Sentences with phrase «other ideas for films»

I have got other ideas for films...

Not exact matches

We make project - management software for other software developers, not documentary films, so this idea was precisely the kind of monumental distraction that every venture capitalist warns you to avoid like the plague.

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

Good sci - fi has all these things, of course, but «bigger» isn't better, and most of the «big» idea movies use «the future» as a setting for action and adventure, whereas true sci - fi films (and books) use that setting to tell human stories in new ways; human relationships (with others, with self, with the environment, etc...) are are the core of the best sci - fi movies we've seen.

The Movie: The idea of George Clooney playing a (mostly) silent assassin holed up in the Italian countryside with gorgeous European women sounds like recipe for a solid dramatic experience, so why Focus Features is marketing «The American» as some sort of action thriller when in fact it's an arty European film, will throw some moviegoers off and just outright anger others.

Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.

It's not as simple as «no one in Hollywood has ideas anymore» or that the industry just remakes older American films or scavenges other national industries for their most successful enterprises (Vanilla Sky, The Ring, The Grudge and so on).

However, Anderson's film skewers the idea of using other cultures for self - actualisation, while finding deep emotional resonance in the natural vibrancy of its setting.

What is fascinating, however, is that Eternal Sunshine's happy ending sits rather uncomfortably at the conclusion of a film that demolishes the thematic core of the genre itself: the idea that these two lovers are made for each other and that they will, as a result, live happily ever after.

First, a seven - minute piece called «The Spirit of the Ride» has the director and various other cast and crew discussing how they drew on the amusement park ride for ideas and general atmosphere for the film; the 14 - minute mini-documentary «Dead Men Tell No Tales» (also available in the DVD - ROM content in the two - disc edition) gives a history of the «Pirates of the Caribbean» ride, complete with lots of behind - the - scenes looks at the animatronic pirates and nostalgia - inducing footage from the ride itself.

However as a whole, this is a satisfying, and truly unique viewing experience, and we get to see a director who is at ease with such grand ideas of storytelling, and in the end, we get an experience like no other, and for true film lovers, we couldn't ask for any more.

The film plays as if Payne and Taylor had a great idea for a first act, then were hit by writer's block and simply pulled a bunch of other ideas out of a hat.

It's a stupid idea, in other words, one exacerbated by the casting of the usual suspects of beautiful young things who here find themselves trapped in a bad rave by some twisted games master (Lance Henriksen, in the kind of performance you praise for his knowing how wretched the film is — let's think on that for a moment).

by Walter Chaw Emboldened, perhaps, by the surprisingly good The Other Guys and the surprisingly great Get Him to the Greek, I went into Steve Pink's Hot Tub Time Machine with the belief that its high - concept idea — not the time travel, but the casting of»80s icon John Cusack in a film that would return him to his decade of greatest power and influence — would be at least enough for it to function as a fairly smart nostalgia piece.

I had no idea that he and Kutiman knew each other when he started filming me, or even when I heard the song for the first time.

Instead, the film explores a simple but profound idea: that the best a person can achieve — no matter what expectations others or society may have for that person, what ties that person may have, or what difficulties one may encounter — is to take control of the shape of one's own life.

Don't get me wrong: the idea of someone performing copycat murders based on an author's work of fiction has potential (even if it's been done before, most recently in the pilot for the TV drama «Castle»), but there's nothing in the trailer that suggests the film will be anything other than a generic whodunit.

For fans curious about how he dealt with the previous movies, Waititi shared that he has «no idea» whether Ragnarok will meld well with the two movies as he «made an effort to ignore the fact that there are other Thor films.»

Bob Balaban — the only prominent American actor in the cast, who plays an American film producer — reportedly came up with the initial idea for the film, and most of the other forms of inspiration and discipline seem actor related as well.

There's a lot of people calling them the best post-credits stingers ever for a Marvel Comics film and you'd be hard - pressed to argue, but according to the film's scribes there were two ideas they had for the scenes that didn't make the cut — one nixed early in development, the other which was actually shot and then edited out.

Alexander Payne, Omaha and Lincoln, Neb.: In the current «Downsizing» and in «Election» and other films, Payne uses the fuzzy - sweater - and - casseroles politeness of his home state as a springboard for eccentric, sometimes shocking ideas.

Other ideas that have been left on the proverbial curb include an (unnecessary) follow up to Kill Bill, The Vega Brothers which pit Pulp Fiction «s Vincent Vega (John Travolta) against Reservoir Dogs «Vic Vega (Michael Madsen) and a host of British spy films, like The Man From U.N.C.L.E., that he's had or been trying to get the rights to for years.

Based on the setting alone, the film trips over every obvious German stereotype in the book - from the uninhibited cultural attitudes, to the kinky sexual indulgences, to the peculiar artistic tastes, smaller automobiles, penchant for beer and Euro - trashy nightclubs, etc., etc., etc.... Beyond that, the lineup of comedic gags and sequences feels like mishmash of ideas that never seem to balance out tonally with other jokes, not the entire dramatic side of the film.

The idea that The Lords of Salem has the typical Rob Zombie stamp on it while being a beautiful looking film is really something special because all of his other films have a very gritty tone to them and it will be nice to see something visually striking from a director that isn't known for such qualities.

Veteran sound designer Ben Burtt, composer John Morgan, film historian Rudy Behlmer, and directors Peter Jackson and Joe Dante, among others, describe the revolutionary ideas Steiner and Spivack employed in what remains a standard in blockbuster filmmaking for the action / fantasy genre.

Asking Rowling herself to write the screenplay for David Yates's Fantastic Beasts and Where to Find Them (hereafter Fantastic Beasts), then, has yielded exactly the expected result: the film is bloated, boring at times, rambling most others; and it's rich with genuine ideas and an honest - to - goodness progressive heartbeat.

«Object in the sense that, when viewed from different angles, in varying moods, it reveals more and more of itself, other emotions and, for a film overrun with aesthetic objects, deepened ideas.»

This film won't have you marvel about the glamorous lifestyle of the criminal world, instead you'll get an idea of how people pay for other people's fu * k - ups.

The film is surprisingly spiritual, in fact, not simply an excuse for mayhem but a tale with genuine ideas about our place in the universe, our reliance upon others for our own karmic enlightenment, and how death is inherently even more ridiculous than life, no matter how grizly the end.

Carpenter, also tagged a «creative consultant» (in other words, he likes the idea for this one, so he's giving the film his blessing), said previously «38 years after the original «Halloween,» I'm going to help to try to make the 10th sequel the scariest of them all.»

Whilst many have already given credit to the originality of the central plot about a curse being passed on by having sex, let us not forget the works of directors such as David Cronenberg and, if you want to go even more bizarre, Frank Henenlotter, who have both made films involving the distortion of sex and the idea of sex being the conduit for bad things to happen, And granted, the actual threat in It Follows is a supernatural one rather than one of the body turning on itself, but how many curse movies have there been since Ringu convinced us all that video tapes were credible vessels for evil beings from other dimensions to cross over and kill us?

For starters, a fraternity would never move into an ordinary neighborhood without some serious pushback from the rest of the community, and the idea that the other neighbors could be bought off so easily is perhaps the funniest joke in the entire film.

However, so much time is spent on battle scenes and numerous other characters that you soon lose touch of where the story is going, which is a shame as I thought it had great graphics and this was a creative idea for a film.

Mildred has an idea, and McDonagh films its dawning with the same hushed reverence that other filmmakers reserve for natural wonders.

For most of the running time, it's hard to understand or care about what's going on, and some of the ideas thought up in the 11th hour — such as the addition of a second zero - gravity sex scene, with James Spader and Angela Bassett's heads digitally attached to the bodies of the principals in the film's other weightless shag, Facinelli and Robin Tunney — just add to the confusion.

«Other things that we have on the learning platform, of which are all ideas that came from the teaching staff, include discussion boards where the children can comment on things such as films they may have watched at film club, song lists for the school choir so they can practice their music at home and Eastfield TV which was set up to involve the parents in the school.

Using photographs and other objects that reference specific bodies of knowledge as starting points for his carefully crafted drawings and sculptures, he then films these images and objects, arranging and comparing both the physical works and the ideas, information and knowledge associated with them.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.

For a recent Valentine's Day, Los Angeles - based film editor Stefan Grube gave his wife Julie a journal, with the idea that the couple would take turns writing to each other.

Gorgeous period dramas, urban thrillers and charming foreign films all provide a glimpse into how other people live — and can inspire ideas for how you want to live.