Sentences with phrase «other images from popular culture»
Not exact matches
Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.
http://polfilms.com/
Moving from scenes of terror and violence to images of great intimacy, and drawing on film, photography, political cartoons and other sources in popular culture, Lawrence created an innovative format of sequential panels, each image accompanied by a descriptive caption.
In Sounds Like Her, Boyce is presenting a new development of her ongoing Devotional series with the names of 200 black British female performers inscribed on a wallpaper, overlaid with placards especially created for the exhibition, featuring images of these women, plucked from Boyce's own archive of concert announcements, fashion magazines and other materials documenting popular culture.
Prince's technique involves appropriation, and he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility, with images stemming from the Marlboro Man, muscle cars, biker chicks, off - color jokes, gag cartoons and pulp fiction novels, among many other sources.
While Behlau frequently takes inspiration from other artists, Loesch freely avails himself of elements from popular image culture.
Andy Warhol is the best - known practitioner of appropriating images from popular culture, but his work focused mainly on reproducing images; whereas artists like Marisol Escobar, at the same time, incorporated objects bottles of Coke and other consumer items directly into their works.
Dedicated to Carolee Schneemann, the magazine features a previously unpublished image archive from Schneemann's studio «Plagarism, Influence, I Forgot» that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture.