How about all of
the other hate films produced in California — anti-Christian, anti-Jew, anti-Republican,....
Not exact matches
(CNN)- The deaths of the U.S. ambassador and three
other Americans amid protests against a
film that denigrates Islam has sparked global discussion and debate about whether there is a line between free speech and
hate speech and, if so, where it lies.
CNN: Reaction to anti-Islam
film fuels debate on free speech versus
hate speech The deaths of the U.S. ambassador and three
other Americans amid protests against a
film that denigrates Islam has sparked global discussion and debate about whether there is a line between free speech and
hate speech and, if so, where it lies.
We also
hated to see so many hardworking coaches getting ripped off by
other companies who up - charge for storage and restrict
film exchange — it's just not good for the game.
I
hate when people I know (
other than the photographer) watch me take pics or
film videos.
I didn't expect much from this movie, in fact I expected to
hate it, but Spiders is a much better movie than many
other horror
films that has been released this year.
Half of the
film I absolutely loved while the
other half I absolutely
hated; the tone is uneven and truly bizarre.
It was entertaining enough to hang around three stars for me, propelled by the fun chemistry between Astaire and Rogers (fun fact: I heard they
hated each
other in real life), but the completely unnecessary, racially insensitive Fred Astaire - in - blackface dance dropped the
film an extra star.
The one thing I
hated about listening to
other kid's book reports was they usually gave the
film away.
I really
hate comparing to
other films, but the easiest way to describe it is the dark surrealism of Naked Lunch with the dark humor of The King Of Comedy.
It's a «love it or
hate it» experience to be sure, but in a season no doubt bombarded with
other films taking themselves too seriously and receiving American recognition for it, it is undoubtedly worth a shot.
The first reel of the
film is taken up by a big wedding scene, bringing together two token gay characters who
hated each
other throughout the series and are now inexplicably exchanging vows before the holy vessel of Liza Minnelli — who also performs at the party with a hideous cover of «All the Single Ladies».
Directors like Besson and his many minions, Mathieu Kassovitz (
Hate, The Crimson Rivers), Jean - Pierre Jeunet (Amelie), and
others have since created a French industry that makes
films expensive and commercially savvy enough to compete with Hollywood imports, and they don't really give a shit what the naysayers think.
The
film is less a didactic parable wagging a finger at the cyclical nature of violence and much more of a melancholy lamentation of how clashing dogmas lead us to
hate the
other based entirely on how we perceive their otherness.
The couple is Jenn (Missy Peregrym) and Alex (Jeff Roop), and the
film starts with them driving from the city to the countryside in a montage that establishes they are comfortable with each
other — enough to have a little inside joke about a song he loves and she
hates, moments of silence without feeling obligated to talk, and, in general, enough patience to last a lengthy road trip without getting into a serious fight over the little things.
Julia Stiles (The Business of Strangers, State and Main) stars in her third modernized interpretation of a Shakespeare play (after 10 Things I
Hate About You and Hamlet), not to mention the second
film in two years where she is involved in a controversial interracial relationship (Save the Last Dance was the
other).
Other reviewers have commented that this may be a character you either love or
hate, but to rest a
film so squarely on the shoulders of someone so many will loathe is a major risk.
On the
other hand, it leads to the
film's biggest and funniest scenes that I did not see coming and would
hate to ruin here.
Otherwise I don't remember ever
hating a
film for any
other reason.
I'll watch this and have my own opinion Im sure, but I was wondering when I saw the trailer if this would have the same heart as lets say «the Champ» (with the down on his luck dad and the kid who believed in him) or perhaps «Requiem for a heavy weight»... Rocky is the obvious comparison but I feel the
other two
films I mentioned carry a lot more heart and emotion... The fact that people either LOVED it or
HATED it is a good sign in my opinion, and thank you guys for posting both sides!
Parker doesn't approach his
films from a level place, in
other words, either being condescending towards the United States that he
hates or being patronizing and disingenuous towards the European ghettos that he loves.
It never wavered in
films such as «The Dark Night, «Brokeback Mountain,» «10 Things I
Hate About You,» or any
others; just one of the factors that made him such an incredible talent.
You can probably tell from our podcast earlier this year, some of us loved it,
others hated it and some of just thought it was admirable, but not Malick's most successful
film.
It's got everything that I detest — teen slasher genre, gags which are excessive to the point that they stop being gags and actually become catalysts for the narrative, references to
other films that I also happen to
hate, and gore, plenty of gore!
Every
other person I know who has a
film taste similar to yours
hated Revolutionary Road too or at least recognized the faults Kurt and I picked away at.
When the
film gets bored with its four characters, it writes in a load more to try and keep up with (only one brings anything to the plot and that is some comic relief from Scoot McNairy, which I
hated, but
other critics claim it is the
film's saving grace).
Some of the gags are funny, and there is an amiable charm that makes the
film difficult to
hate outright, but when you cut right down to it, Brooks is virtually on autopilot throughout this one, spinning out overused gags that many
other vampire spoofs had already explored ad nauseam.
This appears to be like many of Bay's
other films,
hate it or love it.
It's So Easy and
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Hate» talk about one of #SIFF2015's most unforgettable
films (Chris Burlingame, The Sunbreak) NEW All Things Must Pass (Janice Headley, KEXP Blog) NEW The Glamour & The Squalor (Chris Estey, KEXP Blog) A Rock and Roll Beach Movie of the Mind (Tony Kaye, City Arts) Creative Control (Cat McCarrey, City Arts) SIFF Thriller «Circle» Isn't Spinning its Wheels (Tony Kaye, City Arts) PNW Filmmaker Ventures into the «Valley of the Sasquatch» (Tony Kaye, City Arts) «Uncertain» Sets the Bar for SIFF Documentaries (Tony Kaye, City Arts) 808 (Chris Estey, KEXP Blog) Itsi Bitsi (Chris Estey, KEXP Blog) Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (Chris Estey, KEXP Blog) Beats of the Antonov (Janice Headley, KEXP Blog) Is There a Way Forward for Superhero Movies?
Irish rising star Barry Keoghan (Love /
Hate, Trespass Against Us) will play opposite her in the
film which will be directed by Rebecca Daly, whose debut feature The
Other Side of Sleep premiered at the prestigious Cannes
Film Festival Directors Fortnight.
Others, from the sexist, whiny fanboy contingent of Star Wars fandom, see her as everything they
hate about the current crop of Star Wars
films.
At one point in Love,
Hate, and
Other Filters, Maya's best friend Violet tells her that love is «a part of who you are, not an object you can
film and capture in different kinds of light.»
Rising star Amandla Stenberg (who you can also catch in the upcoming The
Hate U Give
film and a ton of
other awesome YA adaptations these days) will take on the lead role.
They are full of mistakes and they are repeatedly caught telling lies because it's the trend (like when they did the Resident Evil
films and it is the trend to
hate on them) and when somebody calls them out their excuse is that «it's all for fun» and their fanbase are calling the
others fanboys and crybabies.