Sentences with phrase «other early photographs»

Here, daguerrotypes and other early photographs of babies.

I began collecting daguerreotypes and other early photographs when I was 16.

Not exact matches

When planetary scientists started studying the photographs and data from Voyager and the subsequent Galileo mission that studied the Jovian system during the 1990s and early 2000s, they confirmed this notion: these ridges, or lineae, are fructures, or cracks, on Europa's icy surface, caused be the intense tidal forces of the massive, nearby Jupiter and the orbital resonances with the other nearby moons.

In such circumstances a person with early memory problems can be helped to recall information with cues such as photographs, or reminding the person of other people who were at a particular event, and so on.

DATING CARD MOUNTED PHOTOGRAPHS © 2014 jrowe @ - HOME - Comments Card mounted photographs from the 19th and early 20th century Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitaPHOTOGRAPHS © 2014 jrowe @ - HOME - Comments Card mounted photographs from the 19th and early 20th century Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitaphotographs from the 19th and early 20th century Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a

Get your graphics in order — If your book will have charts, graphs, diagrams, photographs, drawings, or any other elements that won't be produced typographically, make sure to discuss these with your book designer early in the process.

Having shown a series of large - scale ink drawings that re-created photographs from her father's early childhood in her 2003 graduation exhibition at the Royal University College of Fine Arts in Stockholm, Wåhlstrand continues to investigate other motifs from her family photograph albums.

Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.

These compelling photographs not only serve as documentation for one of Still's early exhibitions, but also reveal his associations with other notable figures in the art world.

Among the earliest works at MoMA are full - length blueprint - style photographs — antic, Edenic — the couple made of each other after a first stay at the school, where they studied with Josef Albers.

A group of important early black and white photographs, to be shown in the two other galleries, give historical context to and chart the trajectory of Casebere's use of architecture to evoke dream - like memories of places that are familiar, but not specific.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

In 2017, Yale University Art Gallery exhibited and published the some of his earliest work, 1957 photographs of participants of the Prayer Pilgrimage for Freedom in Washington, D.C.. His work is held by major collections including Art Institute of Chicago;, George Eastman Museum; The Metropolitan Museum of Art; The Museum of Modern Art; The National Gallery of Art; San Francisco Museum of Art; the Whitney Museum of American Art, among many others.

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Celebrity.

Thomas's bodies begin as substrata, canvases to a libidinal urge reminiscent of depictions of the Other in early photography and pornography (and, in turn, historical photographs» mimicry of Western painting traditions).

This latest issue of Esopus, featuring a brand - new format and design (and encased in a slipcover), features artists» projects by Sharon Core, Joyce Pensato and John Sparagana; 100 still frames from David Lynch's Blue Velvet (introduced by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen photographs from 1949 by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art by two of its guards; fiction by Chelli Riddiough; and an audio compilation of new songs inspired by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.

The autobiographical exhibit consisted of photographs, pictures of earlier paintings and other personal objects, including a pack of cigarettes her uncle was holding when he was killed in a car crash.

The gallery specializes in 20th - century and contemporary photography and represents some of the key figures in early 20th century photography like László Moholy - Nagy, Man Ray, Manuel Álvarez Bravo, Edward Steichen (the iconic Greta Garbo photograph) and Herb Ritts, among others.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

What to see at the museum The large collections of fine arts of the Smithsonian American Art Museum include paintings, sculptures, drawings, prints, photographs, installations, videos and new media, ranging from early colonial times to contemporary American authors such as Nam June Paik, Barbara Bosworth, Robert Longo, Sean Scully and Jim Campbell, among others.

Some are friends (including his wife Aline, and Eden of the East River String Band); some are strangers he has encountered in person, or seen in photos; some are sports personalities and celebrities drawn from press photographs (among them, Serena Williams and Lady Gaga); a few are from life modelling classes, and others are from an early 20th - century magazine, also called Art & Beauty, which collected «semi-erotic images of life models for art lovers and aspiring painters».

Most of his early works are very large portraits based on photographs, using Photorealism or Hyperrealism, of family and friends, often other artists.

In January 2020, to celebrate the launch of the online Draper archive, VMFA will host a major exhibition with a scholarly catalogue featuring Draper's photographs, as well as works by other significant photographers that participated in the early years of the Kamoinge Workshop.

Other significant additions include key works by artists from the 1970s and 1980s who were early practitioners of color photography, such as a group of 27 photographs by William Eggleston, along with pictures by Jo Ann Callis, William Christenberry, Jan Groover, and Barbara Kasten.

True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the main gallery acts as a literal reflection of itself — a section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the gallery space or in her Philadelphia studio.

Other exhibitions have studied artist portraits and self - portraits, early 20th century images of New York City subways and skyscrapers and 19th century hand - colored Japanese photographs.

He authored many books, including Bravo Stravinsky, 1967; One Mind's Eye: The Portraits and Other Photographs of Arnold Newman, 1974; Faces USA, 1978; Arnold Newman: Five Decades, 1986; Arnold Newman's Americans, 1992; Arnold Newman, in Japanese and Korean, 1992; Arnold Newman - Selected Photographs, 1999; Arnold Newman, Taschen Publishers, in English, German and French, 2000; Arnold Newman: The Early Work, Steidl publishers, 2008

The catalogue accompanies the first U.S. mid-career survey of this important Dutch artist's work in photography and video; it features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstra's later work including her most recent video installations.

The final section, «Protoshop,» presents photographs from the second half of the 20th century by Yves Klein, John Baldessari, Duane Michals, Jerry Uelsmann and other artists who have adapted earlier techniques of image manipulation — such as spirit photography or news photo retouching — to create works that self - consciously and often humorously question photography's presumed objectivity.

The exhibition comprises 66 photographs ranging from early 19th - century experiments through contemporary digital techniques and includes works by Diane Arbus, Robert Mapplethorpe, Catherine Opie, Cindy Sherman, Alfred Stieglitz, Lorna Simpson, and Andy Warhol, among others.

In June, Vancouver's truth and beauty gallery presents A Discovery of Early 20th C. Vintage Photographs, featuring among others, the image above «Among Big Trees» — Seven Sisters, Stanley Park shown here courtesy of truth and beauty whose owner, Peppa Martin, an AWAD Member, describes how this exhibit came about.

If these elements to some extent called to mind her earlier work, other moments — such as a snapshot - size portrait of Grace Dunham, or a flock of photographs, hung high on the wall, of birds in flight — felt like departures.

Other significant additions include a suite of 25 photographs from Lewis Baltz's seminal 1971 series The Tract House; a rare early self portrait by Sally Mann from 1976; Laurie Simmons» 1987 gelatin silver print, Walking Camera (Jimmy the Camera); Lorna Simpson's 1991 Coiffure, a triptych of gelatin silver prints and ten engraved plastic plaques; Chuck Close's daguerreotype portraits Cindy Sherman and Self - Portrait, both from 2000; and Hiroshi Sugimoto's Oscar Wilde (2000), all of which complement works by these artists already in the collection.

Includs photographs sent to Richard Gray Gallery, Chicago, USA, installation shots of early solo exhibitions at Rowan Gallery, London, UK and of N'existe pas, 1966, and other work on the roof of St Martin's School of Art, London in 1964.

In the early 1950s he was influenced by the work of Jackson Pollock and other Abstract Expressionists and produced swiftly executed pictures of trees as well as various works based on photographs.

Photographs make up 30 % of the collection, with many of these works made in the late 1980s and early 90s, a period in which some artists used the documentary form of photography and related mediums to develop powerful portraits of themselves and their communities, while others highlighted the violence done to such communities.

Stezaker, who had a retrospective at the Whitechapel Gallery earlier this year, collects old photographs — movie stills, publicity shots, postcards, book and magazine illustrations — slices them in two, then splices them with other cut pictures to create something altogether new and often slightly disturbing.

[5] At an earlier stage in her career, Brown used photographs as sources, now she looks up the other art.

Photographs, statements of witnesses and other evidence must be obtained as early as possible.

On the other hand, early action can assure that videotapes are retained, skid or scuff marks are photographed and measured and other important actions are taken before important proof is lost.