Sentences with phrase «other key artists»

It was a narrative visible in the work of other key artists of the time like Barbara Kruger, Richard Prince, Martha Rosler and Cindy Sherman.

The exhibition includes works by the great contemporary artists who conducted the Villa Iris Visual Arts Workshops in Santander in the past twenty years, plus works by a number of other key artists who have been awarded the Visual Arts Scholarship since it was first established in 1993.

Not exact matches

The company was founded by celebrity tattoo artist Scott Campbell and longtime fashion executive Clement Kwan, and feature key pot economy products like designer vaporizer pens, edible pastilles, and other curios expected to roll out this year.

To search specific artist, group other key word hold down CTRL press F key dating, speed hindu, sikh muslim.

Black films, movies with black artists and other productions from around the world were a key part of the festivities that were enjoyed by all.

In the early 1960s, writer Stan Lee and artists Jack Kirby and Steve Ditko (among others) revived Marvel's key characters — bringing Kirby's WWII icon Captain America back to life, for instance — and invented a new range of bizarre, flawed heroes.

Its team is comprised of series veterans as well as key artists and designers from other abandoned Konami franchises.

Writer G. Willow Wilson quickly established a strong supporting cast, key to any successful hero, and artist Adrian Alphona created a world tinged with humor and absurdity that immediately set Kamala apart from her peers and other heroes.

One other person key to the film's success is legendary makeup artist Dick Smith.

Aside from artist George Michael being present in the way that other artists / icons of yesteryear are used for neverending jokes in R rated comedies, (seemingly starting with Ted), just about all of the laughs come courtesy of Key & Peele.

Collaborative elements run far deeper, though, with the help of two other key people and an artists» studio to promote deeper learning.

Any young artist without insight into these forms of expression, without a key to understanding the art of other times and places, who is tuned in only to current ideas, is indeed poverty - stricken.

A key part of this exhibition will be ongoing conversations with the artists, but also with each other.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Artists — Americans, in some cases, expatriates in others — played key behind - the - scenes roles in helping to decide which European paintings and sculpture would comprise what became some of the great public collections in the United States.

Although the project's various pieces have included collaboration with dozens of other artists and assistants, a key participant has been Barney's long - time partner, the singer Björk, who has acted in the films and provided the soundtrack.

Surely at no other time have so many key artists been New York natives, and many more were immigrants or the children of immigrants.

A great rendering of this period was the 2014 British Museum exhibition (Germany divided: Baselitz and his generation from the Duerckheim Collection), where, among other key post-war artists, Baselitz participated with eleven of his Heroes series and other iconic works of the late 1960s.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Laich has been a key contributor to the production of many iconic works by a range of artists including Ed Ruscha, Paul McCarthy, Barbara Kruger, Allen Ruppersberg, and Jenny Holzer, among many others.

Other key features are a search engine optimized listing with a link to the artist's website and Facebook page.

3 The first enlarged bronze key chain, a bird's - eye view of the artist's as - yet - unrealized art school, Fairfield International, was created in 2016 for Gander's solo exhibition The Connectivity Suite (and other places) at Esther Schipper, Berlin.

It includes small - scale paintings by «other art» artists of various trends, key pictures and objects by masters who make up the nucleus of the «Moscow conceptual school», works by classics of Sots - Art, Post-Modernist painting and photo - realism, as well as works by leading figures of the post-Soviet period.

British artist Peter Nadin arrived in New York in the late 1970s as a painter, and he then went on to undertake a series of key conceptual collaborations with other artists, including the Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince, and Winters.

Labels identify them, though, with glossy magazines and other keys to an artist's success.

«The Infinity Mirror Rooms are key to understanding her practice, and as such we are delighted to welcome it to Dallas, joining several other major works by the artist in our community.»

In a way that no other exhibition has done previously, Radical Women: Latin American Art, 1960 — 1985 will give visibility to the artistic practices of women artists working in Latin America and US - born women artists of Latino heritage between 1960 and 1985 — a key period in Latin American history and in the development of contemporary art.

Key figures within «No Wave», a short - lived avant - garde scene in the late 70's in New York led by a collective of musicians, filmmakers and artists, Dick and Goldin met during this time and became life - long friends whose work richly influenced each other.

The strategic plan, launched in October 2007, and the subsequent Action Plan released in 2008, outlined five overall directions for the Council over the next three to five years: reinforcing the Council's commitment to individual artists, working alone or collaboratively, as the core of artistic practice in Canada; broadening the Council's commitment to arts organizations to strengthen their capacity to underpin artistic practices in all parts of the country; enhancing the Council's leadership role in promoting equity in fulfilling Canada's artistic aspirations; making partnerships with other organizations, including other funders, a key element in the Council's approach to advancing its mandate; and enhancing the Council's capacity to support the arts and implement change by strengthening its structure, staffing and services.

Published in: Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke - Bernet, London 1981, pp.186 - 191, reproduced p. 186 (with diagram and key, p. 187)

Presenting a survey of Cho Yong - Ik's works from the 70s, 80s and 90s, the exhibition explores how he both championed the movement's key tenets — repetition, meditation and tranquility through placing the «act of making» at the heart of creation — yet differentiated himself from other Dansaekhwa artists by placing a further emphasis on energetic materiality.

Its second half comes in the form of a glossary of more than 100 key concepts linked to the subject of art in public spaces; artists, art historians, philosophers, urbanists, architects, sociologists and other writers weighing in with definitions from their respective disciplinary perspectives.

Across the work that constituted Minimalism — including that by other artists associated with the sensibility, like Walter De Maria (land art), Robert Smithson (land art), Sol LeWitt (conceptual art), Tony Smith, and Frank Stella (painting)-- the key attributes could be boiled down to three elements: shape, size, and material.

This exhibition, by contrast, will place key sculptures from different eras in conversation with each other in order to examine the age - old problem of realism and the different strategies deployed by artists to blur the distinctions between original and copy, and life and art.

At No. 3 is Donna Haraway, the distinguished American professor emerita whose writing is central to debates on identity, feminism and ecology and other inclusions are French philosopher, sociologist and anthropologist Bruno Latour (9) and the writers Judith Butler (48) and Chris Krauss, (77) both of whom have been a key influence on the focus of so many of today's artists on issues of gender and sexuality.

The Other Story is one of the best - known of these key exhibitions, breaking ground as the first retrospective exhibition of modernist works by British artists of African, Asian and Caribbean descent, and moreover as the first to attempt to initiate a broader and more cosmopolitan perception of British modernist art.

It includes such key figures as Tacita Dean, David Hockney, Howard Hodgkin, Anish Kapoor, Jim Lambie, Julian Opie, Bridget Riley, and Yinka Shonibare — artists represented at the Tate and in other important British collections, but rarely seen in depth in American museums.

Featuring key works by Victor Vasarely, Bridget Riley, François Morellet, Julio Le Parc and Gianni Colombo, among others, it offers a comprehensive outline of a complex art movement, with scholarly essays, historical precedents, a substantial plate section, biographies for each featured artist, selected bibliography and a detailed checklist.

For Camden Arts Centre he has selected a number of key works from this period and is showing them along with works by younger artists who are continuing to experiment with the versatility of analogue media, as well as others who have started to take on board the advent of digital technologies.

Yayoi Kusama: Infinity Mirrors is the first exhibition to explore the evolution of the celebrated Japanese artist's immersive, kaleidoscopic Infinity Mirror Rooms, alongside a selection of her other key works, some never before seen in the U.S..

Organized in groupings that explore varied themes — such as «Women, Men, and Other Beasts,» «Primal Landscapes,» «An Art of Memory,» and «Vicissitudes of the Grid» — the show features key works by artists such as Louise Bourgeois, Helen Frankenthaler, Adolph Gottlieb, Philip Guston, Willem and Elaine de Kooning, Louise Nevelson, Philip Pearlstein, and Robert Rauschenberg.

Like other artists of his generation, he trained at Tama Art University in Tokyo before becoming one of the key figures of the Mono - ha movement in the 1960s.

As part of our 25th anniversary programming, we have invited curators, artists, critics, and others to select a key exhibition from The Power Plant's history and deliver a presentation about it inside the Dissenting Histories gallery space.

Although it builds upon key resources, such as Ann Eden Gibson's Abstract Expressionism: Other Politics and Marter's 1997 Women and Abstract Expressionism exhibition at the Sidney Mishkin Gallery at Baruch College, Women of Abstract Expressionism is the first exhibition at a major museum with the singular purpose of exploring the contributions women artists made to Abstract Expressionism in America.

He has also participated in group exhibitions that include, among others, 11th Triennial of Small Scale Sculpture, Fellbach, Germany (2010); BIENNALE CUVÉE 10, World Selection of Contemporary Art, OK Offenes Kulturhaus OÖ und Energie AG OÖ, Linz, Austria (2010); Making Worlds, the 53th Venice Biennale, Venice, Italy (2009); The Generational: Younger Than Jesus, New Museum, New York, USA (2009); Breaking Forecast: 8 Key Figures of China's New Generation Artists, Ullens Center for Contemporary Art (UCCA), Beijing, China (2009); China China China!

The programme runs from June 2017 to September 2018, with events planned in both key venues and in other locations identified by the artists.

Other key donations include artworks by Canadian and international artists Kim Kennedy Austin, Kate Craig and Eric Metcalfe, Barbara Ess, Gathie Falk, Isabelle Hayeur, Al McWilliams, Ayumi Minemura and Stephen Prina, Barbara Probst, Evelyn Roth, Lawrence Weiner, and Johannes Wohnseifer.

Among the highlights are key works in the careers of Vincent van Gogh, Wassily Kandinsky, Ernst Ludwig Kirchner, Franz Marc, Chaïm Soutine, Marc Chagall, Piet Mondrian, Kazimir Malevich, Charley Toorop, Max Beckmann, Jackson Pollock, Asger Jorn, Karel Appel, and other artists of the CoBrA group.

Other key Weltkunst artists included in the exhibition are Avis Newman, Julian Opie, Jacqueline Poncelet and Richard Wentworth.

Other significant additions include key works by artists from the 1970s and 1980s who were early practitioners of color photography, such as a group of 27 photographs by William Eggleston, along with pictures by Jo Ann Callis, William Christenberry, Jan Groover, and Barbara Kasten.