Sentences with phrase «other fine art objects»

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Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Maurício Nogueira Lima, Rhythmic Object 2 (second version), 1953 The Adolpho Leirner Collection, The Museum of Fine Arts, Houston The Museum of Fine Arts, Houston, has acquired the Adolpho Leirner Collection of Brazilian Constructive Art, a group of 98 works made in the 1950s and «60s by Sergio Camargo, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, Alfredo Volpi and other Brazilian abstractionists and assembled by Adolpho Leirner (b. 1935).

Maurício Nogueira Lima, Rhythmic Object 2 (second version), 1953 The Adolpho Leirner Collection, The Museum of Fine Arts, Houston May 20 — September 23, 2007 The Museum of Fine Arts, Houston, has acquired the Adolpho Leirner Collection of Brazilian Constructive Art, a group of 98 works made in the 1950s and «60s by Sergio Camargo, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, Alfredo Volpi and other Brazilian abstractionists and assembled by Adolpho Leirner -LSB-...]

The Fine Arts Museums attempt, with partial success, to address that problem by interposing other objects from the collection.

The Board of Trustees of the Virginia Museum of Fine Arts met on December 16 to approve the acquisition of a focused group of 12th to 20th - century objects by African and African American artists, among other works.

Incorporating materials not traditionally associated with fine art into his works — including latex, satin, bamboo, and other found objects — Sonnier began to create sculptural works that challenged the conception of art at the time, and which went on to redefine contemporary sculptural practices.

1991 — Treatise on The Sublime University of California USA 1990 — The Transformation of the Object Grazer Kunstverein & Vienna Fine Art Academy 1990 - 91 — Heritage, Impressions Gallery York & British Tour 1989 - 90 — The Other Story, Hayward Gallery, London & British Tour 1988 - 89 — Along The Lines of Resistance, Cooper Art Gallery, Barnsley & British Tour 1988 — Passion, The Elbow Room London 1988 — Blackwomansong, Sisterwrite Gallery London 1988 — Gold Blooded Warrior, Tom Allen Centre, London.

As museums in the age of the readymade increasingly resemble cabinets of curiosities (or sometimes of banalities), the separation of fine art from every other kind of object seems less and less tenable.

Taylor worked as Rauschenberg's studio assistant from 1975 to 1982, and the legendary artist's repurposing of trash and ordinary objects for fine art is an evident influence on his Collection of Perishable Rings (1988), where assorted discarded circular items — a tin can, a cork, a roll of masking tape — form a mesmerizing sequence of shapes that seem to roll around, on top of, and within each other.

His work was also featured in many important group exhibitions, such as L'art vivant aux États - Unis (1970, Fondation Maeght, Saint - Paul, France), Contemporary Black Artists in America (1971, Whitney Museum of American Art), Lamp Black: Afro - American Artists, New York and Boston (1973, Museum of Fine Arts, Boston), Another Generation (1979, The Studio Museum in Harlem, New York), Afro - American Abstraction (1981, P.S. 1 Contemporary Art Center, Queens), and The Appropriate Object (1989, Albright - Knox Art Gallery, Buffalo), among others.

Other sources of Islamic antiquities and cultural objects in America, include: the Museum of Fine Arts Boston; as well as the Detroit Institute of Arts, and the Los Angeles County Museum of Art (LACMA).

Led by Guy Debord and Raoul Vaneigem, it initially favored the production of art objects; by 1962, collective debate on the role of art had caused the expulsion of its fine - artist members, including Asger Jorn, other members of Cobra and the entire Munich - based Gruppe SPUR.

The BMA's distinguished American art collection is one of the finest on the East Coast, consisting of more than 30,000 objects, including paintings, sculptures, works on paper, silver, and other decorative arts objects dating from the colonial era to the present.

There were other things to consider: at Macarrone, a functional chimney sculpture by Oscar Tuazon that you could «activate» by burning leaves in it; a Tal R sofa at Contemporary Fine Arts; a speedboat at Franco Noero that Daren Bader plopped onto a Ping - Pong table and kitted out with objects from the titles of twenty - one short stories he found in an abandoned FedEx envelope — and a live actor to go with them, always.

Pearlstein has been recognized in several museum exhibitions among which are: Philip Pearlstein: a Retrospective at Milwaukee Art Museum, which travelled to The Brooklyn Museum, NY, Pennsylvania Academy of Fine Arts, Philadelphia PA, and Toledo Museum, Toledo, OH, 1983 - 84; The Abstract Landscapes and Other Early Works on Paper, Butler Institute of American Art, Youngstown, OH, 1992; Philip Pearlstein Retrospective Exhibition: Works on Paper 1959 - 1994, University of Pittsburgh, Frick Fine Arts Building, 1995 - 96; Philip Pearlstein: World War II Paintings, Carnegie Museum of Art, Pittsburgh, PA, 1998 - 99; An Economy of Specific Bodies and Particular Objects: Philip Pearlstein Drawings, Frye Art Museum, Seattle, WA, 2005; Philip Pearlstein, The Dispassionate Body, Tweed Museum of Art, Duluth, MN, which travelled to the Michener Art Museum, Doylestown, PA, 2006 - 08; Philip Pearlstein: Objectifications, Montclair Art Museum, Montclair, NJ, 2008 - 9; Philip Pearlstein: Recent Works, Lyme Academy College of Fine Arts, Old Lyme, CT, 2009; Philip Pearlstein's People, Places, Things, Museum of Fine Arts, St Petersburg, FL, 2013; Philip Pearlstein: Six Paintings, Six Decades, National Academy of Art, New York, NY, 2014; Pearlstein Warhol Cantor: From Pittsburgh to New York, The Andy Warhol Museum, Pittsburgh, PA, 2015; Philip Pearlstein: Seventy - Five Years of Painting, Susquehanna Art Museum, Harrisburg, PA, 2017 among others.

However, if you have a lot of valuables and objects collected over time, or if you are a collector of fine art, jewelry or other expensive items, it is important to find quotes with higher limits.