Sentences with phrase «other curator positions»

If you've already held other curator positions, show those first.

Not exact matches

Six months after graduation, the most common category of employment for U.K. biology graduates was «retail, catering, waiting and bar staff» (21.9 %), followed by «other professionals, associate professionals and technicians» — a broad range of positions that included museum curators, biodiversity officers, and microbiology technicians (16.5 %).

Prior to this position, Gule was Curator of Contemporary Collections at the Johannesburg Art Gallery, where he organized a number of significant exhibitions including: Meschac Gaba's «Tresses and Other Projects» (2007), Kay Hassan's «Urbanation» (2008), and Tracey Rose's «Waiting for God» (at Johannesburg Art Gallery [2011] and the Bildmuseet, Umeå, Sweden [2011 — 12]-RRB-.

On the other hand, the Blanton, which in 2010 divvied up the responsibilities for works on paper to various curators «according to their specific expertise and research areas,» has reconsidered, reinstating the position of Senior Curator of Prints, Drawings and European Paintings in 2012 with the appointment of Francesca Consagra.

Their donation of $ 3 million will endow the Chief Curator position held by Anthony Elms, who joined ICA in 2011 from Performa where he was part of the organizational team behind the 2011 visual art performance biennial in New York, along with other independent curatorial projects.

In the Positions section, Luke Skrebowski discusses the evolution of Benjamin's «The Author as Producer» into «The Curator as Producer» and in Studies, Martha Buskirk gives a detailed description of how the Italian collector Guiseppe Panza dealt with the conceptual works of Carl Andre, Donald Judd, and others in his collection.

Subseries IIA: Other Curatorial Projects 1994 - 1998: This subseries contains material connected to some of Lind's other curatorial projects, which include exhibitions and symposiums, and to her position as curator at the Moderna Museet in StockOther Curatorial Projects 1994 - 1998: This subseries contains material connected to some of Lind's other curatorial projects, which include exhibitions and symposiums, and to her position as curator at the Moderna Museet in Stockother curatorial projects, which include exhibitions and symposiums, and to her position as curator at the Moderna Museet in Stockholm.

No reason was given for the exit of the high - profile curator, who currently holds positions at the Jewish Museum in New York, the Museum of Contemporary Art in Detroit, the 2019 Honolulu Biennial, and the 3rd People's Biennial for the Indianapolis Museum of Contemporary Art in 2019, among others.

For example, an entire exhibition - within - the - exhibition, «Dios es marica» (God Is Queer), organized by Peruvian curator Miguel A. López and including self - portraits by Mexico's Nahum Zenil and Franco - era Spanish drag artist José Pérez Ocaña, among others, occupies a central position in the biennial's trajectory, as do the samplings of comparable work by São Paulo — based artist Hudinilson Jr. and Peruvian philosopher and drag queen Giuseppe Campuzano, whose ambitious Línea de vida / Museo Travesti del Perú (Life's Timeline / Transvestite Museum of Peru), 2009 — 14, a fictional museum, is one of many things in the biennial «that don't exist» — yet.

Others were internal such as the addition of Andrea Grover to the Parrish staff and the creation of the Curator of Special Project position, held by Grover.

Before assuming her post at the Stedelijk Museum in 2010, Goldstein worked at the Museum of Contemporary Art, Los Angeles (MOCA) for 26 years, holding the position of Senior Curator, among other roles.

She has served as inaugural director and chief curator of other college exhibition and museum programs, including Columbus College of Art & Design and Denison University, in addition to numerous additional positions with seven other academic museums, commercial galleries, historical collection and house museums and contemporary arts centers.

In 2006 he was appointed associate curator of the DAK» ART Biennial for African Contemporary Art in Senegal; later in 2008 he became co-curator of the Position Papers program for the Gwangju Biennale, and in 2009, the curator of the 3rd AiM International Biennale in Marrakesh, followed by the curatorial project «Sentences on the Banks and other activities» in Darat Al - Funun in Amman, in 2010.

Other positions include founder and director of the vibrARTion project, Curator & Deputy Director for International Coordination, China Sculpture Institute, ISC Member of International Committee, KAO (Kinetic Art Organization) Executive Director for China.

In response, more than 2,000 artists, curators, scholars, writers, interns, assistants, and many others engaged in the art world have signed an open letter stating «we are not surprised» by the widespread harassment they have experienced — including being groped, undermined, and intimidated — at the hands of people in positions of power.

His position at P.S. 1, he says, is comparable to that of a curator - at - large, and leaves him time to write catalog essays, curate for private galleries — he has done shows for Mary Boone, Barbara Gladstone and others — and supplement his museum income by doing consulting on strategy for luxury brands like Calvin Klein and Adam Kimmel.