Not exact matches
Or, if you use a lot
of images of nature, along with some motivational quotes, your audience will see you as someone who wants to encourage and inspire
others.
Miller, along with many
others who are convinced
of the shroud's authenticity («shroudies» as they are sometimes known), believe that the clarity and three - dimensional
nature of the
image show that it was caused by a strong burst
of radiation from the body lying beneath the cloth.
I would put it the
other way and say that God deifies himself in us when we become perfectly detached, and that's the
nature of God's creation
of humanity as the
image and likeness
of God — imago Dei.
They thus came naturally to him to be used as metaphors in his parables proclaiming the Kingdom
of God, to an audience predominantly consisting
of peasants and
others who belonged to the deprived and alienated social groups.40 The
images from
nature, therefore, become meaningful to an audience who were in constant relationship with
nature in their daily activities on the farm, with its experience
of pathos and joy.
In seeking to develop a theology
of nature, process theologians are supportive
of endeavors to appropriate
other images from the tradition, such as St. Francis» compassionate love for the poor and treatment
of animals as sisters and brothers, the Orthodox view
of the church as inclusive
of all
of creation, and the use
of the elements
of bread and wine in the Eucharist, products
of the interworkings between God, the non-human natural world, and human labor, that speak, to contemporary needs.
The interpretation
of the present
nature of human beings in any situation, as «made in the
image of God» and as «brothers for whom Christ died» should be as Persons - in - Relation and destined to become Persons - in - Loving - Community with each
other in the context
of the community
of life on earth through the responsible exercise
of the finite human freedom reconciled to God.
Undoubtedly, one
of the major problems that has beset theological aesthetics is, on the one hand, the modern and post-modern loss
of faith in the
image and likeness
of God in created human
nature; and on the
other, the loss
of conviction that truth is objectively real and attainable by the human person, intellectually and by feeling (aesthesis).
What if most
of the problems in our relationships with
other people — the way we «see» and are «seen» by them, the way we interpret their lives, actions, and / or attitudes (and inversely the way
others interpret our own), the way we treat and respond to
others (as well as the ways they treat and respond to us)-- every single thing that each and every one
of us do that damages our relationships with one another * stems * from an inherent misunderstanding
of the
nature and the goodness
of the God in whose
image we ourselves were created.
For there is no
image in Whitehead's language
of nature as an «
other,» no
image of nature as outside, or even as simply and only being there.
The
other implication
of this way
of thinking about human
nature is that we must not separate groups, classes or races
of men by assigning to one the
image of God and to the
other the effects
of the fall.
We have learned from the Enlightenment and its Marxist negative
image some bad lessons: a self - righteous view
of human
nature, individual or collective, a good - evil dichotomy in our judgment on
others and in our social action, a shallow sense
of human community, and an exaggerated confidence in the power
of human beings to manage and control their own destinies.
Why Doctors, Nurses, and
Other Medical Professionals Are Choosing to Birth at... Image courtesy of Erin Wrightsman, Nurture Nature Photography It's one of the best kept secrets in the medical profession these days: an increasing number of doctors, nurses, physician's assistants, and other medical professionals are choosing to birth at
Other Medical Professionals Are Choosing to Birth at...
Image courtesy
of Erin Wrightsman, Nurture
Nature Photography It's one
of the best kept secrets in the medical profession these days: an increasing number
of doctors, nurses, physician's assistants, and
other medical professionals are choosing to birth at
other medical professionals are choosing to birth at home.
For Konrad Hochedlinger
of the Harvard Stem Cell Institue, it was a bad start to the week: Just after 6 a.m. last Monday, he and a bevy
of others received an unsigned e-mail from a virtually untraceable address,
[email protected], pointing out what it said «appears to be duplicated
images and embryos used in a
Nature manuscript published in 2009.»
Photograph 51, named for Franklin's famous x-ray
image that revealed the helical
nature of DNA, tells the story
of her rocky relationship with the
other personalities in the race to uncover the molecule's structure.
While the long - term future
of studying exoplanet atmospheres surely rests in the next generation
of telescopes and instruments that will enable us to directly
image smaller and cooler exoplanets, transiting exoplanets like the ACCESS targets are the cosmic lighthouses that are providing the first insights into the
natures of other worlds.
«Most
of my patterns display butterflies, dragonflies, flowers and
other images that put people and
nature back together.»
* If your book has more than twenty
images or is
of a more complex
nature and / or contains graphs and
other requirements
of a specialised
nature, extra charges may be incurred.
* If your book has more than 20
images or is
of a more complex
nature and / or contains graphs and
other requirements
of a specialised
nature, extra charges may be incurred.
In the process, I have considered the
nature of these
images and
others in the collection, how they relate to Still's body
of work as a whole and to the man himself.
The performative
nature of the paintings and the artist's self - awareness on camera recalls Hans Namuth's infamous photographs
of Jackson Pollock's dramatic painting process —
images that have defined our understanding
of his active bodily presence.18 However, in Saint Phalle's hands, there is an explicit refusal
of the terms
of abstraction that Pollock and
others of his generation perfected — i.e., the expression
of exquisite anguish that could be exorcized by subjective brushwork from the singular, heroic male artist.
Among them were exhibitions
of the works
of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many
others, as well as thematic exhibitions including Made in U.S.A.: An Americanization in Modern Art, the»50s &»60s; State
of Mind: New California Art Circa 1970; In a Different Light; Human /
Nature: Artists Respond to a Changing Planet; Masterworks
of Chinese Painting: In Pursuit
of Mists and Clouds; Beauty Revealed:
Images of Women in Qing Dynasty Painting; and Andrea Fraser: Aren't They Lovely?.
Many used the transparency and the lightness
of the tones to capture the shifts
of light occurring in
nature, while
others used the intensity
of color to produce
images which play with different tones, and values.
For this special presentation, Aitken and Vergne discuss Aitken's uniquely immersive aesthetic; the work's relationship to 20th - century avant - garde art, cinema, and experimental music; the
nature of creativity in the 21st century; the possibilities for artmaking within our ever - mobile, ever - changing,
image - based contemporary world; and
other ideas central to the artist and the exhibition.
The
other show is one by Joyce Silver titled
Nature's Melody that features a collection
of Silver's vibrant paintings and
other works that welcome the spring and summer seasons with
images of sunshine and flowers that follow the darker days
of the winter season.
Despite the extremely personal
nature of the work, Melissa hopes these paintings speak to
others facing a similar battle: «I want these
images to show
other cancer patients, locked to an IV pump, that they are not alone in their struggle for survival.»
While her contemporaries staged the relations between painting and photography, Sillman chose instead to look at
other mass media forms
of image making, selecting the diagram as her lever to open the historical
nature of painting to the present.
In these and
other ways, the exhibition subtly probes the essential
nature of painting, distilling a simultaneity
of object and
image and emphasizing the time - based aspect
of creation and reception.
This piece made in 1997 illustrates the
nature of our interactions on the internet today; we can project flattering
images of ourselves outward, but in
other ways we remain isolated by screens and the infrastructure
of the web.
Combining these
images with handmade ceramic objects, and
other items evocative
of human innovation, Rogan's Project Space installation presents a confrontation between the austere and rugged environments
of wild
nature and human ideals
of objects, community, and function.
David's process
of conceiving an
image is rooted in the line and he retains the impulsive and ephemeral
nature of drawing as he transitions from sketches on paper to painting, sculpture, and
other media often reverting to drawing — in ways that he refers to as «following instructions in order to formalize the feeling
of bodily presence and absence, assembling and dissolving in equal measures.»
As the viewer shifts from one side to the
other, the composite
nature of the
image is revealed, and with this, ideas about how the maps we consult on our screens are manipulated and always changing.
, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing
Nature, Museum
of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings
of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure,
Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey
of Artists» Ephemera, 1960 - 1999, Institute
of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre
of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project
of Artists & Poets for Venice Biennale 2001 - a Choice
of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As
Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK
Where some
of the
images flirt with abstraction, as seen in Charles Sheeler and John Marin,
others experiment with a pulsing sense
of nature endowed with an incredible lightness
of being, as does Charles Burchfield.
In ancient art an
image of two animals facing each
other orders symmetrically bodies which in
nature are already closed symmetrical forms.
But along with these and
other scientifically significant missions, DSCOVR will also have the ability to inspire new ways
of thinking about the true
nature of the human condition, by showing us new
images everyday that give every person on Earth the ability to see his or her home city or village in the context
of the planetary whole, reminding us
of our obligation to take good care
of what Buckminster Fuller described so long ago as «Spaceship Earth.»
Saint Francis's message
of fraternity with
other creatures (which resonates with the teaching
of evolutionary science that all life on earth is one big family) plainly presents a more attractive
image than the one commonly attributed to Francis Bacon
of putting
nature on the rack to torture her for her secrets.
«telegraph» means any appliance, instrument, material or apparatus used or capable
of use for transmission or reception
of signs, signals, writing,
images and sounds or intelligence
of any
nature by wire, visual or
other electro - magnetic emissions, Radio waves or Hertzian waves, galvanic, electric or magnetic means.»
This contrasts with the generally high resolution
nature of the
image, and is a shame considering that the
other properties
of the
image are generally great.