MODERNIST PAINTING For
other expressionist works from Worpswede similar to those by Paula Modersohn - Becker, please see: Greatest 20th - Century Paintings.
CONTEMPORARY PAINTING For
other expressionist works like, those produced by Grosz, see: Greatest 20th - Century Paintings.
Not exact matches
Harold's insight had helped create interest in
works by Pollock, Willem de Kooning, Marc Rothko, and
other soon - to - be-famous Abstract
Expressionists.
In it, Guilbaut points out the historical parallels between van Velde's
work and the emerging Abstract
Expressionist esthetic and the missed opportunities for a dialog between two esthetics so fundamentally close to each
other, but separated by their ideological contexts.
The subjects and paint
work in tandem, each revealing the
other, undergirded by a host of Abstract
Expressionist idioms.
Works from the abstract expressionist period will include never before seen works by Helen Frankenthaler, Morris Louis, Philip Guston, along with mid-century master Alexander Calder, among ot
Works from the abstract
expressionist period will include never before seen
works by Helen Frankenthaler, Morris Louis, Philip Guston, along with mid-century master Alexander Calder, among ot
works by Helen Frankenthaler, Morris Louis, Philip Guston, along with mid-century master Alexander Calder, among
others.
It immediately follows the galleries devoted to the grand, gestural
works of Jackson Pollock, Clyfford Still, and the
other Abstract
Expressionists.
DeCordova also has one of the largest and most comprehensive museum collection of
works by artists of the New England region since c. 1950, with particular depth in Boston artists in general and members of the mid-twentieth-century Boston
Expressionist group (Jack Levine, Hyman Bloom, Karl Zerbe, David Aronson, Arthur Polonsky, Barbara Swan, Bernard Chaet, and
others).
Some of those prominent «uptown» galleries included: the Charles Egan Gallery, [30] the Sidney Janis Gallery, [31] the Betty Parsons Gallery, [32] the Kootz Gallery, [33] the Tibor de Nagy Gallery, the Stable Gallery, the Leo Castelli Gallery as well as
others; and several downtown galleries known at the time as the Tenth Street galleries exhibited many emerging younger artists
working in the abstract
expressionist vein.
His best known body of
work, the Combines (1953 — 64), paired representational elements — such as magazine and newspaper clippings, fragments of clothing, and construction debris and
other items gathered in the streets of New York — with compositional strategies explored by the Abstract
Expressionists.
In these two - venue talks, guides from the Clyfford Still Museum and the Denver Art Museum collaborate to compare and contrast the
work of Clyfford Still and
other male abstract
expressionists with the leading female artists of the movement.
Among the highlights at Galerie Schwarzer is a 1926 gouache and watercolour depicting a sunset by Lyonel Feininger;
works by
other German
Expressionists are on show at Galerie von Vertes, including Nolde, Campendonk and Münter.
Though he never denounced painting, Mangold had reacted against the Abstract
Expressionist or New York School that had dominated American art during the forties and fifties, particularly the action paintings of Willem de Kooning, Franz Kline and
others in whose
works flamboyant gesture and accident of execution were records of the intuitive activity that went into their creation.
A part of the 10th Street art scene, Regina was the only woman artist
working in the Bowery Studio building with Mark Rothko, James Brooks, Ray Parker and
other Abstract
Expressionists.
Her «Shadowland,» a colossal, color - filled
expressionist work humming with energy, brings to mind Richter and
others from the new European school.
Newman is generally classified as an abstract
expressionist on account of his
working in New York City in the 1950s, associating with
other artists of the group and developing an abstract style which owed little or nothing to European art.
For
Works on Paper New York, Quogue Gallery has assembled a range of Abstract Expressionist works from the years 1959 to 1998, including abstract landscapes and other abstract and figurative w
Works on Paper New York, Quogue Gallery has assembled a range of Abstract
Expressionist works from the years 1959 to 1998, including abstract landscapes and other abstract and figurative w
works from the years 1959 to 1998, including abstract landscapes and
other abstract and figurative
worksworks.
Other far - flung artists come to mind upon viewing Hendler's
work, as he was clearly in the thick of the big names of the abstract
expressionist movement.
Like Lee Krasner, Conrad Marca - Relli and
other Abstract
Expressionist collagists, Vicente typically avoided newsprint and magazine pages in favor of combining oil paint and artist papers, and the resulting
works usually resemble painting more than they do collage.
With his roots in printmaking and Surrealism, British artist Stanley William Hayter's (1901 — 1988) theoretical writings on automatism and the expressive abstraction of his own
work were a formative influence on Pollock and
other abstract
expressionists via his printmaking studio, Atelier 17, where Hayter taught Pollock and
other well known artists including Pablo Picasso, Joan Miro, Max Ernst, Alexander Calder, Marc Chagall, Jacques Lipchitz and Alberto Giacometti.
Last week, Dean Sobel, the CSM's founding director, and Brad Cloepfil, the head of Allied
Works Architecture, unveiled the final design for the museum, which will house a collection of 2,400 paintings and other works by the renowned abstract expressio
Works Architecture, unveiled the final design for the museum, which will house a collection of 2,400 paintings and
other works by the renowned abstract expressio
works by the renowned abstract
expressionist.
However, his rejection of the expressive brushwork employed by
other abstract
expressionists such as Clyfford Still and Mark Rothko, and his use of hard - edged areas of flat color, can be seen as a precursor to post painterly abstraction and the minimalist
works of artists such as Frank Stella.
In contrast to
other Abstract
Expressionists, most notably Robert Motherwell, Richard Pousette - Dart saw prints as a beginning, a surface to
work on.
Frankenthaler's reputation as a painter rather than printmaker is consistent with
other Abstract
Expressionist artists who also
worked in printmaking: Pollock, De Kooning, Johns, Mitchell.
As a standout champion of the Abstract
Expressionist movement, Greenberg brought Louis and Noland on visits to galleries to view
works by Franz Kline and Jackson Pollock, among
other artists.
The museum that opened for visitors full - time in 1985 today holds over 400 masterpieces of Surrealist, Abstract
Expressionist, Futurist, Cubist, Abstract and Metaphysical art from the early 20th century, featuring
works of Pablo Picasso, Piet Mondrian, Paul Klee, André Breton, Wassily Kandinsky, Marc Chagall, Mark Rothko and many, many
others.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and
others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract
Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop
work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract
Expressionist artist in an attempt to satirize the Pop movement (and whose
work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
They channelled their unconscious directly onto a canvas or, as the most high - profile of Abstract
Expressionists Jackson Pollock once stated, «The modern artist... is
working and expressing an inner world — in
other words expressing the energy, the motion, and
other inner forces.»
Other sales included Joan Mitchell's Abstract
Expressionist work Syrtis (1961), which sold for $ 6.75 m at White Cube; Self - Eater (2003) by Dana Schutz, which found a new owner at $ 400,000 from Petzel Gallery; and two pieces by Alberto Burri, which were bought by international collectors for $ 1.3 m and $ 450,000 from Mazzoleni, experts in post-war Italian art.
Painting on Paper augments Abstract
Expressionist New York: Masterpieces from The Museum of Modern Art, the AGO's major summer exhibition, which features three paintings and one drawing by Motherwell, exhibited alongside era - defining
works by Jackson Pollock, Mark Rothko and Willem de Kooning, among
others.
However, the question remains: What is the relation of Gorky's
work to «mature» Abstract
Expressionist painting, which can be thought to have begun around 1947, the year of the «breakthroughs» of de Kooning, Pollock, Clyfford Still, and Hans Hofmann, soon to be followed by Mark Rothko, Barnett Newman, Estaban Vicente, Franz Kline, Philip Guston, and
others?
Still, perhaps more than
other abstract
expressionists, desired an autonomy for the viewer: neither explanation nor titles can be found beside the
work, encouraging you to look first and decide for yourself.
22.09.2017 — 14.01.2018 The exhibition includes
works by the world - famous German
expressionists E. L. Kirchner, E. Nolde, F. Marc, V. Kandinsky and
others from the early 20th century.
The exhibition begins with
work by Mark Rothko, Barnett Newman and
other Abstract
Expressionists who favored expanses of pure color.
Indeed, his «Night Square» painting of 1951 with white, squiggly lines against a black background, not included in the show, was a two - dimensional stylistic precursor of the late almost 3 - dimensional
works A run through the museum's
other galleries after viewing the exhibition comes as a shock as few of de Kooning's fellow Abstract
Expressionists seem to be in the same league as the paintings here.
Running through March 18, 2018, the exhibition will display 42 major
works to tell a double story — one about the influence the city had on the artist and the
other about the influence the artist eventually had on the international art world via the New York School, otherwise known as the Abstract
Expressionists.
And I think that's what we have today: there's been a revolution, the older Abstract
Expressionists can legitimately continue
working in their way, but young people have to find some
other way... We felt that we were living in an underground; we felt that we were a bit outside of society and, in a sense, outcasts.
In 2002 a collector named Jack Levy submitted a Rosales Pollock he purchased from Knoedler to the International Foundation for Art Research, the main source for authenticating
works by Pollock and
other Abstract
Expressionists.
In addition to its collections of Old Masters, its Impressionist, Post-Impressionist,
Expressionist and Cubist paintings, as well as
works of Constructivism, Dadaism and Surrealism, the museum maintains an impressive holding of contemporary and postmodernist art, by Swiss, German, Italian, and American artists, such as Joseph Beuys, Georg Baselitz, A.R. Penck, Walter Dahn, Martin Disler, Siegfried Anzinger, Rosemarie Trockel, Robert Gober, Andy Warhol, Jasper Johns, Brice Marden, Bruce Nauman, Jonathan Borofsky, Francesco Clemente, Mimmo Paladino, Enzo Cucchi, and
others.
By showing
works by Van Gogh side by side with
works by young
Expressionist painters, this exhibition reveals the full extent of his influence on
other painters.
Though typically labeled an Abstract
Expressionist, his work might better be described as abstract and expressionist, with liberal doses of Surrealism, Art Brut, and a few other eclectic affinities thrown
Expressionist, his
work might better be described as abstract and
expressionist, with liberal doses of Surrealism, Art Brut, and a few other eclectic affinities thrown
expressionist, with liberal doses of Surrealism, Art Brut, and a few
other eclectic affinities thrown into the mix.
Henner reaches back in time with
other works as well: for example the 18 aerial landscape photos that show a striking similarity to abstract
expressionist paintings from the 1940s.
In these and her collages of the early 1950s, Krasner often
worked on a small scale, which separated her
work from that of the
other Abstract
Expressionists.
Peters draws inspiration from the
works of Picasso, de Kooning, Pollock, Ad Reinhardt, and
other Abstract
Expressionists.
As an avid collector of Pop, Op and Abstract
Expressionists — including
works by fellow artist (and sign painter) Robert Indiana, Frank Stella, Tom Wesselmann, Robert Motherwell, Gerald Laing and
others — Gallery Director is a role that fits Bill Pugsley like a vintage Zoot Suit.
Pollock and Fontana as well as the
other Abstract
Expressionists worked in earnest, indulging in idealistic concepts and practices no matter how spontaneous their
work.
From the famous «Erased de Kooning Drawing,» in which he both puckishly defied and meticulously paid tribute to his abstract
expressionist contemporary, to his performance
work with Merce Cunningham, John Cage, Trisha Brown and
others, to his globe - spanning Rauschenberg Overseas Culture Interchange, which propagated new
work with artists, poets and ordinary people in 10 countries, Rauschenberg was engaged in a kind of perpetual conversation.
Sol LeWitt's
work should be viewed in the historical context of Russian Constructivists, Minimalists and Abstract
Expressionists like El Lissitsky, Alexander Rodchenko, Kazimir Malevich, Barnett Newman, Ad Reinhardt, Joseph Albers and
others who have chosen the familiar shapes and considered them in brand new contexts thus transforming their very purpose and significance.
It immediately follows the galleries devoted to the grand, gestural
works of Jackson Pollock, Clyfford Still, and the
other abstract
expressionists.
Other students at the Royal Academy Schools, such as John Hoyland and Paul Huxley also shared his enthusiasm for the
work of the Abstract
Expressionists.