Sentences with phrase «other ephemeral material»
Photographs and other ephemeral material related to Kernn - Larsen's exhibition at the Guggenheim Jeune gallery will also be on display.
http://www.dreamideamachine.com/
«Students will be able to research using this unique archive that includes artists» books, digital recordings of performance art, and other ephemeral material that really documents the history of the avant - garde movement in this country,» he added.
It also features many previously unpublished photographs of the artist in the studio and at home and other ephemeral materials, making the publication the complete word on this acclaimed and original artist's life and work.
It also features many previously unpublished photographs of the artist in the studio and at home and other ephemeral materials, making the publication the last word on Ayres» life and work.
Not exact matches
Similar to Owen's other works, this site - specific installation responds to the particular architectural properties — formal qualities as well as spatial patterns — of the Market and the gallery space, and is constructed out of modest and / or ephemeral materials, which seemingly grow from and within the architecture.
ARQUETOPIA, Publa, interior view EXAMPLES OF TECHNIQUES WE OFFER (BUT NOT LIMITED TO THESE) Drawing • Painting • Natural pigments (cochineal, indigo, and other pigments) • Paper • Printmaking • Graphic design • Textiles • Mexican textiles (weaving, embroidery, back - strap weaving) • Sculpture • Ceramics • Mexican ceramics (Talavera, loza vidriada) • Gold leafing and antique art techniques • Wood carving • Performance • Ephemeral (including food and other perishable materials) • Photography: digital photography and alternative photographic processes • Digital media • Design and illustration RESIDENCY PROGRAMS WE OFFER (CLICK EACH FOR INFORMATION) 1.
He turned towards collaboration, creating site - specific installations made of ephemeral materials such as newspaper, plants, eggs, unfired clay, sand, flowers, among other everyday or rejected items.
The resulting visual language consists a physical, tactile aspect stemming from the treatment of ultimately tangible material on the one hand and a representation of ephemeral elements on the other.
«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and Richard Tuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.
His works, often marked by fragile or ephemeral materials with regard to the personal, mystic, and spiritual, have been a source of widespread influence to artists such as Mike Kelley, Tony Oursler, and Robert Gober, amongst numerous others.
«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and RichardTuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.
All the works contain material or form that was used in some other way before they became works of art, and the artist thinks of this transformation as a form of alchemy in which the ephemeral becomes ever - lasting while the new artworks still retain some remnant of the cultural content from their previous use.