While the part of Toto in the Wizard of Oz was played by a female Cairn Terrier, she also starred in sixteen
other feature length films.
Focus Features and LAIKA Entertainment are bringing us an animated experience that is reminiscent of LAIKA's
other feature length films such as The Boxtrolls, Paranorman, and Coraline.
Not exact matches
The supplements we do get, however, are worthwhile — two documentaries, one a brief introduction to Spielberg's educationally minded Survivors of the Shoah Visual History Foundation, the
other a
feature -
length film in which surviving Schindler Jews vividly recall their ravaged Polish community and the German - Catholic industrialist who saved them.»
Director Todd Louiso, screenwriter Gordy Hoffman, and star Philip Seymour Hoffman play nicely off each
other in a
feature -
length commentary in which the
film seems to reveal itself anew to the self - effacing trio, who revel in psychoanalyzing Love Liza's characters and, when you get down to it, defending them.
I'll provide a complete inventory below, but the point is that the main attraction of this set,
other than the HiDef presentation of the trilogy itself, is a 7 - part,
feature -
length HD documentary spread across the three
films / platters called Tales from the Future.
The
film's
other listening option is a dry and humourless
feature -
length, screen - specific commentary by director Kathryn Bigelow and Cronenweth.
Perhaps the most explicitly in dialogue with
film history of all his works thus far, the
film will read as a much - needed strike of lightning to wu xia for connoisseurs of the genre and a
feature -
length TV spot for
others.
It's a shame that a
film directed by one of the greatest emerging talents in cinema — ’12 Years» is only McQueen's third
feature -
length film — overshadowed the new
film from the director of «The
Other Boleyn Girl,» but it's an even greater shame that no one has quite made a great
film on the very great and inspring Mandela.
The only
other adaptation of this novel was the 1978
feature -
length film written and directed by Martin Rosen and starring John Hurt, so it's pretty exciting that they're doing it this time as a miniseries.
While — like (I guess) many Rohmer fans — I tend to find myself most at home in his beach houses and Parisian apartment blocks, I was drawn to this presentation of his lesser - known historical
films for two reasons: one was the pure joy of being able to enjoy his greatest work, Perceval, on the big screen; the
other was the opportunity to finally be introduced to his
feature -
length television play Catherine de Heilbronn, a production that, in its grey set design and even starker minimalism, in many ways felt like the former
film's shadowy companion piece.
The real - life account of the tragic fate of Northup and the appalling conditions he and millions of
other slaves were forced to endure has been turned into a
feature -
length epic by British director Steve McQueen, who leads a largely British cast in the
film that is being heralded by critics as a must - see
film.
Her first
feature length film links to the work of
other contemporary female directors — Andrea Arnold's Red Road (2006) and Fish Tank (2009), Clio Barnard's The Arbor (2010) and The Selfish Giant (2013); and Carol Morley's Dreams of a Life (2011)-- who unsentimentally yet respectfully look at the poor and marginalised in Britain, especially children and young women.
It can easily be said that Thor's cameos in
other Marvel
films are a lot more enjoyable than his own
feature length vehicles.
While many such adaptations face the challenge of compressing detailed material to a reasonable
film runtime,
others come across just the opposite: an exceedingly short story that needs to be expanded to
feature -
length.
That just reflects what this movie and DVD really is: one huge ego trip, and evidence doesn't come any stronger than the final special
feature: a
feature -
length recording of the audience at
film's premiere, which means lots of hooting, hollering, laughing, and approving applause — in
other words, a reaction universes removed from the reality of what played out in multiplexes across the country earlier this year.
Kickstarting (or, more broadly, crowd funding) as Phil explains, is «an Internet - based program where creative people can pitch potential supporters to raise funds to produce a short - or
feature -
length film, record music, publish a book, and many
other products.»
After making seven experimental
feature -
length films — Lives of Performers, Privilege, and MURDER and murder, among
others — she returned to dance in 2000 via a commission from the Baryshnikov Dance Foundation (After Many a Summer Dies the Swan).
He will also be screening his
feature -
length experimental
film, «BATHTUB SONGS AND
OTHER EXTRA-CURRICULAR ACTIVITIES» at the Nightingale Theater in Chicago.
The immersive
feature -
length film, presented in a 5 - D cinematic environment, is inspired by the objects from the artist's collection related to stage magic, spirit photography, pseudoscience, telekinesis, and
other paranormal manifestations.
The immersive
feature -
length film inspired by Oursler's own archive of ephemera relating to stage magic, spirit photography, pseudoscience, telekinesis, and
other manifestations of the paranormal.
MFA thesis projects have included solo exhibitions,
feature -
length documentaries, physical and e-book publications, performances, social practice experiences, curated exhibitions,
film festivals, publishing projects, workshops, and
other activities.
PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker
films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's
feature -
length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and
others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism,
film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and more...