The Taking of Deborah Logan showed some promise for about fifteen minutes before its found footage design grew tiresome and its plot came to resemble
every other horror movie out there without a creative angle to distinguish it.
There is nothing about Ghost Ship that in any way distinguishes itself from
any other horror movie out there.
Not exact matches
im 54 / from maine / single n looking / I enjoy camping / traveling / dining
out / shopping / anything outdoors / most music but rap n
movies I enjoy mostly are action n
horror / I enjoy family n friends time n so much more / I have 1 son 21 n 1 daughter 24 that's married with 2 little girls / hoping 2 find my
other...
It is smart and the way it plays
out actually rewrites every
other horror movie you've seen before!
What #
Horror never quite figures
out is if it's trying to be an allegory for the dangers of social media, an actual
horror film, or a lesson on why pre teen girls are **** Those themes never mix with each
other in a cohesive way and instead battle each
other throughout the whole
movie.
Overall, maybe it might make your girl cuddle up into your wimpy arms once or twice, but
other than that, I wouldn't watch this
movie if you truly want to have the need to check under your bed and lock your doors before sleeping, like any good
horror movie should, It's unbelievable that people are giving it an 8, 9, and EVEN 10
out of 10 for this.
As it approaches its great and terrible climax, every fear the film has suggested digging to the surface and clawing
out to confront its characters, «Hereditary» takes on a power and resonance that it's hard to imagine any
other horror movie this year matching.
Jordan Peele snagged that title early in 2017 with Get
Out, his social
horror thriller that explores the black experience in America in a way no
other movie has.
«Get
Out» directed by Jordan Peele: For white viewers, this debut feature from «Key & Peele» star Jordan Peele offers a glimpse at how the
other half lives; for everyone else, it's more of a documentary in body
horror movie drag.
my only beef with this (and
other horror movies) is this: if it was me, i'd have gotten the hell
out of there!!!
Horror movies often play with the contrast between deathly silence and deafening cacophony, one puncturing the
other to shred nerves and send asses
out of seats.
They carry no special qualities, and nothing about them stands
out from the countless
other horror movie threats we've suffered through over the years.
I like the way that this
movie seems like it never set
out to be anything
other than a Sci - Fi
horror.
And while the cast is wall - to - wall great, what's notable (for genre fans, anyway) is that the title character is played by none
other than Anya Taylor - Joy, who broke
out in this year's hit
horror movie The Witch — only now it looks like she's the one doing the tormenting.
Clips of old
horror movies depict a man whose eye falls
out and
other frightening characters.
This year's best picture Oscar, after all, went for the first time to a science - fiction film of sorts, Guillermo del Toro's adoring monster -
movie homage The Shape of Water — beating, among
others, Get
Out, Jordan Peele's wickedly playful collision of old - school
horror with brisk, bracing racial politics.
In cutting from the clanging bazaars of Iraq to the quiet streets of Georgetown, in blending dizzying dream sequences with starkly believable human drama, Friedkin created a
horror movie like no
other — both brutal and beautiful, artful and exploitative, exploring wacked -
out religious concepts with the clinical precision of an agnostic scientist.
Now that we've gone ahead and declared our Top Ten Films of 2016 as well as our Ten Favorite
Horror Movies of the Year, it's time to get into the particulars and hand
out some superlatives for
other «Bests» of the year.
Jordan Peele's «Get
Out» is, again, a work of savvy craft that pulls an unsuspecting (white) viewer into a Sunken Place that
other moviegoers know all too well; the
movie works as a
horror film, as a goof on
horror films, as a working street - map of African - American anxieties, and, for a white liberal audience, as an endlessly reflective hall of mirrors that urges a hard, necessary look at oneself.
But what makes it a classic is that, like «Get
Out,» a body - snatching
movie about racism, or «The Babadook,» a supernatural
horror film about childhood fears, it also works so well on so many
other levels.
Insidious is recommended only for the most easily - frightened of viewers who go to
horror movies solely so they can have their significant
others jump in their seats and grab them
out of the sudden surprises, or if they are alone, to crap their own pants.
If you don't always want to know what you're going to get and like to be surprised occasionally, then check
out Donnie Darko today: it is quite simply the best science fiction
movie I have seen since 1998's Dark City, and the best
horror flick since The
Others...
Other times, game developers put Easter Eggs into games that really increase the scare factor, create urban legends, and freak gamers
out more than the scariest
horror movie.