Sentences with phrase «other interesting exhibition»

It also includes a large collection of poetry by Bill bissett (published by Talon Books) and other interesting exhibition catalogues from the 1980s to present.

Not exact matches

He then wowed «em at a junior clinic and exhibition at Sage Valley Golf Club in South Carolina, where Golf Channel and other interested bystanders issued breathless dispatches about Tiger's prowess.

Mr. Ahmed also met with Mr. Shi Zengchai of Ningbo Jinsheng Star Limited, who led the team to the 18th China CEEC Trade Fair which featured exhibitions from China, other parts of Asia, where the governor showed interest in processing equipment, diagnostic tools, and aviation training equipment stands and exchanged ideas with the exhibitors.

• Spending free time for sightseeing and visiting different interesting places, like museums, art exhibitions, monuments and others.

True.Meet other single people with shared interests while enjoying London's extraordinary science exhibitions, talks, stargazing a...

We review recent museum exhibitions, gallery shows, photography auctions, photobooks, art fairs and other items of interest to photography collectors large and small.

This game is fun as hell, the exhibition mode is fun (with friends), classic fights are a good way to get someone who wasn't into MMA interested in it (e.g. me) Career mode is fun but the problem is that you don't age is kinda dumb to be honest, you're «CRED» has no real purpose other than to get you new equipment, sponsors, sparring partners and opportunities to increase your «CRED» the controls are confusing to someone who's never played a game like this A.K.A me but I'll give it credit for innovation, you can go to training camps which upgrade you're striking and grappling which gives you new moves, their is a few exploits in the game No. 1 if you manage to get all the sponsors you can use them in create a fighter (which by the way has a decent enough amount of options) you can put all of the sponors that give the most cred and get everything easily and I mean everything No. 2 when you go to a training camp all you have to do is watch two demonstrations by the camp fighter and you have full stamina No. 3 any fighter you can beat within a minute of the first round you can beat a few times and shoot up the ranks, the music is good but you'll soon get sick of it and turn it off cause it repeats itself soo often, they didn't add intro walks, music and cage entries which would've made you feel more like an actual UFC fighter, but overall its a fun game but there's a few missed opportunities and not many fighting styles to choose from but rent it if you are curious about the game.

«I realized it was such an interesting topic that it's a question I raised with other artists I knew, and it had a great impact on my own encounters with art,» says Garrels, who went on to organize the exhibition, which included Grotjahn, Amy Sillman, Charline von Heyl, Mary Heilmann, Wade Guyton, and Christopher Wool.

The exhibition highlights the political dialogue inherent in the artist's artistic interventions — from his concern for the extreme plight of the homeless, his interest in direct community engagement, his belief that we should expand our lived experience of a city into its underground and other inaccessible spaces, and his commentary on development and socioeconomic stratification.

His diverse interests and methods have led him to undertake a varied range of projects, which at times have included long - term collaborative efforts with other artists, musicians, and writers resulting in ambitious traveling shows and exhibition catalogues.

«By co-authoring this exhibition with them in their own territory geographically and conceptually, this exhibition is attempting to draw a consensus between different creative impulses, and sensitize an audience which is increasingly interested in work that is informed by other practices.

As we strolled into a large exhibition space filled with paintings — more than any other medium, a friend made an interesting observation.

An Interesting top 5 for FAD this week Pete Doherty leads the way with an exhibition of his «stuff» in Camden Town then news of a new gallery in London and a new 6,000 sq ft space to compliment the other two Sadie Cole spaces, Tabish makes it back into the top 5 and surprised this wasn't even more popular!

JG Matthew, when you curate exhibitions that mingle work by marginalized or developmentally disadvantaged people with that of other contemporary artists, surely there is a special ethical responsibility to protect their interests?

If you are interested in the work of certain locally exhibited artists, you may look into their other exhibitions abroad.

Reflecting on various reoccurring issues pertaining to race, class, and sociopolitical experiences, some of the work in this exhibition provokes critical thought from viewers while other work conveys humor and nostalgia to evoke interest.

I am very pleased to introduce our new website, which informs you better than ever about our exciting exhibitions, artist visits and fun and interesting new programs for all ages, as well as many other features.

Encouraged by his teacher, Joseph Solman, Stamos pursued his interest in painting, read surrealist literature and met among others Betty Parsons, who gave him his first solo exhibition in 1943 at the Wakefield Gallery in New York City.

While the large numbers of pencil drawings, watercolors, pastels, and other works on paper by Clyfford Still provide ample evidence that his style underwent a dramatic evolution, this exhibition reveals how Still's interests and the content of his art appear remarkably stable.

Beehave is an exhibition project that reflects contemporary artists» growing interest in the survival crisis affecting honey bees and many other insect pollinators.

The idea for this exhibition sprang from Donald Judd's great interest in Dürer (Judd owned several woodcuts and etchings) and the wish to see the stark images of two such different artists, who lived five centuries apart, while simultaneously considering the motivation for one's interest in the other.

Overall, No Lemon No Melon at Flowers offers a refreshingly intelligent summer exhibition bringing together eight interesting artists who utilize layering techniques to address the physicality of their surroundings, both on their own and in conversation with the other works on view in the gallery.

The other artistic genres that he has cultivated most avidly since then are landscape and cityscape, with special interests in the Sacramento River valley and San Francisco, and these are richly represented in the exhibition too.

Showcasing the artist's new Breathing Panels, among other works, this exhibition continues Ward's longstanding interest in the context and history of places in which he works, as well as the materials, objects, and phenomena he finds in those locations.

As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

The circumstances under which the exhibition has been constructed began with the current and pervasive interest that African and African - American artists, and other artists of African descent, have been garnering in Europe, particularly through mainstream museums and gallery exhibitions, biennials, prestigious prizes, specialized coverage, and collectors.

He continues, «Not only is this rediscovery timely — with a renewed interest nationally and internationally in Gutai and other lesser - known Japanese art — but the exhibition's focus on contemporary response and avant - garde performance is a natural extension of SFAI's boundary - pushing, renegade culture.»

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

Not only is the gallery located in a residence in Los Feliz — I had gratitude to be in a place with wooden floors, light switches, and the other trappings of domestic normalcy — the exhibition itself lent a humanness and an interest in the animal world, that I appreciated within the current political and social climate.

The exhibition showcases his skill in adaptive design and architecture as well as his interest in creative placemaking, and draws heavily on new and longstanding collaborators, including Jim Duignan, Iker Gil, Jamie Kalven, and Laura Shaeffer among others.

We also have an active program of loaning smaller, banner exhibitions developed for our Maryland Community Space gallery to area schools, libraries, visitor centers and other interested institutions.

Faced with an absence of information within a provenance, and having taken into account this policy and considered the research undertaken in accordance with the Gallery's codification of procedures for due diligence, the Gallery may from time to time elect to bring a work into the public domain through exhibition, in such circumstances where the Gallery can demonstrate the highest standard of due diligence has been undertaken and consideration has been given to the view of the current possessor, in belief that such display may encourage other legitimate claimants to make known their interest.

With the annual event PLATFORM, the Kunstverein Hanover wishes on the one hand to further and to enhance emphatically an awareness of the regional artistic scene, and on the other hand to stimulate public interest in that interrelationship between education, apprenticeship and the provision of exhibitions which is so crucial for the entire range of artistic activity.more

In interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetry.

Gale said the Calder and Hepworth exhibitions provided an interesting counterpoint to each other within Tate's 2015 programme, adding «I think Calder and Hepworth form an amazing complementary pairing really.

I'm interested in making art, and if I'm in a group exhibition with other artists, I'm interested in their success as well so that the show can be a success.

October 12, 2015, Fort Lauderdale - In response to the renewed interest in artist prints, editions, book and other multiples, Girls» Club presents Self - Proliferation, an exhibition of works by more than thirty artists from the collection of Francie Bishop Good and David Horvitz.

AN interesting take on Asian art will be on display at Prahlad Bubbar's gallery at 33 Cork Street, London W1 from October 4 to November 15 with the exhibition «The Surreal in Indian Painting: Select Works from the Arturo Schwarz and other Private Collections», timed to coincide with Islamic Art Week and Asian Art in London.

However, the 1970s saw a reignited interest in Mitchell's work with an exhibition at the Whitney Museum of American Art, among others.

The Royal NoneSuch Gallery is not motivated by commercial interests, but instead by working with other artists and creators to facilitate experimentation and social engagement through monthly exhibitions and events.

The exhibition brings together a group of artists whose interest in the cultural significance of the cosmos leads in multiple directions, intersecting with the fields of aesthetics, anthropology, philosophy, and others grounded in different art - making strategies and material explorations.

In response to the renewed interest in artist prints, editions, books and other multiples, Girls» Club presents Self - Proliferation, an exhibition of works by more than thirty artists from the collection of Francie Bishop Good and David Horvitz.

The 53 paintings and prints in the exhibition tell the story of how Pollock, Ossorio and Dubuffet influenced each other through not only their close friendships, but also through the sharing of ideas, techniques and even studio spaces... All three grappled with abstraction versus figuration, and each had an interest in process and materials.»

-- Bonus: Visionaries: Creating a Modern Guggenheim, and Doug Wheeler: PSAD Synthetic Desert III / Guggenheim New York For anyone interested in learning the whys of modern art, and why anyone (particularly Solomon and Peggy) would want to collect it back in the early 20th century, this overview exhibition presents a lovely example of works by Calder, Juan Gris, Duchamp, Leger, Brancusi, Kandinsky, among other modern masters.

Other works central to the exhibition include a series of neons inspired by Grasso's interest in Galileo Galilei.

Their work, and that of the other artists in this exhibition, offers valuable insights into the interests and preoccupations of a particular generation of Irish artists who have come to maturity in the age of globalisation, personal computers and cheaper foreign travel.

Similar to the other works in the exhibition, the figures populating the video can be easily interpreted as voguers, a long - term interest of Newsome's and one that informs much of his work — legendary ballroom icon Leiomy Maldonado makes several appearances.

Over on the other side of the Atlantic Erin Treacy has found an interesting post boom link between quite unconnected newcomers in some recent exhibitions in New York and Washington DC.

While our individual practices as artists inform our work as curators, both in terms of what we're interested in and how we connect with other artists, there are two things we do a little differently than some other artist - run spaces; we don't include our own work, and we don't promote exhibitions with the curator's name.