Sentences with phrase «other cultural projects»

The firm has particular expertise creating architecture that enhances the experience of art, having worked internationally on numerous museums, galleries, art foundations, and other cultural projects.

Not exact matches

On the other hand, I certainly don't wish to deny that government schools that inculcate a vacuous, secularized political correctness do no service to the project of rebuilding the moral - cultural foundations of American democracy.

Cultural historian John Staudenmaier believes that capitalism tends to separate people's inner selves from their outward «persona,» that is, the self they project to others.

On the other hand, if they want to maintain separate cultural identity within the predominantly Anglo congregation, we can create opportunities for them to discuss this project with other members and teach the congregation about the values of their distinctive heritage.

The Mass Cultural Facilities Fund (CFF) is contributing $ 225,000 to the $ 2.5 million project, which has attracted other institutional and generous individual supporters, including the Manton Foundation, Ogden Codman Trust, Red Acre Foundation, and the General William Mayer Foundation.

The city's Advisory Cultural Commission had recommended the funding come from other sources, but Councilman Steve Chirico disagreed, saying he doesn't mind using the grant money for capital projects.

Even small projects with other countries contribute important information on how genetic backgrounds and cultural factors such as diet affect cancer development, he adds.

«These findings - and others from the same project which show how important places are for our personal and cultural memories, and for enabling us to stay connected socially - have implications for the way we design for people of all ages, backgrounds and abilities so that going outdoors in younger years becomes a lifelong passion for getting out and about.»

So you can multiply, however different we look to each other today and behave differently and cultural behavior everything, you could multiply that two or three times probably to project how different the Neandertals would have been.

Research has long shown that people prefer to be in groups that are thought to have higher status or cultural value as a way of boosting self - image and projecting an impressive image to others.

But beyond «Get Out,» there were many other powerful meditations on relevant issues, be they class («The Florida Project,» «Lady Bird»), gender dynamics («Battle of the Sexes,» «The Beguiled») or cultural discrimination («The Big Sick,» «Beatriz at Dinner»).

At the film's recent press day, Costner talked about the appeal of playing Coach White, Niki Caro's directing style, the bond that developed between all the actors during filming, the pivotal role a coach can play in a young person's life, the Jim White - type coaches who influenced Costner's life in a positive way, what he learned about Latino culture growing up in Visalia, why he waits for projects to come along that he can really respond to irrespective of genre, the biggest cultural gap he experienced on this film, and how sports movies allow us to address other issues within the wider society.

«Despite these differences, the schools share a vision, which includes a curriculum grounded in cultural history, considerable interdisciplinary work, individualized attention, and a large space for artistic and other projects.

â $ œDespite these differences, the schools share a vision, which includes a curriculum grounded in cultural history, considerable interdisciplinary work, individualized attention, and a large space for artistic and other projects.

Mapping the context of your project is critical, because it helps you identify the environmental, political, cultural, and other factors that will have an impact on the outcome of your implementation efforts.

Through a project called KnowGlobe, they regularly talk with students on other continents, learning in the process about time zones, cultural differences, global weather patterns, and the state of education worldwide.

Two other examples: a middle - school project that culminated in a half - hour variety show explored how comedians use spoken words, body language, and cultural references to draw laughs; and young entrepreneurs developed ideas for business start - ups to pitch to experts.

«We can not divorce ourselves from our racial or cultural identities, including those identities that have been projected onto us by others,» said Arronza LaBatt, executive director at Montgomery County Public Schools.

Color Our Collections project lets you download free coloring books based on collections from famous libraries, museums, and other cultural institutions.

Many people struggle to overcome language or cultural barriers, while other times, instructor and student are simply not on the same page in terms of project expectations.

They act as an interface between the Guest of Honour and other projects within the Book Fair, and with the many cultural institutions and cooperation partners around Germany.

Before diving into the Internet Archive and the Open Library Project, let's ask ourselves some questions about the value of books and other cultural expressions.

One proposed project would document traditional Alaska Native place names for bodies of water, bays, mountains, valleys, promontories or other geographic landmarks in these units, thus also greatly enhancing our knowledge of how the parklands facilitated subsistence and functioned as a cultural crossroads for at least 9,000 years.

Other highlights include Eduardo Basualdo's series of sculptures along the Rio de la Plata and a version of Pia Camil's ongoing project that explores cultural heritage and exchange by way of T - shirts.

Gary Simmons» installation inaugurated Culture Lab 2016, a two - day series of discussions, dinners, and public projects centering around different approach to walls — architectural or ideological boundaries which both define cultural practice and limit understandings of art, architecture, and other cultural undertakings.

Other projects have embedded the significance of «home - making» to query the societal through the domestic, including our award winning FreeSpace projects 2008 - 2016, co-creating public spaces, gardens and performances with mixed cultural residents on a London Estate.

In addition to documentaries, feature films, and cultural programming, he has continuously created his own personal video art and worked on high - profile projects with other video artists.

Their activities have taken many forms, including an exhibition space in Düsseldorf, Germany, various publishing projects, sustained collaborations with other artists, as well as exhibitions, realized both individually and together with a loose network of artists and cultural producers.

Perhaps bridging the two, Chambers, who identifies as a genderqueer artist, says her acrylic paintings redirect the cultural tendency to organize people by age, gender, income and other «checked - off boxes» to the unruliness of the natural world: «I live with enough ambiguity projected onto me through assigned labels.»

Proposals are evaluated on the basis of the following criteria, which are weighed equally: How well a project aligns with the MAP Fund's goal of supporting experimentation and innovation in all traditions and disciplines of live performance, especially work that brings insight to the issue of cultural difference, be that in class, gender, generation, race, religion, sexual orientation or other aspects of diversity The artistic strength of the proposed project The viability of the project, based on the applicant's professional capabilities as demonstrated in the project narrative, bio and artist statement, and work samples.

The «Foreign Affairs» project are three European artist - led curatorial initiatives collaborating in a cultural concept aimed to explore the relationship between artist as curator and artist each presenting the other's creative practice.

He has received prestigious awards including the South Florida Cultural Consortium and has given talks at several Miami cultural institutions including Locust Projects, the University of Miami, and the Miami Art Museum, amongCultural Consortium and has given talks at several Miami cultural institutions including Locust Projects, the University of Miami, and the Miami Art Museum, amongcultural institutions including Locust Projects, the University of Miami, and the Miami Art Museum, among others.

Wolniak has exhibited at the Museum of Contemporary Art, Chicago; the Art Institute of Chicago, Chicago Cultural Center; Hyde Park Art Center, Valerie Carberry Gallery, Spencer Brownstone Gallery, Peres Projects, Andrew Rafacz Gallery, 65Grand, and Judith Racht Gallery, among others.

Bonniers Konsthall is also involved in more long - term research projects along with other cultural institutions and universities.

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

Theaster Gates became known for the Dorchester Projects, a series of vacant buildings in Chicago that he renovated and rehabilitated with a team of young architects and designers, and which now offer space for performances, and other cultural events.

Erik's work been featured in solo exhibitions at the Arts Club of Chicago, Open House Contemporary, EXPO CHICAGO, Bert Green Fine Art, Waubonsee Community College, Project 1612, Chicago Artists Coalition; via public art projects and performances for the Broadview Hotel in Toronto, the Downtown Norfolk Council, Chicago Department of Special Events & Cultural Affairs (DCASE), and Pick Museum of Anthropology; and in group shows at The Franklin, Arizona State University, Eastern Illinois University, University of Nebraska — Omaha, University of Wisconsin - Milwaukee, and Columbia College, among others.

The project connects 18th Street Arts Center and our surrounding Pico Neighborhood with other Los Angeles institutions and community histories to develop a living and breathing archive that thrives off of collaborations with various individuals who come from multiple social, cultural, geographical, and artistic perspectives.

The Community Partnership Gallery at the Queens Museum provides opportunities for our cultural and other nonprofit organizational partners to develop and mount short - term exhibitions based on their programs and our collaborative projects.

Playful in tone and less reliant upon the exploitative construct of the case - study scenario in such large scale video projects as Them, 2007, and Repetition, 2005, Artur Zmijewski's earlier videos stand in contrast to these somewhat over-determined provocations; while recent Zmijewski productions have adopted a nearly formulaic approach to positioning cultural difference and conflict, and thereby seem to codify the subject as «other» a priori — a risk that critic and art historian Hal Foster has insightfully called the «self - othering» of «the artist as ethnographer» — three earlier Zmijewski works engage a simpler, more agile approach.

Project explores art's relationship to the recollection of personal and cultural histories, nostalgia, and other facets of memory.

Even this kind of project is no longer new in our increasingly globalised cultural sphere, but «Other Primary Structures» is no less absorbing for being part of a well - established paradigm shift.

For South Korean artist Kimsooja, the indigenous cultural traditions in weaving and other forms of textile construction are depicted in an ongoing film project titled Thread Routes.

The idea of this project comes out of the assumption that the anthropological problematic once again draws close attention or, in other words, the Human today once again becomes one of the central cultural issues.

By partnering with Sculpture Space on this exhibition, EFA Project Space begins to fulfill its goal to provide a unique space for collaboration with other art and cultural organizations, thus expanding audiences for the arts while bridging gaps in the art community.

It, like Tomic's other projects, reflects on geographic and cultural disparity, and suggests that through nationality and language the reality of both individuals and societies take shape.

The ten featured projects are: the CentQuatre public and cultural establishment in Paris (architect: Atelier Novembre), the Hôtel Pasteur hostel in Rennes (architects: Nicolas Chambon and Encore Heureux), the Grande Halle circular economy place in Colombelle (architects: Construire and Encore Heureux), the Ateliers Médicis art hub in Clichy - sous - Bois (architect: Encore Heureux), the Friche la Belle de Mai cultural project in Marseille (architects: ARM Architecture and others), the Tri Postal city for deprived people in Avignon (architect: PEROU and NAC), the Grands Voisins project in Paris, the 6B project in Saint Denis (architect.

The Blue Cabin project is led by grunt gallery, along with Other Sights for Artists Projects, and Creative Cultural Collaborations (C3).

By partnering with Flux Factory on this exhibition, EFA Project Space furthers its goal to provide a space for collaboration with other art and cultural organizations, thus bridging gaps in the art community and expanding audiences for the arts.

Its projects are supported by the National Endowment for the Arts (NEA), the New York City Department of Cultural Affairs, New York State Council on the Arts (NYSCA), and other generous foundations and individual donors.