Sentences with phrase «other key paintings»

This traveling exhibition features six of Ms. Kusama's immersive «Infinity Mirror Rooms,» as well as many other key paintings, collages and works on paper from the early 1950s to the present, and several recent large - scale paintings that have never been shown in the United States.

Not exact matches

Notwithstanding efforts to paint Miliband's policy as pursuing a «marxist» agenda, the public's view of this and other key cost - of - living issues are then strikingly non-ideological.

- Other Miscellaneous Options: There are tons of items you can add to the GT3, essentials and frivolities such as: LED headlights ($ 3110), voice control ($ 595), leather - covered rear view mirror ($ 675), keys painted to match your car ($ 335), yellow seat belts ($ 340), the smoker's package (no charge!)

I would, however, leave behind the painted key and a lot of other stuff.

dark gray painted alloy wheels and a chrome - tipped exhaust gives the Avalon a look that is sophisticated and a little bit sporty, while color - keyed heated, auto - dimming power outside mirrors with turn signal indicators keep you and others around you in the know.

LE and LE Eco models get a new painted front grille, while LE, S and LE Eco Premium trims become mono - spec cars, gaining last year's Driver Convenience Package (moonroof, Smart Key and Entune), but offering no other packages or upgrades.

Granny Bamboo's well stocked in house curio shop offers an eclectic collection of African art, crafts and artifacts including jewelry, paintings, baskets, carvings, batiks, key rings and other decorative items.

«Key details include the lack of formal «XP» points, but evidently HP and paint gauges can be increased through other means.

However, Bowser trapped everyone inside the castle walls and paintings, with Luigi and the other heroes being locked behind a door with the key to his door being guarded by King Boo.

The key mode is Turf War, where you fight for territory by painting the ground with your color, but there are other option, each with a different twist on a classic game mode.

Likewise, Twombly's «blackboard» paintings and other key works from the 1950s,»60s, and»70s have exceeded $ 10 million in private sales, according to sources.

My colleague John Mac Kah donated a painting to such a local nonprofit association of lawyers, and thereafter made several thousands of dollars of sales to clients who saw his painting at the event and wanted to talk about commissions or were interested in other originals / prints.The key is to be visible at such an event and to make it easy for interested people to connect with you.

Part of the Mannerist art «game» was making paintings based on other paintings, but removing most of the key traditional elements - being «super cool» by removing the important bits.

Artists — Americans, in some cases, expatriates in others — played key behind - the - scenes roles in helping to decide which European paintings and sculpture would comprise what became some of the great public collections in the United States.

The problem persists in a lower key in other works of the period, including pictures made in 1953, while Diebenkorn was teaching in Illinois: the Urbana series, like the Albuquerque paintings, often gives the viewer the illusion of looking down at a distant landscape, as though from the harness of a parachute, rather than across at the matter on the canvas.

With his penchant for dazzling sunlight and high - keyed color, and a gift for painterly, sensuous handling of oils and other media, Thiebaud's paintings link high art with popular culture while conveying a sunny optimism that is quintessentially Californian.

It includes small - scale paintings by «other art» artists of various trends, key pictures and objects by masters who make up the nucleus of the «Moscow conceptual school», works by classics of Sots - Art, Post-Modernist painting and photo - realism, as well as works by leading figures of the post-Soviet period.

STRENGTH AND SPLENDOR: WROUGHT IRON FROM THE MUSÉE LE SECQ DES TOURNELLES Nearly 900 door knockers, escutcheons, locks, keys, signs and other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintings.

Scholar Michael Brenson observed that paintings from the period of Bergerie appear «keyed to a zone of conflict» — clusters of pigment seem to «lean on and support each other, but also to push and bristle» (M. Brenson, «Joan Mitchell: The Sixties,» New York Times, 26 April 1985, p. C23).

In these and other letters (which were donated to the Smithsonian Archives of American Art) Bess makes it clear that his paintings were only part of a grander theory, based on alchemy, the philosophy of Carl Jung, and the rituals of Australian aborigines, which proposed that becoming a hermaphrodite was the key to immortality.

The show includes drawings, watercolors, paintings, photographs, and books by key figures including Ferdinand Bellermann, Frederic Edwin Church, Marc Ferrez, Auguste Morisot, Camille Pissarro, and José María Velasco among others.

Across the work that constituted Minimalism — including that by other artists associated with the sensibility, like Walter De Maria (land art), Robert Smithson (land art), Sol LeWitt (conceptual art), Tony Smith, and Frank Stella (painting)-- the key attributes could be boiled down to three elements: shape, size, and material.

Presence of an Absence at Skarstedt London will coincide with Running Wild: 80s Painting in America at The Arts Club London, in which a selection of seminal early paintings by Fischl are shown alongside other key American masters in the re-establishment of painting in the 1980s, united in their criticism of the socio - political climate at tPainting in America at The Arts Club London, in which a selection of seminal early paintings by Fischl are shown alongside other key American masters in the re-establishment of painting in the 1980s, united in their criticism of the socio - political climate at tpainting in the 1980s, united in their criticism of the socio - political climate at the time.

Other paintings by Gavronsky evoke a scrapbook, or perhaps a crime wall, mapping key moments of human technological «progress», from industrialization in the 1800s to the «Great Acceleration» of the 1950s through to the present.

Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.

A dozen other works comprise a group of Carrà's key paintings that have not been presented together in over fifty years.

In presenting a key selection of Ahn's late Water and other paintings, this comprehensive exhibition explores both the sharp - edged existentialism and immersive spirituality inherent in Ahn's large - scale abstractions.

Wilson's graphic fluency and absurdist sense of humor (one piece features typewriter keys floating like water lilies, another pairs two gramophone horns blasting particles at each other) recall the 1970s paintings of Philip Guston, whose figural motifs flowed with a prolificacy and naturalness verging on the speed of thought.

His decidedly low - key booth featured, among other works, the monochromatic paintings of British artist Rebecca Salter, who developed her career in Japan and whose layered washes of acrylic demand close looking.

On one 13 - screen video wall, the artist's key paintings from 1890 through his death from pneumonia in New York, in 1944, are shown chronologically, fracturing into each other.

The event, along with a number of other key shows and an interview with Germaine Greer, raised her profile and suddenly she found demand for her paintings.»

In other words, there is a wide range of compositional devices that are, on the one hand, very elegiac, with carefully cut - out biomorphic shapes, painted often with high - keyed colors to subordinate the quasi-rectilinearities of, let's say, a found chair, a turpentine container, or flanks of wood, etc..

At the same time, the subtle play between symmetry and asymmetry in this and other paintings is key to our experience of them.

The collections from the 20th century illustrate the development of Norwegian fine art with reference to key works of Nordic and international art in the fields of painting, sculpture, photography, video and other media.

The carefully selected artworks — many exhibited for the first time as part of SFMOMA's collection — encompass paintings, sculptures, photography, media art, and installation, including key pieces by Njideka Akunyili Crosby, Romare Bearden, David Hammons, Wifredo Lam, Glenn Ligon, Consuelo Kanaga, Nicole Miller, Chris Ofili, Lorna Simpson, Mickalene Thomas, Kara Walker, Carrie Mae Weems, and Fred Wilson, among others.

One drawing in the front room, painting plan drawing for a large painting, seems a key for the rest, establishing many of the possibilities of shape and composition explored by the other works in the show.

Observational study revealed that positioning each painting horizontally and flipping over every other painting in the sequence gave a zig - zag, out of sequence oddity that was key to dialogue and discovery.

Some of Manolis» other vibrant paintings are large acrylics, which were created in his Little Haiti, Miami studio incorporating a myriad of Key West studies.

In 1908, with Henri, Sloan, Glackens, and four other painters, Luks formed a group called The Eight, whose exhibition in New York that year marked a key event in the history of modern painting in the United States.

Contrasting key paintings by Jackson Pollock and David Hockney, the exhibition considers two different approaches to the idea of the canvas as an arena in which to act: one gestural, the other one theatrical.

One of the key figures in early American painting, Charles Wilson Peale, was known in particular for his portraits of the Founding Fathers and other figures from the American Revolution.

Baer's famous letter to the editor of Artforum in 1967, a rebuttal of Donald Judd and Robert Morris's assertion in that publication that painting was inferior to sculpture, remains a key text from a seminal period when certain voices were a lot louder than others.

It paints a comprehensive picture of an amazing real estate franchisor, its colorful chairman, Dave Liniger, and other key contributors who represent the thousands of individuals who have been critical to the network's success.

Once I figured out what my foundational color scheme would be and got it firmly established through my paint colors or other key elements around my home (more details on my exact paint colors in upcoming posts!)

Like other posters, I'd love a bit more information on how to paint around the keys (particularly the cover for the keys — did you paint underneath the cover as well?

Paint your furniture but please, please, please don't paint your home's unpainted woodwork if you have a Craftsman, Foursquare or other home who natural trim is a key element of the original style.