bodies that Were Not Ours and Other Writings (2001), and A Field Guide for Female Interrogators (2008).

She is an enthusiast producer of exhibition projects, talks, other art - related events as well as being an academic working in the field of contemporary art and cultural studies.

In The Cartographer's Conundrum, a large installation currently on view at the Massachusetts Museum of Contemporary Art (Mass MoCA), artist Sanford Biggers maps artistic, cultural and spiritual practices, other disciplines and fields such as Afrofuturism, music, and sacred geometry.

District invites cultural producers, individuals from other fields of knowledge and different audiences to reflect upon societal, technological and cultural developments from a critical perspective, to deal with urban spaces and modes of its appropriation and to re-evaluate the commons.

The institution is recognized for its dedication to international conservation and research; support for digitizing and preserving collections, its own, and at other museums and cultural organizations; and providing visual arts grants aimed at strengthening the field of art history and developing cultural leaders.

Her creations reference a wide array of cultural and art historical themes, from Color Field Painting and other formal movements via the exuberantly colored clothing, to latent commentaries on recycling, materialism, and urban poverty.

The museum will present a trio of solo exhibitions for artists who have had major recognition in other countries and cultural fields but yet to receive dedicated institutional attention in the United States: Laercio Redondo, Pedro Reyes and Bruce Weber.

Stephen Prina's The Second Sentence of Everything I Read Is You: Mourning Sex (2005 — 7) has all the markings of a work of institutional critique, that loosely defined genre of contemporary art that seeks to evaluate and question the position of art in relationship to various cultural and political contexts.4 Looking beyond the frame of the artwork itself, works of institutional critique recognize that art exists within a discursive field and grapple with the concentric or overlapping circles of spatial, temporal, cultural, social, economic, and political structures — or «institutions» — that «frame» the work in other ways.

IPBES is particularly looking for fellows with a scientific and / or practical background in: ecological and environmental economics, environmental and sustainability sciences, environmental ethics and philosophy, environmental sociology and anthropology, environmental psychology and behavioral science, environmental history, science and technology studies, political ecology, human geography, human ecology, cultural ecology, environmental policy and law, political sciences and trade, and from other fields related to integrative approaches to human - nature relations and linking knowledge to policy and practice.

In our time with Melvyn Bragg explores the history of ideas, with topics as diverse as Chivalry, the Medici, James Joyce Ulysses, Cultural Rights — the format is a discussion between 2 or 3 leading experts in the field bouncing ideas and information between each other.

The Congress of Aboriginal and Torres Strait Islander Nurses and Midwives (CATSINaM) and other experts in the field of cultural safety have welcomed the new standards as long overdue, but there are concerns about a lack of clarity in the terminology used, as they use the language of «cultural awareness» and «cultural competence» rather than «cultural safety», although this latter concept is the focus of supporting documents.

At one level, any acts by a person discriminating against another person on the basis of race which has the purpose or the effect of nullifying or impairing the enjoyment of any human right or fundamental freedom in political, economic, social cultural or any other fields are unlawful (s. 9).

States Parties shall, when the circumstances so warrant, take, in the social, economic, cultural and other fields, special and concrete measures to ensure the adequate development and protection of certain racial groups or individuals belonging to them, for the purpose of guaranteeing them the full and equal enjoyment of human rights and fundamental freedoms.