Sentences with phrase «other curators in»

She also consulted with critics and other curators in the formation of the Biennial.
But Oregon State's Sidlauskas is joining some other curators in turning down the Life Science Museum's requests, saying he fears the appeals he received were a scam.

Not exact matches

So a smart magazine takes all the things I follow about photography, and adds all the things that our curators have suggested and sources others recommend in one easy place.»
His New York City - based team of five is supplemented by eight part - time curators in cities around the world, from Los Angeles to Tel Aviv, all of whom are tasked with finding stylish clothes, interesting books, vintage watches, antique furniture and other desirables for the Bureau.
The fun: On any given Tuesday and Friday — when the museum is open until 9 p.m. - the MCA hosts live performances, curator talks, workshops, screenings, concerts, and other artist projects in its brand new Commons space.
«This causes a shakeup in the fish family tree, which indicates that the ancestor shared by all ray - finned fishes lived tens of millions of years after previously thought, maybe in the aftermath of a mass extinction event around 360 million years ago that decimated many other groups,» said Friedman, an associate curator at the U-M Museum of Paleontology and an associate professor in the Department of Earth and Environmental Sciences.
An allegation against Richmond, the curator of human origins at the American Museum of Natural History (AMNH) in New York City, inspired a cascade of other allegations about him and motivated several senior paleoanthropologists to do battle against sexual harassment in their field.
«Evan's research shows alligators didn't evolve in a vacuum with no other crocodilians around,» said co-author David Steadman, ornithology curator at the Florida Museum of Natural History at the University of Florida.
In a letter to the chairman of the trustees, the IPMS and three other unions with members at the museum say «reducing the number of curators... will make it more difficult to achieve the (museum's) mission to promote the public understanding of the history and contemporary practice of science, technology, industry and medicine».
In the end, curators get satisfaction from knowing that their work is valuable to other researchers.
At any given time, around 50 — 60 graduate students from the University of Chicago and other area universities perform dissertation research in the labs of museum curators.
«We are learning that these two fundamentally different cells are changing each other dramatically, and this might be relevant for other symbiotic systems, including human and parasitic microbe relationships,» said study co-author Eunsoo Kim, an assistant curator in the Museum's Division of Invertebrate Zoology.
However, from looking through other dusty records elsewhere in the basement of the British Museum, you discover some notes from an earlier curator, who had also observed the box.
ELIZABETH DEHN, Healers Podcast, Writer, speaker, space - holder, healer - curator Writer and lifestyle editor Elizabeth Dehn spent more than a decade creating content for Fortune 100 companies, popular publications, and her award - winning blog, Beauty Bets, before launching HEALERS podcast in 2017 to support others on their healing journey.
In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.
For one thing, she's noticed that HFA students are more comfortable with adults, in part because they eat in the employee lunchroom, where they mingle with curators and other museum staff.
Many AIE alumni work in museums as curators and education specialists, while others work for private arts foundations and grantmaking organizations.
The Petersen Automotive Museum recently opened a new exhibit, The World's Greatest Sport Coupes, and although the museum's curators are well qualified to set up such an exhibit on their own, they asked some other experts to weigh in.
Re Lucian's concern i think publishing will continue to morph and new alliances of writers, journalist, curators, illustrators, translators and social & mobile geeks will collaborate on ways to create ebooks, enhanced ebooks, interactive books — and additional distribution channels along with amazon... and increasingly what we create can be agnostic of technology, available on any devise, Mathew's coverage has been in - depth, up - to - date and writing for a wide audience... as a former JSJ reporter who is interested in this area i am in awe of his writing, and thankful for it, like so many others here evidentally are... maybe you, Matthew, will author your own Amazon - supported book?
In other words, they act as filters and curators.
As she was explaining how she was blown away by the number of collectors who had made the trek from other countries, up walked Paul Lang, the deputy director and chief curator of the National Gallery of Canada in Ontario.
My hope is that many other artists, curators, and the like will follow their lead and push the art sector to improve both its working conditions and its involvement in broader society.
These issues are hardly confined to race, of course — curators of exhibitions on gender, nationality, and other aspects of identity routinely encounter artists who decline to participate because they don't want to be considered in the context of «women artists,» «Jewish artists,» and so on.
Since 2015 Pugh has been the North American curator for Facebook's global artist - in - residence program, working with local artists to create site - specific installations in New York, Cambridge, Austin, Seattle, Detroit, Chicago, Toronto, Los Angeles, and other cities.
As he told the MoMA curator William Rubin in 1969: «My main interest has been to make what is popularly called decorative painting» — decorative being the ultimate insult in western modernism, though no bad thing in other traditions — «truly viable in unequivocal abstract terms».
In addition, Jennifer collaborates with the Joan Mitchell Catalogue Raisonné team as well as scholars, curators, and conservators from other institutions.
Previously an independent curator, Morris organized, among other projects, Decoys, Complexes and Triggers: Women and Land Art in the 1970s at SculptureCenter, New York; 9 Evenings Reconsidered: Art, Theatre and Engineering, 1966 for the List Visual Arts Center, MIT, Cambridge, Massachusetts; and two exhibitions, Gloria: Another Look at Feminist Art of the 1970s and Food at White Columns, New York.
As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Art.
Moderated by Ruba Katrib, Curator at SculptureCenter, «Defining Structures: Contemporary Minimal» gathers together artists a generation or two removed from those featured in Other Primary Structures, whose work has been influenced by Minimalist tradition.
Former Director of the Royal College of Art Gallery in London and Curator at The Kitchen in New York, she is also the author of Performance: Live Art Since 1960 (1998) and Laurie Anderson (2000), and is a frequent contributor to Artforum and other publications.
To realize the show, the curators secured dozens of loans from leading museums and private collections in the US and many other countries; the lenders list is more extensive than that of most large - scale contemporary museum exhibitions.
BOOKSHELF An extensive interview with Marshall by curator appears in the exhibition catalog «Painting and Other Stuff.»
He is also an interlocutor curator of ACT II for the Sharjah Biennale 13 in Beirut and developing other exhibitions for a.o. Bozar in Brussels and the province of Flemish - Brabant.
BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.
In 2016, long - time New York magazine art critic Jerry Saltz even declared the once - scorned 1993 Whitney Biennial, which Golden organized with two other curators, «the moment in which today's art world was born.&raquIn 2016, long - time New York magazine art critic Jerry Saltz even declared the once - scorned 1993 Whitney Biennial, which Golden organized with two other curators, «the moment in which today's art world was born.&raquin which today's art world was born.»
ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibCURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibcurator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitions.
Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
An extensive interview with Marshall by curator appears in the exhibition catalog «Painting and Other Stuff.»
In 2008, while organizing the Jewish Museum's boisterous survey of Abstract Expressionism, «Action / Abstraction: Pollock, de Kooning and American Art, 1940 - 1976,» the curator, Norman L. Kleeblatt, noticed that two paintings — Lee Krasner's «Untitled» (1948) and Norman Lewis's «Twilight Sounds» (1947)-- seemed to be speaking to each other.
Julia Grosse and Yvette Mutumba founded Contemporary And in 2013 to provide established and emerging artists, curators, art critics and other cultural producers from Africa and the Diaspora the opportunity to reach an international audience and expand their networks.
Despite curator Helen Molesworth's instrumental involvement in the triumphal Kerry James Marshall show that opened at MOCA last week and other recent shows by Kahlil Joseph, Mickalene Thomas and Noah Davis» Underground Museum, MOCA's recent announcement that this year's annual gala will celebrate Jeff Koons (a museum benefactor) strikes a bum note.
We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.
«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the show).
But to lead to it, the curator Stephen Brown, in consultation with the Soutine scholars Esti Dunow and Maurice Tuchman, has assembled a well - paced procession of other still lifes that demonstrate the peculiarities of Soutine's style: naked fowl; silver herring; a giant ray fish, inspired by Chardin; and explosive bursts of popeyed sardines.
Song's interest in the various knowledge production methodologies in art has led to other projects and workshops including Sensible Residence (2016), and Right Then, Wrong Now: Curators» Conversation (2015), etc..
On the other hand, the Blanton, which in 2010 divvied up the responsibilities for works on paper to various curators «according to their specific expertise and research areas,» has reconsidered, reinstating the position of Senior Curator of Prints, Drawings and European Paintings in 2012 with the appointment of Francesca Consagra.
The catalogue features essays and discussions with Klein, Consulting Curator Okwui Enwezor, exhibition advisory board member Koyo Kouoh and urban theorist Edgar Pieterse, among others, complemented by statements from nearly 70 other African design thinkers and practitioners whose interviews are featured in the exhibition.
From 2012 until 2015 he was the Manilow Senior Curator at the Museum of Contemporary Art Chicago where he curated and co-curated, among other shows: Kerry James Marshall: Mastry (2016), The Freedom Principle: Experiments in Art and Music, 1965 to Now (2015), Simon Starling: Metamorphology (2014), and The Way of the Shovel: Art and Archaeology (2013).
As examples, in 1976 the Museum mounted the exhibition 200 Years of American Sculpture, organized again by Marcia Tucker with a group of other curators.
One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.
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