Sentences with phrase «other dead artists»

BP: Who are some of the other dead artists you're having conversations with?

Not exact matches

He avoided the scourge of hard drugs that left so many other jazz artists incarcerated or dead before their prime, but his extramarital affairs were the stuff of legend.

There were certainly plenty of other artists who have covered the popular Christmas song who director David Dobkin could've chosen from, if he was dead set on including that particular tune in his picture.

doesn't mean that I don't want to return to «The Dead,» «Dry September,» «Everything that Rises Must Converge,» «The Rocking Horse Winner,» «The Things They Carried,» «Keelah the Outcast Indian Maiden,» «Guests of the Nation,» William Trevor, John Cheever, Annie Proulx and other longer story touchstones and artists.

Scenes of dialogue in the game are presented with highly detailed realistic artwork by Japanese artist Shinkiro, who some might be familiar with as the character artist from games such as Dead Rising, Resident Evil: Deadly Silence and Final Fight One as well as other Capcom titles.

Telltale usually recruits lots of talented voice - over artists from their previous games such as Adam Harrington who voices Bigby Wolf and The Woodsman having already voiced LeChuck and Moose in Tales of Monkey Island, Matches in Back to the Future, Foreman Isaac Davner and Repairman Scruffman in Puzzle Agent 2, Andy St. John in The Walking Dead: Season 1 and Jerry and Leland in The Walking Dead: 400 Days as well as Melissa Hutchison who voices Toad Junior and Beauty with Melissa Hutchison's adaptable voice acting having already featured as many other characters such as Stinky in the Sax and Max seasons; Trixie Trotter in Back to the Future; and most popular of all is the role of Clementine The Walking Dead: Seasons 1 and 2, amongst other videogames, alongside Dave Fennoy voices Bluebeard who perfectly voiced the lead protagonist Lee Everett in The Walking Dead: Seasons 1 and 2 opposite Melissa Hutchison and has voiced Dr. Montrose in Law & Order: Legacies and many videogame and television characters.

In a series of encounters with art made strange by its expansions, contractions, inversions and implosions in time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians — among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez - Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many others.

DAVID SALLE — Artists can also be dead wrong, but I love the way they talk about other aArtists can also be dead wrong, but I love the way they talk about other artistsartists.

Conceived as a kind of «love letter,» this billet - doux between two covers was addressed not only to the eight dead and one living artist (Balthus) who Perl had written about, but also to the many living artists and others who the author felt would share his view that many of the seminal achievements — and lesser known periods — of French modernism's «Old Masters» had been ignored, pushed aside or wrongly dismissed.

Other artists, though, really do pay tribute to the dead.

The installation comprises 74 individual titles of the artist's video and film works, amongst others «24 Hour Psycho» (1993), «Between Darkness and Light (After William Blake)» (1997), «Play Dead; Real Time» (2003), «k. 364 — A Journey by Train» (2010), «Henry Rebel» (2011) and «Phantom» (2011).

In the past, he has referred to himself as Dr Frankenstein, an artist who constructs paintings out of the «dead parts of other's work» to bring «a sense of strangeness» to their depictions of the world.

It is no surprise that Tate has extended the run of artist Taryn Simon's exhibition A Living Man Declared Dead and Other Chapters until January 2012.

Unlike artists including Robert Smithson and Mark Dion, who brought live or dead trees into white - cube gallery spaces, Mr. Oliveira has constructed a tree from scratch, using plywood and other materials, as well as wood brought from Brazil.

Gallery artists living and dead confront power structures and their impact on migration, censorship, struggles for democracy and equality across the globe: Ian Hamilton Finlay's wooden block / guillotine «La Révolution est un bloc», Yayoi Kusama's enveloping sculpture «Prisoner's Door», Chris Ofili's «Union Black» flying over the gallery entrance, Wangechi Mutu's action painting «Throw» and work by Elmgreen & Dragset, Wolfgang Tillmans, Kara Walker and others.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Next door, in Petzel's booth, the take - no - prisoners artist Joyce Pensato shows monstrous yet compelling portraits of other American figures: six paintings of a demented Bart Simpson, rendered in drippy enamel, and a dead - eyed Homer, in smudged charcoal.

Organised by the Museum's Chief Curator David McFadden and Curator Lowery Sims with Assistant Curator Elizabeth Edwards Kirrane, Dead or Alive features new site - specific installations and recent work by contemporary artists from around the world, including Jennifer Angus, Nick Cave, Tessa Farmer, Tim Hawkinson, Jochem Hendricks, Damien Hirst, Alastair Mackie, Kate MccGwire, Susie MacMurray, Shen Shaomin, and Levi van Veluw among others.

On Being a «Lady» (February 10, 2013) was my solution for how to review a show I was in, «since the show is divided into two parts, installed along two separate sections of the space, with one side featuring the works of women artists who are deceased, and the other side featuring those of us still among the living, I feel that I can safely recommend the dead without incurring controversy among the other living artists in the show or referring to my own work in it or the ramifications of the word «lady,» which I know has stirred some controversy.»

Posting sales of more than $ 57 million and $ 110 million a pop, Basquiat has achieved levels far beyond any other black artist, living or dead.

The advertising millionaire widely credited with, and sometimes despised for, putting conceptual art on the map is banishing Emin's unmade bed, Hirst's dead cows and sharks and other well - known icons of the Young British Artists movement from his central London gallery for the next two years.

Many of Macuga's large - scale, research - intensive projects have been collaborative, with the resulting installations often incorporating the work of other artists, both living and dead.

American artist Taryn Simon's A Living Man Declared Dead and Other Chapters filled a suite of galleries at Tate Modern with a series on 18 family bloodlines, each with an arresting story, including someone who was a body double for Saddam Hussein's son.

In other pieces, artists evoke the history of the shadow theater, as in a video animation by South African artist William Kentridge, and in the shape - shifting shadow cast by French artist Christian Boltanski's revolving doll, recalling imagery from the carnival as well as figurines used to celebrate the Mexican Day of the Dead.

During this picknik it gets more and more heavy for both artists, physically seen: on the one side, the salt makes it heavy to go on eating and on the other hand, the dead sea and its waves require to take care for the table and the belongings.

Many of Macuga's large - scale, research - intensive projects have been collaborative in nature, and the resultant installations regularly incorporate the work of other artists, both living and dead.

Edith Newhall reports in the Philadelphia Inquirer: «Campuzano's paintings convey a sense of potential menace lurking in their background, and each is different from the other and vaguely reminiscent of the works of such painters as Jasper Johns, Frank Stella, Clyfford Still, and Piet Mondrian — enough so you wonder if Campuzano's project is actually about the viability of painting in the 21st century, and whether he has tweaked the «dead man» of the original note into a reference to famously groundbreaking artists, dead and alive....

I figure that since the show is divided into two parts, installed along two separate sections of the space, with one side featuring the works of women artists who are deceased, and the other side featuring those of us still among the living, I feel that I can safely recommend the dead without incurring controversy among the other living artists in the show or referring to my own work in it or the ramifications of the word «lady,» which I know has stirred some controversy.

Many of Macuga's large - scale, research - intensive projects have been collaborative in character, and the resultant installations regularly incorporate the work of other artists, both living and dead.

Other works in the show continue the artist's exploration of proportion, color, and line, and include two of his final paintings, completed in late 2010, T - 3 and Untitled, as well as three photographs from 2009 of a dead moth, which, having landed, happened to breathe its last on one of Uglow's drawings.

Polish mixed media artist Finnabair (also known as Anna Dabrowska) puts together these richly - textured collages of salvaged tech parts along with other finds like dead moths, fabric, buttons and paints them to make dreamlike landscapes with a deeper significance.