Sentences with phrase «other exhibitions through»

Her work has been included in numerous other exhibitions through the US including, LMP Projects Denver, CO, Saltworks, Atlanta, GA, Sardine Brooklyn, NY, Samson Boston, MA and Rebekah Templeton Contemoporary Art, Philadelphia, PA..

Not exact matches

The Touchstone charges the tablet through magnetic induction and activates exhibition mode, which can display a clock, calendar, photos or any other app that has such a function built in to it.
Having recently achieved Chinese organic certification through Australian Certified Organic, Arcadian Organic & Natural Meat Co. is also joining eight other Aussie food companies this week at an Australian Organic exhibition at SIAL China, May 6 — 9.
Jackson hobbled around on a gimpy ankle through most of the exhibition season while veteran Larry Schreiber and other rookies played unimpressively.
A way out of this scenario is offered in one of the other strands running through the exhibition: «emotionally durable design».
Exhibition visitors act in different ways — some streak through, others stroll and pick up bits of detail along the way, and others dive in deeply and read every word on the wall.
The Moscone Center estimated that San Francisco is losing $ 2.1 billion in convention spending from 2010 through 2019 «as conventions look for larger and more contiguous exhibition space» found in other big convention cities like Las Vegas or Chicago.
Through his early friendship with Allan Kaprow, Claes Oldenburg, George Segal, Robert Whitman, and Lucas Samaras, among others, Dine became involved with the events and exhibitions being held at such anti-establishment galleries as the Judson and Reuben, in lower Manhattan.
The exhibition, which runs through August 28, also includes work by Eckhaus Latta, Guthrie Lonergan, Shahryar Nashat, Martine Syms, and Dena Yago, among others.
Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).
This newly formed institution had a goal to present and document new art and its role in modern life through exhibitions, lectures, and other activities.
It seems an appropriate descriptor for the reconsideration of New Image Painting, a loose movement articulated in the late «70s and recently reinvoked through exhibitions at Zach Feuer and Shane Campbell Gallery, among others.
Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.
Other classic or career - defining works from the past 50 years punctuate the exhibition, from Rodney Graham's breakout, time - bending cinematic short, Vexation Island (1997), to a trio of Marina Abramović films — Freeing the Mind, Freeing the Body, Freeing the Voice (1975)-- in which the expectation of a human's potential is also tested, albeit in stark physical and mental terms, rather than through Graham's comic flourish.
The works on view at Eleven Rivington have long since distanced themselves from this beginning, having appeared in an artist book, then haphazardly rearticulated through three - color process paintings (cyan, yellow, and magenta), scanned and digitally distributed on his and others tumblr pages, and presently re-photographed through a PDF generating application on his phone, the images from which provide the basis for this exhibition.
Other thematic exhibitions of the new century have included Afterimage: Drawing Through Process; Subject Plural; and The Inward Eye.
Through some 120 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures — Marc Chagall, El Lissitzky and Kazimir Malevich — as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Il» ia Chashnik, David Yakerson, Vera Ermolaeva, and Yehuda (Yury) Pen, among others.
Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
The exhibition will not be installed chronologically; historic artworks will be juxtaposed with recent and commissioned artworks that relate to each other through influence from previous decades and artistic intention.
Some artists will be present during the exhibition, while others will be working through proxies - L.A. - based artists who have agreed to act on their behalf.
From 2007 through 2010, as Curator at Middlesbrough Institute of Modern Art (mima), Delahunty organized such significant exhibitions as British Surrealism & Other Realities, 2008; Katy Moran: Paintings, 2009; Ellsworth Kelly: Drawings 1954 — 62, 2010; and A Certain Distance, Endless Light: A
Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.
The Kinsey exhibition tells the story of the African American experience from 1632 to the present through historical documents, rare artifacts, documentary photographs and original art by Romare Bearden, Elizabeth Catlett, Sam Gilliam, Artis Lane, William H. Johnson and Henry O. Tanner, among others.
, now at the Pump House Gallery in Battersea Park, London, is a touring exhibition involving five artists, Dorothy Caldwell, Saidhbhín Gibson, Celia Pym, Freddie Robbins and Karina Thompson, each of whom brings their own approach to an investigation into damage and repair, disease and medicine, and the healing and restoration of landscapes, bodies, minds and objects through stitch and other media.
In the first exhibition at Observatory, Brooklyn, on view through November 15th, James Walsh presents photos and prints in conjunction with an evening program of projections, performances, poetry, and other events by various artists throughout the run of the show.
More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance, with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptual work.
At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».
«100 % Other: Artists and Psycho - Demographic Transitions» follows several recent critically acclaimed exhibitions, including «Patriot Acts» (the first installment of «Future of Nations») and «Incognegro,» which offered a contemporary critique of race through the exploration of infamous black - face performance.
Other exhibitions include Chantal Akerman's first American museum survey Moving Through Time and Space (2008) and Christian Jankowski — Everything Fell Together (2006).
THE EVERYWHERE STUDIO On view December 1, 2017 — February 26, 2018, Inaugural Exhibition Explores Contemporary Life through Lens of the Artist's Studio Including Works by Roy Lichtenstein, Bruce Nauman, Andy Warhol, Deiter Roth, Carolee Schneemann, and Laure Prouvost, Among Others
These include «Joyce J. Scott: Harriet Tubman and Other Truths,» the monograph of the Baltimore - based artist is the most comprehensive publication about her work to date complements her exhibition that was on view through April 1 at Ground for Sculpture in Hamilton, N.J. «Adrian Piper: A Synthesis of Intuitions 1965 — 2016,» is a 350 - page catalog documenting her career - spanning exhibition which just opened to rave reviews at the Museum of Modern Art in New York.
I'm here for a study day and walk - through of the John Altoon exhibition with other artists...
Through June 22, 2014, landscape painter Margaret Huddy will join five other artists in an exhibition at Hill Center Galleries at the Old Naval Hospital in Washington, D.C.
In a fascinating range of media — painting, video, found objects, weaving, and sound — Manila - based artist Gerardo Tan investigates these questions through three different projects presented in his solo exhibition Hablon Redux and Other Transcriptions at -LSB-.....]
The paintings of the two artists were arranged on the walls so that the viewer could see the work of one painter with that of the other close by, moving chronologically through time so that, in walking through the exhibition, the viewer could see how each artist developed over time, both on his own, as well as in relation to the other.
In between exhibitions, Dürst Britt & Mayhew will invite makers from other cultural fields to activate the gallery space through for example dance, theatre, literature, music or fashion.
The two artists sat down at Hionas Gallery, where Joan's current exhibition, One does not negate the other, is showing through March 14.
Lisa Kereszi's exhibition, Joe's Junk Yard & Other American Dreams, curated by Rebecca Soderhold, is on display through October 11 at Drew University's Korn Gallery.
We would like to thank the many artists, private collectors and colleagues from other galleries, who are supporting this exhibition through generous loans.
For this incidentally all - female exhibition, we are invited to explore the ways in which humans experience life through each other.
Deeply invested in the Manhattan art scene, Krasner met Pollock in 1941 through an exhibition organized by artist John Graham, and they married in 1945, relocating to the Springs in Long Island where both artists flourished and influenced each other's stylistic development.
It's not going to have an exhibition connected to it; instead, every month there will be a lecture, screening, or other event that is in some way connected to an ongoing process of thinking through the artist's work.
Unfolding in three parts, this exhibition examines the physical body through the lens of artists who have represented tactile figures and forms in vibrant ways to question how we experience ourselves in relation to others.
Through films, photographs, and original documentation made over the course of their relationship — as student and teacher, lovers and colleagues — the exhibition illustrates the artists» different approaches and considers the impact they had on each other's work.
2) A Public Events and Exhibition Program that focuses on engaging the public and revealing the art - making process through exhibitions, events, talks, publications and other opportunities.
The exhibition will also look at the progression of portraiture, illustrating the medium's nearly immediate democratization through the use of daguerreotypes, albumen prints, and other early photo processes.
He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.
The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.
Please take a look at our website for further details: http://www.momentaart.org/momenta-art-past-projects-2015.html Reviews of our exhibitions or events in a traditional sense are welcome, but we also encourage cross-disciplinary approaches that expand and engage with the themes explored by artists and other participants through our programs, possibly addressing broader socio - political phenomena of the year.
This exhibition addresses Rauschenberg's legacy through select works from ROCI alongside other mixed media works that represent his material experimentation and innovation.
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