Sentences with phrase «other cultural materials»

Frei Njootli uses the standard issue black baseball cap as a launch point in her sculpture and performance, activating the ubiquitous headgear with animal fur, beadwork, and other cultural materials.

Shaw, whose first New York survey exhibition, «The End is Here», opens this month at the New Museum, reliably ferments perversity in other cultural material.

Not exact matches

You also haven't explained any of my other points and copy and pasting the chi.t fred wrote shows that you have no original material at all and that you think fred actually had a point, which is basically as.serting his own cultural chauvinism and dismissing zeus for god because the bible tells him to.

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

But all of these texts are extremely difficult to interpret: crucial words remain obscure (e. g., authentein; exousia); the addressed situations are difficult to reconstruct; the «surface meaning» contradicts other Pauline material; and the methods of argument reflect cultural thought - forms no longer in use.

In response, these churches, temples, synagogues and mosques produce the cultural material that enables their members and adherents to locate themselves with respect to the places and time in which they currently live, to identify with others, to find their moral bearings, and to achieve some measure of efficacy with respect to their own needs and aspirations.

The study of ancient liturgical materials is a potent antidote to the cultural captivity of Christianity in this or any other culture, for liturgies embody ancient wisdom.

After reviewing the theories of Malinowski, Freud, Girard and others on the role of fatherhood, Steinmetz uses the story of Oedipus to illustrate the problem; a father wants to insure immortality by passing on all of his «self» (both material and cultural) to an heir, but in so doing insures his own mortality and displacement.

The business of historical criticism is to deal with the diverse materials in the New Testament (and in other early Christian literature) and to show (1) their unity in relation to the mission of the Church and (2) the relation of their diversity to the various cultural currents within which the mission was carried on.

Other activities in four municipalities in Mindanao include forum on golden rice and organic agriculture, organic food and products fair, press conference, concert, cultural presentations (reading of poems on organic agriculture composed by farmers), t - shirts printing, dissemination of campaign materials, sharing of farmers» practices and innovations, boodle fight, and opening of organic trading post.

Translation Guidelines: The translation of ILCA - generated materials into other languages serves the interests of ILCA members by encouraging cultural diversity and assisting non-English-speaking healthcare providers and breastfeeding mothers.

The second challenge is cultural; the fact that many children are viewing online pornography and other damaging material at a very early age and that the nature of that pornography is so extreme it is distorting their view of sex and relationships.

«What they need from their international colleagues is some help to do that — training, materials, and other support in the international arena for the notion that it is possible to mitigate and prevent damage to cultural heritage, even in the midst of conflicts.»

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Nobody ever seems to remember other Sonic locales when it comes to merchandise and marketing materials, but man, those tan and brown checkerboards will last in our cultural consciousness forever.

Blind students of English in the Salteño Institute of Argentinean - North American Cultural Interchange (ISICANA) in the Salta Province, Argentina, can not translate or understand Braille and other teaching materials.

A radically different vision of human well - being is the call; one that is in tune with nature and respects other species, promotes socio - economic equity amongst all people, enhances the cultural, material, economic, social, and political opportunities for all, empowers each person and community to take part in decision - making affecting their lives, even as it leaves the natural world a better and much improved place.

In this context, a radically different vision of human well - being, one that is in tune with nature and respects other species, promotes socio - economic equity amongst all people, enhances the cultural, material, economic, social, and political opportunities for all, and one that empowers each person and community to take part in decision - making affecting their lives.

The Web provided university faculty members and students access to scholarly materials, museums, and other cultural collections.

English teacher educators may wish to coordinate other traditional methods - course tasks (like having teacher candidates create their own assessments, research a professional issue like computer grading, or plan instruction that addresses students» cultural / linguistic backgrounds) with SWAP materials in order to allow them to consider the consequences of their own instructional decisions and conceptions of writing and writers.

This might take place through anti - racist / anti-bias training, guided conversations where teachers explore their own cultural identity, study of the history of racial politics in their city or neighborhood, or critical investigation of textbooks and other standard class materials.

According to Dr. Gay, «culturally responsive teaching acknowledges the legitimacy of the cultural heritages of different ethnic groups, builds bridges of meaningfulness between home and school, uses a wide variety of instructional strategies that are connected to different learning styles, teaches students to know and praise their own and each others» cultural heritages, and incorporates multicultural information, resources, and materials in all the subjects and skills routinely taught in schools» (p. 29).

While Lenin was relatively accepting towards writers and other artists who strayed from explicit or even implicit communist material, Stalin was... well, Stalin, and socialist realism dominated the cultural landscape for over forty years.

«I reference our cultural landscape by using materials that others have overlooked,» says Chandler of his art.

As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.

The source material itself, Mar's Gesamtkunstwerk, considers exhibition practices throughout the history of museums and the ways artifacts and other cultural products are displayed and interpreted.

Drawing inspiration from the radically confrontational Viennese Actionists and the Happenings of Allan Kaprow and others, McCarthy quickly strayed away from his initial interest in painting and in the 1970s began composing performances with the goal of physically disrupting the sense of material comfort, general apathy, and violent cultural dissolution that he viewed as the results of the United States» consumerist, entertainment - driven mass media and popular culture.

Paintings by Julian Schnabel, Thornton Dial, Rita Ackermann, Joe Bradley, and others largely abandon iconography for material in their reshaping of cultural clay (Laska does this too in her own work, hung in an earlier gallery).

Finishing a master in fine arts degree at the University of Albany in 1983, Braun participated in the Democracy: Cultural Participation exhibition with the renowned collaborative artistic team Group Material, composed of Julie Ault and Felix Gonzales - Torres among others.

Or maybe it should be put the other way round: Stubbs's imagery seems constantly on the verge of converging into some form of cultural commentary, but the fundamental abstractness and even irrationality of his overlapping poured shapes seems calculated to prevent that — to insist on the painting as an agreement to disagree between wayward materials and stubborn intentionality.

The exhibition brings together a group of artists whose interest in the cultural significance of the cosmos leads in multiple directions, intersecting with the fields of aesthetics, anthropology, philosophy, and others grounded in different art - making strategies and material explorations.

Huanca's totemic sculptures merge tactile materials such as clothing, natural and synthetic fibres and other cultural artifacts, which are then deconstructed and reassembled to create delicate abstract compositions.

1 The same could be said of the other artists in the exhibition: with hand - wrought qualities and an aggressively direct use of color, texture, and material, their work provokes cultural and psychological readings as well as aesthetic ones.

Using hair, beads, tissue paper, rubber tires, plastic and other materials, the artists craft provocative forms and intricate surfaces that play on unique cultural meanings, personal memories and social agendas.

Formed by pliable materials including rope, thread, string, and fabric, the works in Soft Power derive their presence and power from, on the one hand, the seductive textures, structures, and surfaces of textiles, and on the other, the evocative social and cultural connotations these materials provoke.

The exhibition with its various formal outcomes, unfolds in a coherent and involving trajectory, making «emerge» and «mixing» languages of artists who work either with natural and organic materials or digital technology, always striving to suggest other worlds of contamination and con - fusion between natural, cultural, social, and technological ambits.

The Art Project is part of the Google Cultural Institute, which is dedicated to creating technology that helps the cultural community bring their art, archives, heritage sites, and other materialCultural Institute, which is dedicated to creating technology that helps the cultural community bring their art, archives, heritage sites, and other materialcultural community bring their art, archives, heritage sites, and other material online.

She and many others have pointed out that black suffering is not a material that white artists can just make use of, like oil paint or videotape — an argument made in many debates over cultural appropriation.

All the works contain material or form that was used in some other way before they became works of art, and the artist thinks of this transformation as a form of alchemy in which the ephemeral becomes ever - lasting while the new artworks still retain some remnant of the cultural content from their previous use.

Found cultural material, personal sentiments, dates, and other references lead the viewer into a situation that is both real and imagined.

Huanca's totemic sculptures merge tactile materials such as clothing, natural and synthetic fibers and other cultural artifacts, which are then deconstructed and reassembled to create delicate abstract compositions.

They borrow freely from art historical and other cultural milieus in order to construct a fragmented array of material tropes, which are then subsumed into a whole through a precisely considered exhibition schema.

In addition, Mutu's visual language is further enriched by her use of unexpected materials such as tea, synthetic hair, Kenyan soil, feathers, and sand, amongst other media - many of which are imbued with their own cultural significations.

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The Other Side of ICWA: A Cultural Journey to Fairness and Equity Allen, Orrantia, Lidot, Okamura, White, Quinnett, & McDade (2008) Provides training materials and activities for professionals working with Native American youth and communities that focuses on trust, relationship - building, the effects of historic and collective trauma on the Native American experience, and culturally - sensitive communication and needs assessment.

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