Sentences with phrase «other images of nature»

Not exact matches

Or, if you use a lot of images of nature, along with some motivational quotes, your audience will see you as someone who wants to encourage and inspire others.
Miller, along with many others who are convinced of the shroud's authenticity («shroudies» as they are sometimes known), believe that the clarity and three - dimensional nature of the image show that it was caused by a strong burst of radiation from the body lying beneath the cloth.
I would put it the other way and say that God deifies himself in us when we become perfectly detached, and that's the nature of God's creation of humanity as the image and likeness of God — imago Dei.
They thus came naturally to him to be used as metaphors in his parables proclaiming the Kingdom of God, to an audience predominantly consisting of peasants and others who belonged to the deprived and alienated social groups.40 The images from nature, therefore, become meaningful to an audience who were in constant relationship with nature in their daily activities on the farm, with its experience of pathos and joy.
In seeking to develop a theology of nature, process theologians are supportive of endeavors to appropriate other images from the tradition, such as St. Francis» compassionate love for the poor and treatment of animals as sisters and brothers, the Orthodox view of the church as inclusive of all of creation, and the use of the elements of bread and wine in the Eucharist, products of the interworkings between God, the non-human natural world, and human labor, that speak, to contemporary needs.
The interpretation of the present nature of human beings in any situation, as «made in the image of God» and as «brothers for whom Christ died» should be as Persons - in - Relation and destined to become Persons - in - Loving - Community with each other in the context of the community of life on earth through the responsible exercise of the finite human freedom reconciled to God.
Undoubtedly, one of the major problems that has beset theological aesthetics is, on the one hand, the modern and post-modern loss of faith in the image and likeness of God in created human nature; and on the other, the loss of conviction that truth is objectively real and attainable by the human person, intellectually and by feeling (aesthesis).
What if most of the problems in our relationships with other people — the way we «see» and are «seen» by them, the way we interpret their lives, actions, and / or attitudes (and inversely the way others interpret our own), the way we treat and respond to others (as well as the ways they treat and respond to us)-- every single thing that each and every one of us do that damages our relationships with one another * stems * from an inherent misunderstanding of the nature and the goodness of the God in whose image we ourselves were created.
For there is no image in Whitehead's language of nature as an «other,» no image of nature as outside, or even as simply and only being there.
The other implication of this way of thinking about human nature is that we must not separate groups, classes or races of men by assigning to one the image of God and to the other the effects of the fall.
We have learned from the Enlightenment and its Marxist negative image some bad lessons: a self - righteous view of human nature, individual or collective, a good - evil dichotomy in our judgment on others and in our social action, a shallow sense of human community, and an exaggerated confidence in the power of human beings to manage and control their own destinies.
Why Doctors, Nurses, and Other Medical Professionals Are Choosing to Birth at... Image courtesy of Erin Wrightsman, Nurture Nature Photography It's one of the best kept secrets in the medical profession these days: an increasing number of doctors, nurses, physician's assistants, and other medical professionals are choosing to birth at Other Medical Professionals Are Choosing to Birth at... Image courtesy of Erin Wrightsman, Nurture Nature Photography It's one of the best kept secrets in the medical profession these days: an increasing number of doctors, nurses, physician's assistants, and other medical professionals are choosing to birth at other medical professionals are choosing to birth at home.
For Konrad Hochedlinger of the Harvard Stem Cell Institue, it was a bad start to the week: Just after 6 a.m. last Monday, he and a bevy of others received an unsigned e-mail from a virtually untraceable address, [email protected], pointing out what it said «appears to be duplicated images and embryos used in a Nature manuscript published in 2009.»
Photograph 51, named for Franklin's famous x-ray image that revealed the helical nature of DNA, tells the story of her rocky relationship with the other personalities in the race to uncover the molecule's structure.
While the long - term future of studying exoplanet atmospheres surely rests in the next generation of telescopes and instruments that will enable us to directly image smaller and cooler exoplanets, transiting exoplanets like the ACCESS targets are the cosmic lighthouses that are providing the first insights into the natures of other worlds.
«Most of my patterns display butterflies, dragonflies, flowers and other images that put people and nature back together.»
* If your book has more than twenty images or is of a more complex nature and / or contains graphs and other requirements of a specialised nature, extra charges may be incurred.
* If your book has more than 20 images or is of a more complex nature and / or contains graphs and other requirements of a specialised nature, extra charges may be incurred.
In the process, I have considered the nature of these images and others in the collection, how they relate to Still's body of work as a whole and to the man himself.
The performative nature of the paintings and the artist's self - awareness on camera recalls Hans Namuth's infamous photographs of Jackson Pollock's dramatic painting process — images that have defined our understanding of his active bodily presence.18 However, in Saint Phalle's hands, there is an explicit refusal of the terms of abstraction that Pollock and others of his generation perfected — i.e., the expression of exquisite anguish that could be exorcized by subjective brushwork from the singular, heroic male artist.
Among them were exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions including Made in U.S.A.: An Americanization in Modern Art, the»50s &»60s; State of Mind: New California Art Circa 1970; In a Different Light; Human / Nature: Artists Respond to a Changing Planet; Masterworks of Chinese Painting: In Pursuit of Mists and Clouds; Beauty Revealed: Images of Women in Qing Dynasty Painting; and Andrea Fraser: Aren't They Lovely?.
Many used the transparency and the lightness of the tones to capture the shifts of light occurring in nature, while others used the intensity of color to produce images which play with different tones, and values.
For this special presentation, Aitken and Vergne discuss Aitken's uniquely immersive aesthetic; the work's relationship to 20th - century avant - garde art, cinema, and experimental music; the nature of creativity in the 21st century; the possibilities for artmaking within our ever - mobile, ever - changing, image - based contemporary world; and other ideas central to the artist and the exhibition.
The other show is one by Joyce Silver titled Nature's Melody that features a collection of Silver's vibrant paintings and other works that welcome the spring and summer seasons with images of sunshine and flowers that follow the darker days of the winter season.
Despite the extremely personal nature of the work, Melissa hopes these paintings speak to others facing a similar battle: «I want these images to show other cancer patients, locked to an IV pump, that they are not alone in their struggle for survival.»
While her contemporaries staged the relations between painting and photography, Sillman chose instead to look at other mass media forms of image making, selecting the diagram as her lever to open the historical nature of painting to the present.
In these and other ways, the exhibition subtly probes the essential nature of painting, distilling a simultaneity of object and image and emphasizing the time - based aspect of creation and reception.
This piece made in 1997 illustrates the nature of our interactions on the internet today; we can project flattering images of ourselves outward, but in other ways we remain isolated by screens and the infrastructure of the web.
Combining these images with handmade ceramic objects, and other items evocative of human innovation, Rogan's Project Space installation presents a confrontation between the austere and rugged environments of wild nature and human ideals of objects, community, and function.
David's process of conceiving an image is rooted in the line and he retains the impulsive and ephemeral nature of drawing as he transitions from sketches on paper to painting, sculpture, and other media often reverting to drawing — in ways that he refers to as «following instructions in order to formalize the feeling of bodily presence and absence, assembling and dissolving in equal measures.»
As the viewer shifts from one side to the other, the composite nature of the image is revealed, and with this, ideas about how the maps we consult on our screens are manipulated and always changing.
, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK
Where some of the images flirt with abstraction, as seen in Charles Sheeler and John Marin, others experiment with a pulsing sense of nature endowed with an incredible lightness of being, as does Charles Burchfield.
In ancient art an image of two animals facing each other orders symmetrically bodies which in nature are already closed symmetrical forms.
But along with these and other scientifically significant missions, DSCOVR will also have the ability to inspire new ways of thinking about the true nature of the human condition, by showing us new images everyday that give every person on Earth the ability to see his or her home city or village in the context of the planetary whole, reminding us of our obligation to take good care of what Buckminster Fuller described so long ago as «Spaceship Earth.»
Saint Francis's message of fraternity with other creatures (which resonates with the teaching of evolutionary science that all life on earth is one big family) plainly presents a more attractive image than the one commonly attributed to Francis Bacon of putting nature on the rack to torture her for her secrets.
«telegraph» means any appliance, instrument, material or apparatus used or capable of use for transmission or reception of signs, signals, writing, images and sounds or intelligence of any nature by wire, visual or other electro - magnetic emissions, Radio waves or Hertzian waves, galvanic, electric or magnetic means.»
This contrasts with the generally high resolution nature of the image, and is a shame considering that the other properties of the image are generally great.
a b c d e f g h i j k l m n o p q r s t u v w x y z