The images of brutality and deaths are juxtaposed with joyous images of the LGBTI community captured during weddings, pride and
other events depicting love, peace and harmony.
Not exact matches
Throughout television, movies, and
other popular culture, birth can be
depicted as a horribly painful
event that involves a lot of medication, screaming, and agony on behalf of the mother.
When Aamir was unable to return to Pakistan after the
events depicted in the film, Infact Canada and
others campaigned for his right to stay, a struggle beset with obstacles.
Shot (with one exception) in black and white by Florian Ballhaus (son of Michael), the film is set to a score that is more industrial sound than music; yet, it is the combination of the clinically clean black - and - white cinematography, the disturbing score, and the narrative's single - minded focus on the protagonist's actions (there is no moment when the film seeks to psychologise him) by which the film manages to simultaneously solicit, on the one hand, our fascination with and, increasingly, horror about the
events depicted — even long after Herold has proven how scarily easy it is for him to order mass murder (and, whenever necessary, to set an example by killing himself)-- and, on the
other hand, to ensure that we keep some intellectual distance from the diegetic
events.
Interestingly, for such a popular historical figure, there is a dearth of biographical films about her life (the only notable film is the Norma Shearer / Tyrone Power classic from way back in 1938), except through incidental
events depicting her as a supporting figure, such as tales of the French Revolution or
other stories taking place in the late 18th Century.
Other movies based around historical figures or
events are Thirteen Days (about the Cuban Missile Crisis), Malcolm X (
depicting the assassination of an African - American religious figure and activist) and Gandhi (the man whose non-violent protest policies eventually liberated India from the British Empire).
Branching out from a mock newspaper article that covers the aftermath of
events depicted in the film, this feature takes a look at various handwritten notes and
other documents — some seen in the film, some not — that more extensively flesh out Leonard's story.
It follows this learning journey: - Understanding what dreams are and how they differ for each of us; - Defining the American Dream, The Wall Street Crash and The Great Depression; - Creating a timeline which visually
depicts the
other influential
events of the time; - Reading and reflecting on an extract from the text; - Analysing the links between texts and contexts, from a success criteria; - Evaluating each
others» analytical attempts.
I rarely have any difficulty reading about people inflicting harm on
others; in Far Bright Star, though, some fairly horrific
events are
depicted so graphically that I found them truly disturbing, with long - lasting afterimages.
Just like in every
other entry, Dynasty Warriors 9 tells a story loosely based on the
events depicted in the Chinese historical text «Records of the Three Kingdoms.»
On the
other hand the raucous humor of the various projects
depicted by Barcelona based artist and activist Leonidas Martin was quite wonderful and contagiously funny although one of the best pieces was video of a bank occupation, when in a kind of flash mob
event, people closed their accounts at a branch of a major bank and a huge crowd of revelers suddenly materialized, eventually even making an initially stunned woman banker burst out laughing.
Influenced by Francisco José de Goya's Black Paintings series, Nishi
depicts sceneries where actual
events and fiction coalesce with one
other, through them inviting viewers to a mysterious and uncanny world.
This exhibition within an exhibition is further contextualized by photographs by Gary Winogrand and Lee Friedlander, among
others, in addition to exhibition catalogs, books, and archival documents which
depict the
events, excitement, and anxieties of the period.
His monumental, layered works are often painted after black and white photographs
depicting portraits, architecture or
other remnants of historic
events.
Julie Bozzi's landscapes
depict the spaces between the picturesque
events others tend to seek out as they scan a panorama.
Further, as
others have alluded, it is not necessary for the emails to ennumerate every aspect of the Climategate story for them to accurately
depict the
events that they do describe.