Sentences with phrase «other filming locations»

Upon request, Artisans of Leisure can arrange additional activities in the region, such as excursions to Hobbiton and other filming locations from The Lord of the Rings and The Hobbit movies, visiting the Waitomo Glowworm Caves, a traditional Maori hangi lunch, kayaking or sailing on local lakes, fly fishing on local streams, whitewater rafting, mountain biking, hiking in Tongariro National Park and an exclusive helicopter excursion to White Island, an active marine volcano.

Not exact matches

Its new website will make it easy for scouts to find locations, maintain filming requests, provide a calendar of other shoots when possible, and connect companies with organizations that are «film friendly.»

He has scouted locations for more than 50 others who may or may not film here someday, he said.

Other locations that you may run into someone can be at events, public events, at the films, as well as being on a holiday.

Plot summary, user comments, memorable quotes, filming locations, and other detailed information on this A and E movie made in.

Fastvold, on the other hand, certainly knows how to get the most of out the house's isolated location (Zack Galler's cinematography has plenty of style to spare), but ultimately creates a film that fails to engage.

For millions of people, the prospect of journeying back to the Shire, Rivendell, and other locations with the director, screenwriters, and seven principal cast members of The Lord of the Rings films would have been plenty exciting in itself.

Could this film have been improved by adding a few other locations and character backstory?

He nails the time period, the locations are perfect, the young actors are amazing (not over or underplaying anything), the cadence is on the money, and the adults are much more genuine and sincere than they have been in other W.A. films.

The cast go from room to room discussing stuff, from location to location looking at stuff, explaining scenarios to each other, lots of driving around and of course the other obligatory scene where everyone watches an old educational news film reel about their enemy and how it lives.

As the film jumps from location to location, chyron to chyron, picking up storylines listlessly while letting others lay fallow for a while, out of sight but without any sort of urgency at their displacement, the best moments emerge as those featuring Mark Ruffalo as Bruce Banner / Hulk, conveying an ocean of regret in the delivery of the word «Nat» to his lost love, Black Widow (Scarlett Johansson)-- or those between Paul Bettany's «Vision» and Elizabeth Olsen's «Scarlet Witch,» who share a stolen moment together in Scotland before what they believe will be their deaths.

In the first half of the film, the cloistered spaces of the Kittredge apartment and other limited locations are deployed to impressive effect to underscore the unabashed theatricality of the unfolding drama.

It focuses more on location shooting and other practical matters of film production, and it repeats a bit of the material found elsewhere on this set, but it's still a worthwhile listen for fans.

After tossing out several other equally ridiculous ideas, Mendez suggests disguising the six as a Canadian film crew scouting locations — they'll pretend to look around a bit and then Mendez will get them the hell out of there.

Berg looks at the opening credits, cast and performances, sets and locations, music, story issues, camerawork, some history behind the film's subjects, and a few other bits of production trivia.

There are a few good things about it, the gunfights were gritty and non exaggerated proving that Mann can still do decent gun play that is more accurate opposed to the infinite clip that we are used to seeing in many other movies, the cinematography is also very good and it was really nice to just look at the beautiful landscapes and backgrounds of the locations they filmed in Hong Kong and Jakarta.

Mills are featured as locations in two other Hitchcock films, Young and Innocent and The Manxman, though these are grain mills with turning water - wheels rather than rotating blades.

A very broad comedy — certainly not black in hue, but perhaps a mild shade of gray — set in Queen Anne, Volunteer Park, and other picturesque locations with views of the Space Needle, plus the (film insider joke!)

«Armed and Underground: Production Design» (7 mins., 1080i / 16x9) brings production designer Jon Gary Steele into the interview mix for an insider's view of the film's carefully - aged sets (the industrial - site exterior was a real location in Fontana, CA, but the massive interior was built on a soundstage), while «Crash Course: Stunts» (11 mins., 1080i / 16x9) taps stunt coordinator Lance Gilbert to tell, among other stories, the one about crawling around on the floor with his kids» Hot Wheels cars to plan the armoured - truck chase scene with Antal.

But there's one other film for it to take place in, and unless Infinity War opens with Thanos stealing it from another location, that would be none other than February's Black Panther.

Some of the other extras are more production - based, like the location featurette «James Bond in the Bahamas,» an in - depth featurette on filming the sinking palazzo sequence («Death in Venice»), and storyboards for two of the film's big set pieces.

But unlike other dark comedies to make the jump («Mean Girls» director Mark Waters» «The House of Yes» comes to mind), Finley displays a natural cinematic instinct, treating the baroque, marble - lined mansion where the film principally unfolds not as a closed - in set, but a kind of tiger sanctuary, prowling the location in long, restless takes — whether it's stalking an SUV up the gravel driveway or lurking behind a door jam, carving knife in hand, while two characters stare each other down in the adjacent room.

Propinquity in the film becomes a matter of not only occupying the same visual space within a frame, a hurdle we've gone over by now, but also of emotional and behavioral correspondences that caress one another as locations change and scenes elide into other scenes.

Among other anecdata, the director explains how working on location restricts the mobility of the camera, points out the film's trickiest special - effects work, and reveals his own personal beliefs about the nature of life after death.

It doesn't have nearly the level of location - specific detail, but there's a similar warmth to the way Goodhart (who adapted this feature film from an earlier short) treats her characters, even when they're treating each other poorly.

Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.

Watching Liusaidh return to the same locations over and over again throughout the film gives the audience a sense of the true loneliness of her life; she clearly finds more comfort in these places than she does with other people.

But their newest addition is their Hero Tour, which focuses on the filming locations used in Marvel and other superhero movies.

With no other films opening in wide release in the wake of «Infinity War,» Paramount Pictures» «A Quiet Place» secured second place with $ 10.6 million in 3,565 locations.

While we wait for other cool Elm Street surprises, check out the Crave Inn filming location video below!

«The Italian Traveler, Bernardo Bertolucci,» a 53 - minute documentary directed by Bertolucci's old assistant director Fernand Mozskowicz, is a meandering tour with the director as he reflects on past films while visiting the locations of 1900 and Last Tango in Paris and others, and ends with his trip to China to make The Last Emperor.

These visual properties combine with other elements like the evocative sound design and carefully detailed locations to generate what is perhaps the film's most exceptional quality: a true sense of being somewhere — with actual people in actual places, whether they be as loudly wide - open as a rock band's studio loft show or as comfortably intimate as a suburban basement - turned - practice - space.

As you can guess, «Los Angeles: The Other Character» (3:12) discusses the settings / filming locations embraced and the characteristics they represented.

Among other things, they discuss filming locations, edits, music, and audience reactions.

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

He tells us a little about his childhood experiences and their influence on the film as well as research, facts and liberties, cast and performances, visual choices, sets and locations, effects, music, and a few other production areas.

Other topics arising: costumes (which included CGI armor), linguistics, fighting styles, production design, visual effects (from the unsettling depiction of X-ray vision), set pieces (the tornado sequence, Lois Lane's complicated single shot work escape), underwater filming, and filming locations.

A trivia track accompanies the movie and tells us about the film's origins, various stunts and effects, cast and crew, realism and research, sets and locations, and a few other production elements.

We learn about the additions made for the extended edition of the film as well as working with the cast, changes from the Tolkien book, effects, location and set challenges, plus many other areas.

It's Clooney's second film, but he doesn't just know how to make a restricted setting story (the film takes place in the CBS building, a bar, and two to three other locations) exciting... he also knows how to make an informative docudrama into an affecting and revealing look at people working together.

In this 21 - minute and 51 - second chat, Gere goes over his career at the point Days came to him, what appealed to him about the project, the film's visual style, cast and crew, working with Malick, his take on his character, location shooting, and some other filming specifics.

Thrones received 23 prime - time 2016 Emmy nominations, more than any other show, but requires a heavy amount of winter location shooting for the next season (locations include a production unit filming in Iceland).

Carried over from the previous disc releases are two commentary tracks (one production - focused track by Terry Gilliam and Terry Jones, and other with general complaints and back - biting by John Cleese, Eric Idle and Michael Palin), featurettes («The Quest for the Holy Grail Locations» hosted by Michael Palin and Terry Jones, the 18 - minute 1974 BBC report «On Location with The Pythons,» «How To Use Your Coconuts»), «Lost Animations» (a 12 - minute collection of unused animated bits prepared for the film with an introduction by Terry Gilliam) nearly 20 minutes of outtakes and extended scenes with an introduction by Terry Jones, three sing - alongs, clips from the film in Japanese with English subtitles, and the all - interlocking «Monty Python and the Holy Grail In Lego.»

Filmed in Tuscany, Rome, and other locations, «Under the Tuscan Sun» is full of terrific scenery and shots of the Italian countryside and villages.

Walk in Jackie Robinson's footsteps at film locations for 42 and other sports and civil rights attractions in Georgia.

Shot largely on location in Hungary, the film features striking sets and gaudy costumes that resemble other lesser extravaganzas such as Clash of the Titans.

Some other issues are: (1) it's only a pre-view version; (2) there's no pop - up blocker, which can be annoying during screen recordings; (3) there's a navigation usability issue in recording mode i.e. you can not go back and re-record a slide without leaving the record mode and coming back in to record mode; (4) there are presently limited quiz capabilities; (5) analytics needs to be improved; (6) you can't embed YouTube films; (7) there's no geo - location; (8) accessibility compliance needs more work e.g. interactive in - sync transcript, synchronized audio descriptions as a separate audio track, or sign language support; (9) there's no responsive screen capture.

Video + social learning = filming and live - streaming the classroom in real time and allowing learners in other locations to contribute comments and questions, making for a richer and more inclusive classroom experience.

1925 O.M. Restored — David Hawtin writes about a fine four - cylinder example of this Italian marque / Street racing at Avignon — Toby Ross caught the action on film from behind the straw bales / Hill - climbs at Staxton and Foxhills — A.B. Demaus continues his series on pre-war hill - climb locations / Basil Davenport: hill - climb hero — The story of this outstandingly successful driver is told by Alan Brierly / Austins Alvises and other automobiles — The Editor's latest monthly Excursion involves his own Austin 7 and other interesting vehicles / Rallying in France — Malcolm Elder tells what it was like to take part in the Coupe des Pyrenees / Diary of a dilettante — Tom Threlfall reports on events at Shelsley Walsh Oulton Park and Silverstone / Sightings in Argentina and Brazil — Alvaro Casal Tatlock reports on old carsspotted in small towns in South America.

Among other things, the place is known for being the filming location for two movies in particular: Badlands (1973), starring Martin Sheen and Sissy Spacek, and Mr. Majestyk (1974), starring Charles Bronson.