Sentences with phrase «other film portrait»

It shows us the world's most famous living painter, who turned 80 in February, at work with greater intimacy than any other film portrait of a contemporary artist provides.

Not exact matches

Oakes» other film credits include the short FACES OF CHANGE; the feature film PORTRAIT OF A SERIAL WINNER and recently, he produced his first short film, WHO SHALL I PLAY WITH NOW?

As David, the son of Korean immigrants, navigates his nascent desire, the film rests not on eroticism per se, but on the connective tissue it weaves among sexual and other identities: Spa Night recombines elements of the emigrant saga and the coming - of - age story into a searching, fresh - faced portrait, highlighting in the process the genres» keen correspondences.

Other films that are definitely worth checking out that played at TIFF (and other festivals): Adam Wingard's rapturous and playful The Guest, Palm d'Or winner Winter Sleep, latest from master filmmakers Jean - Pierre and Luc Dardenne Two Days, One Night, 3 and a half hour epic Li» l Quinquin, harrowing street life portrait Heaven Knows What, ambitious and transcending Jauja, and Mike Leigh's exemplary Mr. TuOther films that are definitely worth checking out that played at TIFF (and other festivals): Adam Wingard's rapturous and playful The Guest, Palm d'Or winner Winter Sleep, latest from master filmmakers Jean - Pierre and Luc Dardenne Two Days, One Night, 3 and a half hour epic Li» l Quinquin, harrowing street life portrait Heaven Knows What, ambitious and transcending Jauja, and Mike Leigh's exemplary Mr. Tuother festivals): Adam Wingard's rapturous and playful The Guest, Palm d'Or winner Winter Sleep, latest from master filmmakers Jean - Pierre and Luc Dardenne Two Days, One Night, 3 and a half hour epic Li» l Quinquin, harrowing street life portrait Heaven Knows What, ambitious and transcending Jauja, and Mike Leigh's exemplary Mr. Turner.

The resulting film is a vibrant, unsympathetic portrait of a man whose work continues to evolve how humans connect with each other whether or not he ever mastered that skill in his own life.

Some films simply tell a story, whilst others paint a powerful portrait of a world the audience may not have otherwise seen.

Peppered with knowing insights surrounding the British working class, the film creates a richly etched portrait of maid Ethel (Brenda Blethyn) and milkman Ernest (Jim Broadbent), from their touching late 1920s courtship to their deaths, within mere months of each other, in 1971.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

The other four films are available exclusively in the box set Jean Harlow 100, which also features a collection of seven 5 × 7 studio glamour portraits of Harlow.

It quickly became a polarizing film for film critics, many embracing the Red Shoes meets Repulsion psychological portrait of neurosis and obsession in a meek, repressed young woman (Natalie Portman) who still has little girl prima ballerina dreams, others critical of the melodrama, hysteria and blunt metaphors («high - grade hokum,» as one critic called it).

The only extras include the Blu - ray - only Making Every Second Count with Spencer Stone, Alek Skarlatos and Anthony Sadler taking us moment - by - moment through the real - life drama, just as they lived it and on both discs, Portrait of Courage with Eastwood and his creative team telling why they took the bold step of casting the three Americans to play themselves in the film and other approaches to the film.

A documentary portrait of artists, writers, and collectors who remain steadfastly loyal to the typewriter as a tool and muse, this intriguing and beautiful film features Tom Hanks, John Mayer, David McCullough, Sam Shepard, and others.

As artistic biographies go, Final Portrait isn't a stand out, and to be brutally honest, I haven't seen or even heard of the other four films directed by Tucci.

In short, the movie starts with Thor chained up in the lair of a fire demon named Surtur and ends on Asgard with Thor, his adoptive brother Loki (Tom Hiddleston), who is more often his enemy than his friend, an Asgardian warrior known as a Valkyrie (Tessa Thompson), and the Hulk (Mark Ruffalo) battling Thor and Loki's recently freed sister Hela (Cate Blanchett, camping it up deliciously), the Goddess of Death, whose role in Asgard's conquering of the nine other realms has been largely obliterated from the official history (this is the film's one major socio - cultural theme, and it gets a beautifully realized visualization when Hela causes a seemingly innocuous painted dome to crack open, revealing a portrait of a much darker and more violent history underneath).

Both films» protagonists share optimistic and resilient qualities, and Frances coincidentally takes a brief trip to Paris, but the portrait of Paula hits on some different truths that the other film does not.

A few other films I liked and also want to mention despite that they did not make to my top 10: A Skin So Soft (Denis Côté, 2017) Untitled (Michael Glawogger, Monika Willi, Austria, 2017) Good Luck (Ben Russell, France / Germany, 2017) 120 Beats Per Minute (Robin Campillo, France, 2017) Faces Places (Agnes Varda, JR, France, 2017) Le fort des fous (Narimane Mari, France, 2017) Good Time (Safdie Brothers, US, 2017) Electro - Pythagoras (A Portrait of Martin Bartlett)(Luke Fowler, UK, 2017) Columbus (Kogonada, US, 2017) Get Out (Jordan Peele, US, 2017)

Those seeking a less indulgent portrait of a French artist could lose themselves in the meager charms of Michel Hazanavicius» «Redoubtable,» a self - consciously playful if largely panache - free sendup of Godard (played by Louis Garrel, with dark sunglasses and a heavy lisp) during his short - lived second marriage to the actress Anne Wiazemsky (an excellent Stacy Martin), who appeared in his film «La Chinoise,» among others.

It's in the one extended sequence with Moore that the film works best as a cohesive package, in which Ford restrains himself and lets Firth and Moore create a potently passionate portrait of long - term friendship, with all the unspoken history, tender affection, and the not - so - paradoxical simmering bitterness that can sometimes go along with that... particularly when one friend may want something different out of the relationship than the other does.

He took his first photographs using a Polaroid camera, and later became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community, and an array of other unique people, many of whom were personal friends.

He became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community and an array of other characters, many of whom were personal friends.

He took his first photographs using a Polaroid camera, and later became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community and an array of other characters many of whom were personal friends.

The works in Bourouissa's The Hood series are printed with portraits of the riders and images from his film Horse Day, and are mixed with harnesses, bits, and other pieces of horseback riding gear.

One edition is titled, Queer as a Clockwork Orange (portraits of notable GLBTIQ New Yorkers in handmade sets fashioned after drawings in Stanley Kubrick's film A Clockwork Orange) and the other edition of photographs is titled, My Something (nudes).

Other exhibitions at MoMA include «Louise Bourgeois: An Unfolding Portrait,» the museum's third big excursion into Bourgeois's world, and «Club 57,» a museum - worthy revival of the 1980s East Village art scene via films and ephemera.

He took his first photographs of his close friend, the singer - artist - poet Patti Smith, using a Polaroid camera, and later became known for his portraits of composers, architects, socialites, stars of pornographic films, members of the S&M underground and an array of other unique people, many of whom were personal friends.

He had been commissioned previously for album cover designs and painted portraits, but in the 1970s he began to receive hundreds of commissions from socialites, music and film stars, and others.

Dean's record of artists at work now includes David Hockney (to add to Cy Twombly and Merce Cunningham among others)-- her short 16 mm film Portraits records the painter smoking his way through five cigarettes.

David Buckland: «Good Planets are Hard to Find - a Cultural Response to Climate Change» David Buckland is a designer, artist and film - maker whose lens - based works have been exhibited in numerous galleries in London, Paris and New York and collected by the National Portrait Gallery, London, the Centre Georges Pompidou, Paris, the Metropolitan Museum, New York and the Getty Collection, Los Angeles amongst others.

Artist Statement My recent paintings include portraits of couples based on black and white film stills as well as paintings that re-envision artwork by other painters.

Alongside the selected works, two film portraits of the artist will be displayed, one by Gerry Schum («Lumaca», 1970 from the Identifications series) and the other by Tacita Dean («Mario Merz», 2002).

Nares had built on the success of his extraordinary slo - mo film Street, with only slightly faster but equally captivating video portraits of friends like Jim Jarmusch, Amy Taubin, Hilton Als, Douglas Crimp, and Walter Robinson, among other rogues seldom displayed on gallery walls.

DAVID ADJAYE — COLLABORATIONS A portrait of the architect through the eyes of others A film by Oliver Hardt, Germany 2015, Digital HD video, 48:00 min.

This show arrives only a few months after the publication of a large - format art book, titled Hollywood, containing over 300 Bachardy portraits of actors, directors screenwriters, producers and other film industry personalities.

Chuck Close has used large format Polaroid film to create portraits of himself and others with astonishing levels of detail.

PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and more...

Alongside the selected works, two film portraits of the artist will be displayed, one by Gerry Schum («Lumaca», 1970 from the Identifications series) and the other by Tacita Dean («Mario Merz», 2002), who has recently been commissioned by Tate Modern to create the next installation in the Turbine Hall.

One is a personal retrospective of the Super-8 films the artist created during his first two decades of art making; another comprises two portraits, one of an old Thai farmer ritualistically toiling through the day and the other of a European artist at work; finally, and most poignantly, a frame - by - frame remake of the great German film - maker Rainer Werner Fassbinder's key film Ali: Fear Eats the Soul (1974).