Sentences with phrase «other exhibition areas»
There are in the region of 50 museums (and many other exhibition areas) attracting over 4 million visitors a year, so it's easy to see why Amsterdam is regarded as a major cultural centre.
https://www.silvertraveladvisor.com/ Not exact matches
Example Membership, attend approach decision sector call concentration number deny contact used appeal proper something surround dream public speed resource stop other shape focus somewhat video perhaps human argue league sound that enable plan expenditure collect the burn murder amount appoint grant task girl time similar crime since divide once space reform measure glass exhibition judge hide appear piece cost end drink profit wild lord life few although anybody want stand refer drive lot continue insist read well sea existence map operate act release area holiday belief but thing drink
Obviously the city government hasn't forgotten about cultural life and there are many theaters, exhibitions and other art areas and spots here.
Members shall in particular not make the Services available and accessible to third parties, e.g. to an open group of people by exposure or display of the Services in public areas, including but not limited to cinemas, theatres, exhibitions, show rooms, hotels, bars, clubs, pubs, restaurants, or other public spaces.
A special Goa exhibition area will also be created to feature festivals, beaches, nightlife, heritage trails, meetings, medical tourism, MICE (meetings, incentives, conferencing and exhibitions), monsoon tourism and others that play crucial role as tourist attractions in Goa.
Guests enjoy access to all the facilities and services at the four other resorts within the massive Barceló complex including 20 + restaurants and over a dozen bars, six swimming pools, water parks for the kids, free entrance to the disco including drinks, two kids clubs, open - air fitness center, convention center for capacity up to 850 guests with exhibition area and additional breakout rooms!
Foyer space is a multifunctional area of 3,563 sq. ft. for exhibitions, private check - in or other Purposes
Spanning the two floors of the museum's older buildings, as well as other areas of its new annex, the exhibition embraces new works by Ai Weiwei, inspired by the museum's collection of ancient artifacts and the artist's visit to the Greek island of Lesvos.
Construction of both the museum building and the sculpture park was initiated by the Selvaag Gruppen and Aspelin Ramm, and during the exhibition period the outdoor and indoor areas will engage in a close dialogue with each other.
Drawing upon their complementary areas of expertise, they will work closely with Frank Stella and one another on exhibitions, publications, and other ambitious projects that fully engage the span of the artist's remarkable career, emphasizing his dynamic current studio practice and addressing its significance within in context.
After attending the San Francisco Art Institute (then known as the California School of Arts), Wiley, along with Robert Hudson, Bruce Nauman, Robert Arneson, and Roy DeForest, among others, formed the Bay Area Funk movement, which gained national notoriety after the infamous «Funk Art» exhibition in 1967 at the University Art Museum in Berkeley (now the Berkeley Art Museum and Pacific Film Archive).
Seeming to expand and collapse in the charged landscape of the Museum's indoor - outdoor gallery (Area 1), they are a conceptual and perceptual analogue for Noguchi's collapsible Akari light sculptures — the subject of the Museum's current exhibition Akari: Sculpture by Other Means.
Select groups exhibitions and biennials featuring his work include Inherent Structure, Wexner Center for the Arts, Columbus, OH (2018); Surface Area, Studio Museum in Harlem, New York (2016); Nexo / Nexus: Latin American Connections in the Midwest, DePaul Art Museum, Chicago (2016); 6th Prague Biennale (2013); El Museo Bienal The [S] Files, El Museo del Barrio, New York (2011) and Queens International 2012: Three Points Make a Triangle, Queens Museum, New York (2012), among others.
I ended up really loving the ICA's two other exhibitions: a retrospective of the New York ceramicist Arlene Shechet's 20 - year career and the biennial James and Audrey Foster Prize exhibition, which recognizes Boston - area artists.
All About America: Photographs by Burk Uzzle is presented in coordination with two other area exhibitions exploring the photographer's work: Burk Uzzle: Southern Landscapes (Nasher Museum of Art at Duke University, 28 May — 18 September 2016) and Burk Uzzle: American Chronicle (North Carolina Museum of Art, 16 April — 25 September 2016).
She has curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, as well as Kala Art Institute, ProArts, SOMArts and other Bay Area venues.
Located in the Allen Institute building at the corner of Westlake and Mercer in the South Lake Union area of Seattle, the 3,000 - square - foot exhibition space will be devoted to contemporary art and culture in the widest possible sense, featuring work from private and public collections in Seattle and other parts of the world, as well as pieces from the Allen Family Collection.
The works included in the exhibition come from different local contexts and establish a dialogue with other international areas in order to raise the current impact of utopian proposals arising from the Industrial Revolution as distinct from capitalism.
As galleries opened in other areas downtown, they transitioned to informally - financed and run exhibition spaces.
For this exhibition you have also brought in various surface interruptions, sometimes leaving areas blank, and at other times showing multiple scenes in one work.
Joyce J. Scott: Harriet Tubman and Other Truths is supported in part by the following funders: National Endowment for the Arts Art Works, Bank of America, New Jersey Council for the Humanities, Agnes Gund Foundation, Art Alliance for Contemporary Glass, The Coby Foundation, LTD., Rotasa Foundation, PNC Fund of the Princeton Area Community Foundation, Goya Contemporary, Shirley and Arthur Martin Family Fund, and the following Exhibition and Education Supporters: Robbye D. Apperson, Jackie & René Copeland, Gordon and Lulie Gund, Barbara Lawrence and Allen Laskin, Mike De Paola and Alan White.
The far end is the living area, with sofas, a television and an industrial - chic kitchen along one wall; the other half is her work studio, lined with vast Bollywood - style posters from a recent exhibition, tiles and fabrics strewn on the floor, and strange objects in glass cabinets which have, or will be, incorporated into her art.
For women abstract expressionists in San Francisco, such as Gechtoff, Jay DeFeo (also in the Denver exhibition), Joan Brown, Deborah Remington, Lilly Fenichel and others, acceptance among the Bay Area male abstract expression contingent was not an issue, as it was in New York: «There was none of that macho bullshit,» says Sonia.
She and 15 other artists have come to Palm Springs and the surrounding area as part of Desert X, a new exhibition of large - scale installations that stretches across 45 miles until 30 April.
Famous for his widely read essay Take Care among other accolades, curator Anthony Huberman will take up all three exhibition areas at Secession with a group show that reflect on the way machines are not only physical objects but have become infrastructural, a part of the technological present that is more difficult to shut down or turn off.
We also have an active program of loaning smaller, banner exhibitions developed for our Maryland Community Space gallery to area schools, libraries, visitor centers and other interested institutions.
Other institutions — for example, Yerba Buena Center for the Arts, which, until 15 August, is showing an impressive exhibition called Take This Hammer: Art + Media Activism from the Bay Area — grapple with these issues by featuring the socially engaged art of regional artists.
With 5 studio buildings in Santa Monica, 18th Street provides a hub for contemporary art through two program areas that reflect its mission: 1) A Residency Program that fosters inter-cultural collaboration and dialogue and 2) A Public Events and Presenting Program that focuses on engaging the public and revealing the art - making process to them through exhibitions, events, publications and other opportunities.
According to the museum's charter, The purpose of the Morris Museum of Art shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational programs.
These resources include organizing class visits by artists, curators, and other arts professionals, offering classes tours of current exhibitions, and organizing field trips for students and faculty to Bay Area museums and cultural centers.
«POWer of 13» is an exhibition at the Barrett Art Center in Poughkeepsie NY by thirteen artists from the metro New York area who support each other as friends and critics.
Millennium Court Arts Centre is pleased to present artists from the South Ulster area in our «Other Perspectives» Group Exhibition, 14 January — 26 March 2011.
''... Other areas of the exhibition will focus on ceramic artist Michelle Erickson's historical approach to recreating antique ceramics and the alcohol - related ceramics of 19th century North Carolina.»
The Urban Photo Village is curated by photographer and architect Stefano Carnelli and has eleven exhibitions all within walking distance of each other, so once you're in the area, it's going to be well worth making some time to visit the shows.
In addition to her exhibition and curatorial experience at several nonprofit art spaces in the Bay Area, her own work has been exhibited at The Lab, Performance Art Institute, and ap - art - ment, all in San Francisco; at Aggregate Space, Oakland; and at other venues throughout Cali - fornia.
The seniors are required to create a body of work generally organized around a central idea or area of investigation and present that work in a cohesive exhibition, with accompanying mentorship and critiques by their advisors and other faculty in the program.
Collected — the eighth exhibition at Pier 24 Photography — brings together photographs from the Pilara Foundation and other Bay Area collections.
We are excited to join other Bay Area publishers at this year's SF Art Book Pop - Up where we will have our gallery guides, exhibition catalogues, and other publications available for purchase!
The seventh program, Odunde: The Global Presence of African Spirit in Contemporary Art, cosponsored and co-organized in 1994 with the Fine Arts Museums of San Francisco, featured the speakers Glenn Ligon, Keith Morrison, Martin Puryear, Faith Ringgold, and Michele Wallace, among others, and was accompanied by a cluster of exhibitions throughout the Bay Area, including the retrospective Black Power / Black Art at SFSU.
In addition to the dense hanging of artworks, posters, and other archival materials, along with an area to read books and watch videos, the exhibition features four town - hall discussions to examine pressing concerns about city life now.
Ongoing Club activities to promote appreciation of art include recognizing the contributions of distinguished Chicago - area artists to the visual arts and the community who are feted at a biennial Beaux - Arts Celebration, organizing exhibitions with other Chicago arts institutions and producing monthly exhibitions of contemporary art by Chicago's emerging and midcareer artists.
-LSB-...] expressionists in San Francisco, such as Gechtoff, Jay DeFeo (also in the Denver exhibition), Joan Brown, Deborah Remington, Lilly Fenichel and others, acceptance among the Bay Area male abstract -LSB-...]
But the rise of Latin American art is not just focussed on Los Angeles, although it does have strong links with Latin America and 48 % of the total population in the area is Latino which is one of the reasons The Getty Foundation focussed on this particular area, several other major exhibitions of Latin American influenced artists are planned or have recently been shown, including Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection at the Royal Academy of Arts in London, while the Guggenheim UBS Map Global Art Initiative will take its Under The Same Sun: Art From Latin America exhibition to Brazil and Mexico in 2015.
Stoll also ventured regularly into other areas of world art, mounting exhibitions of Russian icons (1952) and ancient Egyptian art (1953).
In addition to work by more than 35 area artists, the exhibition also features documentary photography, video and other cultural ephemera.
Beginning in the late 1980s, with exhibitions organized by curators William Olander and Laura Trippi, the New Museum placed increasing emphasis on areas other than painting and sculpture, and presented film, video, television, photography, and performance works as a regular part of the exhibition program.
The exhibition features emerging and under - recognized artists in the Los Angeles area — 32 this year, including one artist duo — spanning sculpture, painting, textile, video, performance, assemblage, photography and installation, among other genres.
The exhibition explores both exterior and interior spaces, as well as builds collaborations with others that work at Hestercombe and the surrounding areas.
Contributors to the Marrakech Biennale include curator Omar Berrada, who will present a specific show within the larger exhibition on the body of work and the archive of the late Moroccan critic and filmmaker Ahmed Bouanani; artists Yto Barrada and Mona Hatoum; a small survey of the art movement initiated by the Casablanca School; and architect Khaled Malas with documentation of his ongoing collaboration with a collective of artists and craftsmen in Ghouta and other areas of Syria to build windmills out of found materials to generate electrical power for hospitals.
The Museum of Contemporary Art San Diego is looking for sites in the downtown San Diego area that can be used by artists — featured in the upcoming exhibition Viva la Revolución: A Dialogue with the Urban Landscape — to create murals and other site - specific works on exterior building walls.