Not exact matches
«As noted in our past reports, regulatory oversight is
fragmented across multiple regulators at the federal level, and also involves regulatory
bodies in the 50 states and
other U.S. jurisdictions.»
Only two
other bodies, Mars and the moon, are known to have produced
fragments that landed on Earth.
Since macrophages travel throughout the
body and live for a long time, the β - Glucan
fragments in the macrophages spread throughout the
body and are recognized by
other innate immune system cells.
Her books include Realism (1971), Women, Art, and Power, and
Other Essays (1988), The Politics of Vision (1991), The
Body in Pieces: The
Fragment as a Metaphor of Modernity (2001), and Bathers,
Bodies, Beauty (2006).
(2016), step away from figurative depiction altogether, whereas
others, like The Funny Pleasures of War (2015 - 16), bring in
fragments of the human
body or iconographic symbols like the skull.
Presented here are two horizontal figures, one reclining and the
other fragmented into
body parts.
His best known
body of work, the Combines (1953 — 64), paired representational elements — such as magazine and newspaper clippings,
fragments of clothing, and construction debris and
other items gathered in the streets of New York — with compositional strategies explored by the Abstract Expressionists.
Sometimes their
bodies seem complete;
other times they have been
fragmented or contorted.
Other artists seminal in using the
body as a metaphor for psychological conditions are Bruce Nauman, whose severed heads are forever frustrated in their inability to communicate with the rest of the
body, and Louise Bourgeois, whose assemblages of cast
body fragments and objects inside cubelike interiors, or «cells,» as she calls them, are the symbolic plasma of an individual.
By estranging the
body,
fragmenting or even mutilating it, Coplans» photographs destroy our familiarity with and immediate ability to recognise the human, introducing the presence of the
other in the self.
Like Frankenstein's monster, Berkenblit's paintings are made up of
fragments from
other bodies, woven into different combinations and settings.
In a handful of the images,
other bodies enter into the frame as
fragments — a toe, ear, hand, or shoulder, and in one case, an ornamentally framed photograph of Liberace.
But her most celebrated essay is only one of her many contributions to art history: her books include Realism (1971), Woman as Sex Object: Studies in Erotic Art, 1730 — 1970 (1972); Women, Art, and Power, and
Other Essays (1988), The Politics of Vision (1989), The
Body in Pieces: The
Fragment as a Metaphor of Modernity (1994), and Bathers,
Bodies, Beauty (2006); Misère, her book about the representation of misery in the second half of the 19th century in France and England is due out next year.
In the new series, she intentionally cuts into her canvases — her painted
body — and then weaves in
fragments of
other shredded, or dismembered, paintings, creating newly «mended» representations of female
bodies and «healed» memories of past trauma.