She also consulted with critics and
other curators in the formation of the Biennial.
But Oregon State's Sidlauskas is joining
some other curators in turning down the Life Science Museum's requests, saying he fears the appeals he received were a scam.
Not exact matches
So a smart magazine takes all the things I follow about photography, and adds all the things that our
curators have suggested and sources
others recommend
in one easy place.»
His New York City - based team of five is supplemented by eight part - time
curators in cities around the world, from Los Angeles to Tel Aviv, all of whom are tasked with finding stylish clothes, interesting books, vintage watches, antique furniture and
other desirables for the Bureau.
The fun: On any given Tuesday and Friday — when the museum is open until 9 p.m. - the MCA hosts live performances,
curator talks, workshops, screenings, concerts, and
other artist projects
in its brand new Commons space.
«This causes a shakeup
in the fish family tree, which indicates that the ancestor shared by all ray - finned fishes lived tens of millions of years after previously thought, maybe
in the aftermath of a mass extinction event around 360 million years ago that decimated many
other groups,» said Friedman, an associate
curator at the U-M Museum of Paleontology and an associate professor
in the Department of Earth and Environmental Sciences.
An allegation against Richmond, the
curator of human origins at the American Museum of Natural History (AMNH)
in New York City, inspired a cascade of
other allegations about him and motivated several senior paleoanthropologists to do battle against sexual harassment
in their field.
«Evan's research shows alligators didn't evolve
in a vacuum with no
other crocodilians around,» said co-author David Steadman, ornithology
curator at the Florida Museum of Natural History at the University of Florida.
In a letter to the chairman of the trustees, the IPMS and three
other unions with members at the museum say «reducing the number of
curators... will make it more difficult to achieve the (museum's) mission to promote the public understanding of the history and contemporary practice of science, technology, industry and medicine».
In the end,
curators get satisfaction from knowing that their work is valuable to
other researchers.
At any given time, around 50 — 60 graduate students from the University of Chicago and
other area universities perform dissertation research
in the labs of museum
curators.
«We are learning that these two fundamentally different cells are changing each
other dramatically, and this might be relevant for
other symbiotic systems, including human and parasitic microbe relationships,» said study co-author Eunsoo Kim, an assistant
curator in the Museum's Division of Invertebrate Zoology.
However, from looking through
other dusty records elsewhere
in the basement of the British Museum, you discover some notes from an earlier
curator, who had also observed the box.
ELIZABETH DEHN, Healers Podcast, Writer, speaker, space - holder, healer -
curator Writer and lifestyle editor Elizabeth Dehn spent more than a decade creating content for Fortune 100 companies, popular publications, and her award - winning blog, Beauty Bets, before launching HEALERS podcast
in 2017 to support
others on their healing journey.
In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors,
curators, art historians, and
others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.
For one thing, she's noticed that HFA students are more comfortable with adults,
in part because they eat
in the employee lunchroom, where they mingle with
curators and
other museum staff.
Many AIE alumni work
in museums as
curators and education specialists, while
others work for private arts foundations and grantmaking organizations.
The Petersen Automotive Museum recently opened a new exhibit, The World's Greatest Sport Coupes, and although the museum's
curators are well qualified to set up such an exhibit on their own, they asked some
other experts to weigh
in.
Re Lucian's concern i think publishing will continue to morph and new alliances of writers, journalist,
curators, illustrators, translators and social & mobile geeks will collaborate on ways to create ebooks, enhanced ebooks, interactive books — and additional distribution channels along with amazon... and increasingly what we create can be agnostic of technology, available on any devise, Mathew's coverage has been
in - depth, up - to - date and writing for a wide audience... as a former JSJ reporter who is interested
in this area i am
in awe of his writing, and thankful for it, like so many
others here evidentally are... maybe you, Matthew, will author your own Amazon - supported book?
In other words, they act as filters and
curators.
As she was explaining how she was blown away by the number of collectors who had made the trek from
other countries, up walked Paul Lang, the deputy director and chief
curator of the National Gallery of Canada
in Ontario.
My hope is that many
other artists,
curators, and the like will follow their lead and push the art sector to improve both its working conditions and its involvement
in broader society.
These issues are hardly confined to race, of course —
curators of exhibitions on gender, nationality, and
other aspects of identity routinely encounter artists who decline to participate because they don't want to be considered
in the context of «women artists,» «Jewish artists,» and so on.
Since 2015 Pugh has been the North American
curator for Facebook's global artist -
in - residence program, working with local artists to create site - specific installations
in New York, Cambridge, Austin, Seattle, Detroit, Chicago, Toronto, Los Angeles, and
other cities.
As he told the MoMA
curator William Rubin
in 1969: «My main interest has been to make what is popularly called decorative painting» — decorative being the ultimate insult
in western modernism, though no bad thing
in other traditions — «truly viable
in unequivocal abstract terms».
In addition, Jennifer collaborates with the Joan Mitchell Catalogue Raisonné team as well as scholars,
curators, and conservators from
other institutions.
Previously an independent
curator, Morris organized, among
other projects, Decoys, Complexes and Triggers: Women and Land Art
in the 1970s at SculptureCenter, New York; 9 Evenings Reconsidered: Art, Theatre and Engineering, 1966 for the List Visual Arts Center, MIT, Cambridge, Massachusetts; and two exhibitions, Gloria: Another Look at Feminist Art of the 1970s and Food at White Columns, New York.
As
curator of the El Paso Museum of Art
in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous
other publications for the El Paso Museum of Art.
Moderated by Ruba Katrib,
Curator at SculptureCenter, «Defining Structures: Contemporary Minimal» gathers together artists a generation or two removed from those featured
in Other Primary Structures, whose work has been influenced by Minimalist tradition.
Former Director of the Royal College of Art Gallery
in London and
Curator at The Kitchen
in New York, she is also the author of Performance: Live Art Since 1960 (1998) and Laurie Anderson (2000), and is a frequent contributor to Artforum and
other publications.
To realize the show, the
curators secured dozens of loans from leading museums and private collections
in the US and many
other countries; the lenders list is more extensive than that of most large - scale contemporary museum exhibitions.
BOOKSHELF An extensive interview with Marshall by
curator appears
in the exhibition catalog «Painting and
Other Stuff.»
He is also an interlocutor
curator of ACT II for the Sharjah Biennale 13
in Beirut and developing
other exhibitions for a.o. Bozar
in Brussels and the province of Flemish - Brabant.
BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum
in Harlem Director Thelma Golden,
curator Lauren Haynes, and artist Hank Willis Thomas, among
others.
In 2016, long - time New York magazine art critic Jerry Saltz even declared the once - scorned 1993 Whitney Biennial, which Golden organized with two other curators, «the moment in which today's art world was born.&raqu
In 2016, long - time New York magazine art critic Jerry Saltz even declared the once - scorned 1993 Whitney Biennial, which Golden organized with two
other curators, «the moment
in which today's art world was born.&raqu
in which today's art world was born.»
ABOUT
CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhib
CURATOR INDIRA CESARINE Indira Cesarine's work as a
curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhib
curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate
in America since the election of Donald Trump as well as numerous
other critically - acclaimed exhibitions.
Mind and Matter and these
other exhibition and incidental installations of individual works are part of an ongoing initiative among women
curators at MoMA to delve deeply into the permanent collection
in order to find out what works by women artists they already own and then see how gaps
in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
An extensive interview with Marshall by
curator appears
in the exhibition catalog «Painting and
Other Stuff.»
In 2008, while organizing the Jewish Museum's boisterous survey of Abstract Expressionism, «Action / Abstraction: Pollock, de Kooning and American Art, 1940 - 1976,» the
curator, Norman L. Kleeblatt, noticed that two paintings — Lee Krasner's «Untitled» (1948) and Norman Lewis's «Twilight Sounds» (1947)-- seemed to be speaking to each
other.
Julia Grosse and Yvette Mutumba founded Contemporary And
in 2013 to provide established and emerging artists,
curators, art critics and
other cultural producers from Africa and the Diaspora the opportunity to reach an international audience and expand their networks.
Despite
curator Helen Molesworth's instrumental involvement
in the triumphal Kerry James Marshall show that opened at MOCA last week and
other recent shows by Kahlil Joseph, Mickalene Thomas and Noah Davis» Underground Museum, MOCA's recent announcement that this year's annual gala will celebrate Jeff Koons (a museum benefactor) strikes a bum note.
We discuss, among
other topics, about photography
in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality
in the media city with
curator and researcher Tanya Toft; art and technology with
curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts
curator at Stroom, an independent centre for art and architecture
in the Netherlands; the intersections of art, law and science with
curator and cultural manager Daniela Silvestrin; the architecture of sacred places with
curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with
curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts
in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with
curator Tina Sauerländer.
«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways
in which artists crib ideas and inspiration from each
other, artist and
curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with
other artists (he plans to return them after the show).
But to lead to it, the
curator Stephen Brown,
in consultation with the Soutine scholars Esti Dunow and Maurice Tuchman, has assembled a well - paced procession of
other still lifes that demonstrate the peculiarities of Soutine's style: naked fowl; silver herring; a giant ray fish, inspired by Chardin; and explosive bursts of popeyed sardines.
Song's interest
in the various knowledge production methodologies
in art has led to
other projects and workshops including Sensible Residence (2016), and Right Then, Wrong Now:
Curators» Conversation (2015), etc..
On the
other hand, the Blanton, which
in 2010 divvied up the responsibilities for works on paper to various
curators «according to their specific expertise and research areas,» has reconsidered, reinstating the position of Senior
Curator of Prints, Drawings and European Paintings
in 2012 with the appointment of Francesca Consagra.
The catalogue features essays and discussions with Klein, Consulting
Curator Okwui Enwezor, exhibition advisory board member Koyo Kouoh and urban theorist Edgar Pieterse, among
others, complemented by statements from nearly 70
other African design thinkers and practitioners whose interviews are featured
in the exhibition.
From 2012 until 2015 he was the Manilow Senior
Curator at the Museum of Contemporary Art Chicago where he curated and co-curated, among
other shows: Kerry James Marshall: Mastry (2016), The Freedom Principle: Experiments
in Art and Music, 1965 to Now (2015), Simon Starling: Metamorphology (2014), and The Way of the Shovel: Art and Archaeology (2013).
As examples,
in 1976 the Museum mounted the exhibition 200 Years of American Sculpture, organized again by Marcia Tucker with a group of
other curators.
One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional
curator José Roca, a native of Colombia who now lives
in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously
in the BGC Focus Gallery, Roca envisioned immersive environments
in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each
other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter
in the gallery spaces.