Sentences with phrase «other cultural movements»

Black Mountain's legacy continued however, with former students such as painter Robert Rauschenberg, publisher Jonathan Williams, and poet John Wieners bringing the revolutionary spirit of their alma mater to the forefront of a number of other cultural movements and institutions.

Not exact matches

Unlike almost every other justice movement, it is strongly multiethnic, injecting moral passion and religious tradition into public debate, but in a way that respects the nation's cultural diversity.

But it came to be associated not only with religious but also with caste political overtones, and came into conflict with the anti-Brahmin movements of depressed castes who were organizing separately for separate political strength to bring about cultural and social change aimed at elevating their status in the body politic; it also made the conversion into other religious communities, of the depressed sections of Hinduism as well as of the Tribals partially Hinduised and moving more fully in that direction, to be seen as a weakening of the Hindu community and a strengthening of other religious communities as political entities.

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

In describing and accounting for the lives of the Religious Right, which we define simply as religious conservatives with a considerable involvement in political activity, the book and the series tell the story primarily by focusing on leading episodes in the movement's history, including, but not limited to, the groundwork laid by Billy Graham in his relationships with presidents and other prominent political leaders; the resistance of evangelical and other Protestants to the candidacy of the Roman Catholic John F. Kennedy; the rise of what has been called the New Right out of the ashes of Barry Goldwater's defeat in 1964; a battle over sex education in Anaheim, California, in the mid-1960's; a prolonged cultural war over textbooks in West Virginia in the early 1970's — and that is a battle that has been fought less violently in community after community all over the country; the thrill conservative Christians felt over the election of a «born - again» Christian to the Presidency in 1976 and the subsequent disappointment they experienced when they found out that Jimmy Carter was, of all things, a Democrat; the rise of the Moral Majority and its infatuation with Ronald Reagan; the difficulty the Religious Right has had in dealing with abortion, homosexuality and AIDS; Pat Robertson's bid for the presidency and his subsequent launching of the Christian Coalition; efforts by Dr. James Dobson and Gary Bauer to win a «civil war of values» by changing the culture at a deeper level than is represented by winning elections; and, finally, by addressing crucial questions about the appropriate relationship between religion and politics or, as we usually put it, between church and state.

But white North American Christian feminists have shown a great deal of sensitivity to the need for cultural pluralism within the broader movement of women, and even in this respect they are able to give encouragement, if not leadership, in other cultures.

Just for that reason it represents clearly the tension between general cultural influence and a tightly organized in - group that is to be found in many other movements.

Because of the complex interaction of religious broadcasting with other social characteristics such as broader religious and cultural movements, changing social uses of mass media, and changing historical circumstances, it is unlikely that a simple cause - effect relationship between the viewing of religious programs on television and individual faith and church interaction could ever be isolated.

Those who have read the book know that Tickle goes into much greater detail about the questions and challenges raised by cognitive science, literary deconstruction, higher criticism, Freud, Jung, Campbell, Einstein, Heisenbuerg, and many other philosophical / scientific / cultural movements.

For those of you who have always longed to come face - to - face with other professionals and families in this cultural movement to truly «change the world,» this is your opportunity.

Brazilian writer - director João Moreira Salles intercuts his mother's movies of a 1966 group tour in China during the inception of the most radical phase of the Cultural Revolution with archival footage from three other radical movements, all from 1968: The May uprisings in France; the brutal ending of the Prague Spring; and the brief rebellion in Brazil against the reigning military dictatorship.

She decried the movement against cultural appropriation, arguing that artists should be free to represent any ethnicity, gender, or other identity they choose.

Although both British and American pop art began during the 1950s, Marcel Duchamp and others in Europe like Francis Picabia and Man Ray predate the movement; in addition there were some earlier American proto - pop origins which utilized «as found» cultural objects.

Amid tumultuous demonstrations at Italian universities that, like many other movements circa 1968, were aimed at institutional structures that preserved the stratifications of class, the twenty - seven - year - old Celant asserted that Italian artists were confronting their own social and cultural patrimony.

Although social progress moves in fits and starts (and often retreats), the movement towards inclusivity does coincide with a broader enthusiasm for women's voices and stories, visible in other cultural fields including television, film, literature, and music.

Black Arts Movement, Abstraction, and Beyond Art's capacity to endow the artist, viewer, and others with self - affirmation and a sense of cultural authority became the benchmark for the BLACK ARTS MOVEMENT of the late 1960s and early 1970s.

Art's capacity to endow the artist, viewer, and others with self - affirmation and a sense of cultural authority became the benchmark for the BLACK ARTS MOVEMENT of the late 1960s and early 1970s.

Olivier Malingue says: «To arrange them in dialogue in this way allows the works to speak not just to each other but to the viewer, highlighting the theories of collective thought inherent in the Surrealist movement — which is, to me, key to grasping the continuing relevance of this groundbreaking cultural movement.»

We know of Wifredo Lam and Lois Mailou Jones's and other black diasporic artists» vexed relationship to Surrealism and primitivism, artistic and literary movements that started in Europe and co-opted black bodies and black cultural forms.

In Silas» renditions of Bat Masterson, Rawhide, Yogi Bear, The Mickey Mouse Club, and other once popular melodies, she enacts rituals of self - intimacy and creates a commentary on aging, memory and the inevitable advancement of time, while reminding us of the peculiar cultural productions that hold us together generationally and mark the movement from one generation to the next.

Her creations reference a wide array of cultural and art historical themes, from Color Field Painting and other formal movements via the exuberantly colored clothing, to latent commentaries on recycling, materialism, and urban poverty.

While his works have often been compared to those from other key figures of the pop art movement, such as Andy Warhol and Roy Lichtenstein, Rosenquist's pieces were unique in the way that they often employed elements of surrealism using fragments of advertisements and cultural imagery to emphasize the overwhelming nature of ads.

As the director and curator of Carnegie Mellon's Miller Gallery she curated Keep It Slick: Infiltrating Capitalism with The Yes Men, the first solo exhibition of the internationally renowned culture - jamming group; Whatever It Takes: Steelers Fan Collections, Rituals, and Obsessions, which explored sports fanaticism as a significant form of cultural production; and Alien She, a traveling exhibition on the lasting impact of the global punk feminist movement Riot Grrrl, among other exhibitions.

Having said that, I think there is a cultural bias within the Transition movement that lends itself to some solutions, and not to others, that stems from its roots in the permaculture movement.