Sentences with phrase «other exhibitions over»

Compared to other exhibitions over the last few years; Pompei and Herculaneum, Ice Age Art, The Vikings - this exhibition fell short of the usual gold standard that The British Museum does so well.

Not exact matches

The initiative will see FACIT and partners active at exhibitions and biotechnology conferences in the US over the next 18 months, and working with trade commissioners, Ontario stakeholders, MaRS Discovery District and other executive networks to expose talented industry professionals to opportunities and new businesses north of the border.

Upon tasting various chocolates from Ghana, visitors to the exhibition, commended Ghana for its unique cocoa tastes and flavours over a variety of cocoa beans by cocoa producing countries like Ghana, Cote d'Ivoire, Mexico, Sao Tome and Principe, Cameroon, Mauritius, Togo, and many others, was exciting.

Please note that the BioFIT team will never ask for your bank account details to make you pay for hotel bookings, exhibition fees or others, and certainly not over the phone.

There are in the region of 50 museums (and many other exhibition areas) attracting over 4 million visitors a year, so it's easy to see why Amsterdam is regarded as a major cultural centre.

Guests enjoy access to all the facilities and services at the four other resorts within the massive Barceló complex including 20 + restaurants and over a dozen bars, six swimming pools, water parks for the kids, free entrance to the disco including drinks, two kids clubs, open - air fitness center, convention center for capacity up to 850 guests with exhibition area and additional breakout rooms!

Since then, the Museum has published over forty catalogues on artists — Anthony Gormley, Mark Rothko, John Baldessari, and Louise Bourgeois, among others — and group exhibitions, including Futurologia / Russian Utopias, The New Décor, 100 Years of Performance, Personal Choice, and Performance in Russia 1910 — 2010.

Over the past year, «Kerry James Marshall: Painting and Other Stuff,» an important survey of his practice and his most substantial exhibition in Europe, was on view in Antwerp, Copenhagen, Barcelona and Madrid (and a coinciding catalog was published).

On the occasion of the most extensive restoration of the McKim building's sumptuous interiors in over a hundred years, the Morgan Library & Museum presents an exhibition of photographs by Massimo Listri documenting iconic European libraries that similarly use fine wood, marble, and other precious materials to create an opulent setting for books.

EXHIBITION «Black Eye,» a group show that explores the shifting dynamics of race and identity over the past two decades, opens May 3 featuring 26 Black contemporary artists, a who's who among two generations — Sanford Biggers, Nick Cave, David Hammons, Deanna Lawson, Simone Leigh, Steve McQueen, Toyin Odutola, Gary Simmons, Xaviera Simmons, Hank Willis Thomas, Kehinde Wiley and Nari Ward, among others.

Other features include a lengthy, amazing conversation between Marshall and Los Angeles artist Charles Gaines; an essay by Greg Tate on the artist's figures, which he calls «Marvellously Black Familiars»; and a chronology illustrated by the catalogs and brochures that have documented Marshall's exhibitions over the years.

The exhibition features work produced in South Africa or by South Africans over the past fifty years, and includes Muholi, William Kentridge, Robin Rhode, and Santu Mofokeng, among others.

Newport Street Gallery is pleased to announce an exhibition displaying a selection of works taken from the Murderme collection, Damien Hirst's collection of over 3,000 works by other artists, from 29th March to 17th April.

As a founding member of the artists collective TABOO he helped curate 13 exhibitions and has independently curated over 10 other.

Over the previous 17 years Robertson had transformed the Whitechapel from an essentially local amenity into the country's most exciting exhibition space; a series of groundbreaking shows by Jackson Pollock, Mark Rothko and Robert Rauschenberg, among many others, had opened British eyes to American abstract expressionism.

«Tate Britain brings together over 100 beautiful works by Monet, Tissot, Pissarro and others in the first large - scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco - Prussian War.

Known for over 25 years as a legendary director of exhibitions at Massachusetts College of Art and Design in Boston, Jeffrey Keough's innovative curatorial vision has connected local artists in the New England region with international artists such as Xu Bing, William Wegman, Kiki Smith, Tony Oursler, and many others, while tackling diverse historical, social, and political themes ranging from the Holocaust, to AIDS, to the bombing of Hiroshima.

Hammond has had over 40 solo exhibitions and her work has been shown internationally in venues such as: the New Museum, the National Academy Museum, the Downtown Whitney Museum, and White Columns in NYC; the Brooklyn Museum and Smack Mellon Studios in Brooklyn; the Bronx Museum; P.S. 1 MoMA Contemporary Art Center in Long Island City, Queens; the Museum of Contemporary Art and the Hammer Museum in Los Angeles; the National Museum of Women in the Arts, in Washington, D.C.; the Tucson Museum of Art and Museum of Contemporary Art in Tucson; the Walker Art Center in Minneapolis; the Phoenix Art Museum; Site Santa Fe, the Center for Contemporary Arts in Santa Fe; the Vancouver Art Gallery; the American Center, in Paris; the Neue Galerie, in Graz, Germany; the Gementemuseum Den Hague in The Hague, among others.

Arguably the largest visual art event in the DC region, see over 100 artists in studios, art exhibitions and other venues throughout Prince George's County Route 1 arts corridor.

The exhibition catalog ended up becoming a device that would allow me to run against that form, which I did by bringing in as many other voices as I could; the catalog as we published it has over 40 contributors.

Showcasing the modern mastery of his paintings, while also presenting the «other stuff» which has drawn less attention over the years — drawings, woodcuts, collage, sculpture, photography and video — the exhibition demonstrated the depth, breadth and intellectual rigor of Marshall's Chicago - based practice.

Her work has appeared in dozens of international biennials and exhibitions all over the world and is included in the collections of the Museum of Modern Art in New York, the Hirshhorn Museum in Washington, D.C., the Whitney Museum of American Art in New York, the Solomon R. Guggenheim Museum in New York, the San Francisco Museum of Modern Art, and Museum of Fine Arts Boston, among many others.

He has had over thirty solo exhibitions and has won awards at The National Academy, Allied Artists of America, Society of American Graphic Artists and many others.

The gallery has enthusiastically promoted Bauermeister's work for over thirty years, including her in group exhibitions; most recently, she was included in The Time Is N ♀ w. Bauermeister will be featured, along with six others, in the gallery's forthcoming booth (C22) at Frieze New York (May 2 — 6, 2018) with a selection of her iconic lens boxes and stone reliefs.

And, in 2017 Harvard mounted a second exhibition, Christopher Wilmarth: Before and After Mallarme, which highlighted many of the artist's studio files and other archival materials that the Harvard Museums have acquired over the last 16 years.

Dean Sobel, Director of the Clyfford Still Museum and curator of the exhibition, said, «Shortly after Allied Works Architecture was selected as the lead designers for the Clyfford Still Museum, I began to notice these small, compelling three - dimensional sculptures that were laying around their offices, with others arriving on the scene over the three - year design and construction process.

Over that time period she has had more than fifteen solo exhibitions at Farleigh Dickenson and Columbia University's Teacher's College, Mehu Gallery in Manhattan, the James E Lewis Museum at Morgan State University, the Barbados Museum and Historical Society and others.

The paintings of the two artists were arranged on the walls so that the viewer could see the work of one painter with that of the other close by, moving chronologically through time so that, in walking through the exhibition, the viewer could see how each artist developed over time, both on his own, as well as in relation to the other.

Through films, photographs, and original documentation made over the course of their relationship — as student and teacher, lovers and colleagues — the exhibition illustrates the artists» different approaches and considers the impact they had on each other's work.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

While the exhibition considers the art historical background of the relationship between artwork and viewer, and its growing status over time, it asks, how do these works engage and forge relationships with audiences in distinctively different ways from any other works of art?

Many Local and international creatives have enjoyed the possibility to promote their work at the various exhibitions, group or even solo shows, participating or collaborating in cultural events that have taken place at Fousion Gallery Barcelona or in other spaces in Europe over the last years.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

At Turner Contemporary, it will be displayed within the context of a trans - historical exhibition that includes figures such as Thomas Gainsborough, Joseph Wright and Angelica Kauffman, as well as major 20th - century and contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 works in total).

Since the mid 1980s, Ottersbach's works have been included over one hundred international group and solo exhibitions and are held in some of the most important international collections today including the permanent collections of the Blibliothèque Nationale, Paris, the Museum of Modern Art, New York, the Getty Center, Los Angeles, and National Gallery, Canberra Australia amongst others.

The exhibition presents over 50 historical and contemporary artists who make use of dolls, toys, mannequins, robots and other surrogates to create an expressive genre.

Over the course of the fall, the museum's courtyard and lobby galleries, as well as other public spaces, will remain open and active with new programming and exhibitions.

It is designed and developed in close collaboration, and over several years, by major European art institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

[6] The exhibition opened at the Grey Art Gallery, NYC and traveled first to The Houston Museum of Fine Arts, then to the American Center, Paris, France before traveling around the world as a United States Ambassadorial show to over twenty other countries.

On «L'Europe des Artistes»: The project «L'Europe des Artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

Influences converged, passion and intellect were engaged, and seminal moments occurred to help shape the process: in 1962 when Irving Blum (who had taken over Kienholtz's position at the gallery) gave Andy Warhol his first solo gallery exhibition ever at Ferus (the Campbell's Soup Can Paintings); in 1963, when Hopps moved to the Pasadena Art Museum and presented the first retrospective of Marcel Duchamp in the US; in 1966 with Ed Kienholtz's epochal retrospective at the LA County Museum; and in the decade from the late fifties to the late sixties when Ed Moses, Billy Al Bengston, and Ed Ruscha among a handful of others were on center stage.

Over the course of her career, she's designed 19 other mirror rooms, six of which, including Phalli's Field, are part of the Hirshhorn exhibition.

In the RAA galleries, an exhibition of photographs taken by Smith over the last several years focuses on objects that were dear to their owners: Robert Mapplethorpe's slippers, Robert Graves's hat, Virginia Woolf's bed, Frida Kahlo's corset, and William Burroughs's bandana, among others.

Since its founding FLAG has organized over 50 exhibitions showing the work of almost 500 artists, curated by 18 different curators, including Lisa Dennison, Prabal Gurung, Jim Hodges, and Shaquille O'Neal, among others.

She has worked on over forty exhibitions and is recognized for establishing international critical acclaim for artists Cai Guo Qiang, Daido Moriyama, Yayoi Kusama, Lee Ufan, Mu Xin, and Yoko Ono, among others, and of bringing such historic avant - garde movements as Gutai, Mono - ha, Japanese otaku culture, and Korean Tanseakwa to international attention.

In 1964, she opened her first exhibition at the Galleria Aleph in Rome, followed by many others throughout Italy over the years.

The exhibition, organized by Gregory Crewdson, Nan Goldin, Annie Leibovitz and Laurie Simmons, featured works by Matthew Barney, Andy Warhol, Cy Twombly, Catherine Opie and over 200 other established and emerging artists.

2018 Rehearsal, Tai Kwun Contemporary, Hong Kong 2017 All watched over by machines of loving grace, Palais de Toyko, Paris Something you need to know about FY Foundation: An Exhibition, FY Foundation, Shekou Kathmandu International Festival, Kathmandu When the other, meets the other?

This elegant volume, published in conjunction with an exhibition at the San Francisco Museum of Modern Art, features large - scale color plates of over 250 artworks by 140 artists of international renown, such as Jackson Pollock, Robert Rauschenberg, Alberto Giacometti, Richard Diebenkorn, and many others.

Ikemura shows recent landscapes done in bold tempera colors on burlap as wide as nine feet alongside figurative ceramic sculptures and over 30 other works in conjunction with an exhibition, «CERAMIX, de Rodin à Schütte,» across two prominent museums (Paris's La Maison Rouge and Sèvres - Cité de la céramique).