Sentences with phrase «other kind of character»

Not exact matches

From playing various sports at the Olympic Games to beating other Nintendo characters senseless in Super Smash Bros., Mario has seen action in all kinds of video game genres.

The theologian, on the other hand, confesses the special character of the perspective he shares and is therefore more likely to be critically reflective about his assumptions and about the kind of justification he can claim for them.

Now incorporate the eastern philosophies (A huge portion of what Jesus allegedly said came from the Buddha, Confucious and a few others) into this Jesus character... then tie the story back in to the original god (but also ver2.0 of god, same god, but a kinder, gentler vengeful god)-RRB- and voila... the «new» testament.

Both questions lead in the same direction, toward the possibility of a provisional and qualified answer: if the character of happening only once is held to belong to the truth and measure of all things in their very reality, then there is indeed an essence which more than any other satisfies this truth - criterion, and this is the pure essence of time: time taken in itself, or pure movement — movement irrespective of any possible differentiation into the different kinds of movement.

7 In discussing an earlier version of this paper, Hall responded that while there might be some aesthetic quality associated with technology, the «difference of degree» between this and the aesthetic character of other modes of human activity is so great as to constitute a «difference in kind.»

One of the key characters in the book is disgraced «faith healer» Holy Wayne (played by British actor Paterson Joseph); a once - average man, bereaved on October 14th, who realises he can take other people's pain upon himself, like a kind of emotional sponge.

In accounting for the absolute character of scientific knowledge, hasn't be eliminated the need for any other kind of explanation?

Some of the characters are Christian, others embrace a kind of New Age island - worship, others cling to a stringent materialism.

And let's be real, he kind of thought he was better than all of these other characters for the entire run of the show.

No one ever said Wenger ain't a genius.It's just that somehow he's lost that kind of strong character and winners mentality.That's what has made Arsenal trophyless in terms of major trophies.He needs to check that.Also you were a bit harsh on other fans.I urge you to see the reason behind Arsenal's failure.As Wenger himself said:» The manager is the most important person in the club.If not then why do you sack him if things are not going well» He said this when he was with Alex Ferguson in an interview around 2008.

«You need men and women of strong character and courage who will not only be able to turn down inducement of any kind but also act without consideration for tribe, friendship, religion or any other parochial considerations.»

The other hope is you accept film's characteristics create a different kind of balance for superhuman characters in film.

Dating is a kind of socialization where people meet one another to know about each others specific characters and behaviors.

It is agood idea to have good friends, who can have different or similar features of character, habits, hobbis and other mainly positive kinds of individualities, such abilities enable a woman the possibility for good relationship...

We got all kinds of couples, actors, celebrities, cartoon characters, animals, beautiful Enjoy these cool kissing games and love style dating games for girls, and learn how to kiss your boyfriend and not to be caught by other people!

I «am a generous and kind man, charismatic, honesty, lovely and caring, passionate, easy going, charming, sympathetic, enthusiastic, with good and compatible sense of humor!I «am handsome as others view me and most call me OBAMA (His Excellency Us President) although I deserve not such character exaggeration a...

In «Paprika,» this connection between dreams and movies is worked to a fare - thee - well, but there are other levels of representation, too — Internet sites, which characters enter bodily, and, appearing now and then, a kind of collective unconscious, in which a parade of toys and icons (including the Statue of Liberty) march through an enormous city with a menacing, throbbing insistence that borders on the fascistic.

Laden with lazy writing that drags out clichéd phrase after clichéd phrase — seriously, the line «you don't write, you don't call...» should be permanently retired from screenplays, especially if it's delivered between characters who hate each other — the story kind of plods along, checking off plots points from a list.

When Zach slices open the palm of his hand in preparation for joining as blood brothers with the other guys, the filmmakers set up the kind of grace under physical pressure that the characters, vis - a-vis, the audience will endure through car crashes, punch - outs, and sexually blank nudity.

Eventually it all boils down to cliché, with home invasions by Terry, physical confrontations between Terry and Gabe, a hostage situation, a main character getting gunned down, and all the other standard thriller tropes that might excite the kind of audie

Yes, do note that I said that the underdevelopment makes it «hard [u] er [/ u]» to get invested in the characters, because as if it's not bad enough that the characters are so undercooked and, well, kind of bland, they're unlikable, or at least the lead is, for although Sam Eidman's portrayal of the Scott Weidemeyer character is engaging convincing, the character himself is just too much of a manchild - concerned with the superficial and his own self - esteem over the concerns of others and growing up - for you to feel for him all that much.

It's nice if they can spare more funds to their actors, but its kind of just sentimentality that makes people focus on just saving these few kids and ignoring not just everyone else in India, but the dozens of other minor characters in Slumdog.

This is the start of exactly the kind of film you would expect from Sundance as each of these characters have something to teach and learn from the other, especially about life and the pursuit of happiness.

It's likely going to center itself around an actor acting really cocky for two hours and without other characters to ground him (like if it's a simple smuggling scenario), I'm not sure that's the kind of story I want to watch.

This craziness in the main game's plot is kind of necessary, though; the game features an incredibly large cast of Fire Emblem characters that span multiple different original games and, in theory, these characters shouldn't be able to fight alongside each other.

Both characters are subject to different kinds of isolation as they pine for each other; their determination to reconnect becomes as much an existential journey as a love story.

On one hand, she was kind of a comic character, a ridiculous person, and then on the other hand, it was a serious movie.

But, you know, in the way that Adam Driver's character was a kind of projection... it's Ben's character's projection, but it was almost like my own projection of what would I, you know, if I was going to fall in love with some other version of myself, or my fantasy idea of what the freer version of myself would be, I built this character out of those feelings.

Coming at things quite differently from those other two titles, The Bronze isn't an inspiring true story of tenacity and courage, but rather a repugnant crass comedy masquerading as the kind of bold and daring indie character story that Sundance eats up every year.

Dominika and the other main characters in the Moscow scenes speak English with the kind of heavy Russian accents you associate with Smersh or Spectre agents in Bond stories.

In addition to Isaac, Chastain and Oyelow, other actors deserve recognition for their work here: Albert Brooks is Abel's consigliore, in a style reminiscent of his Drive character; Alessandro Nivola is the most frightening type of gangster — the quiet, powerful kind; Catalina Sandino Moreno (Maria Full of Grace) is outstanding in her only scene; Elyes Gabel captures the frustrated driver looking for hope; Peter Gerety is spot on as the Teamsters lead; and Jerry Adler is a most unusual Jewish business man.

In Down with Love, one character states that the war of the sexes could be resolved if only the two leads find a way into each other's arms, and that's just the kind of jab to the ribs the genre's been needing for a while now.

There's an actual tenderness that develops between Tyler and Bomer, though their shared scenes create an altogether different kind of energy from the other characters, as if indeed this was the episode of some cheesy television series whirring back and forth between the banal subplots of its human characters.

But its kind of odd that the original damsel in distress hasn't become playable along side the hero and the original antagonist so I think that Pauline should've become playable a LONG time ago and not to mention the fact that there is not enough human representation in the Mario series since there are only 8 main human characters that are playable the babies I don't think they count since they're just baby versions of their adult counterparts and also Pauline still appears in the Mario series just in the Mario vs Donkey Kong series though plus shes one of the only human characters left that haven't become playable yet since the other one is Professor E Gadd

That «key role» hasn't been specified yet, although Deadline claims that sources say Thompson's character will «be a kind of superhero and will appear in other Marvel films as well,» and The Wrap reports that Thompson has signed a multi-picture deal.

There is fine support from Brittany Snow and Anna Camp, landing the kind of jokes that remind you there is more to their characters than the other movies perhaps suggested.

But unlike other dark comedies to make the jump («Mean Girls» director Mark Waters» «The House of Yes» comes to mind), Finley displays a natural cinematic instinct, treating the baroque, marble - lined mansion where the film principally unfolds not as a closed - in set, but a kind of tiger sanctuary, prowling the location in long, restless takes — whether it's stalking an SUV up the gravel driveway or lurking behind a door jam, carving knife in hand, while two characters stare each other down in the adjacent room.

But in other ways, Cool Hand Luke is vaguer about what it stands for — it's the beginning of a decade - long run of films in which being an individualist is valorized in the absence of any particular information about exactly what kind of an individualist a character is, or why.

In other words, she's not the kind of character that survives very long in a horror movie.

It's kind of like watching Noob Saibot and Sub Zero clench their fists while facing each other except you have vaguely recognizable characters from your history class doing it with far less intimidation and hipness.

It's an indie movie, so of course the character of Miss Stevens is something of an emotional mess prone to poor choices, and there's a cute, boundary - pushing high - school boy so you're kind of constantly waiting for the other shoe to drop, but Miss Stevens is smart enough to navigate some of that by - the - numbers terrain to end up in some unexpected (and rewarding) emotional moments.

And it's that kind of spirit that runs all the way through Other People, a film that is bursting with love and care for its characters, even (especially) when they're screwing up, pushing people away, feeling sorry for themselves.

This is the kind of movie that makes you want to watch ten more movies about these characters, splitting off in different directions, living other stories in their lives.

Writer - director Shane Black's horribly enjoyable action comedy The Nice Guys is an jauntily arch return to this tradition, the story of two dishevelled and incompetent private detectives in 1970s Los Angeles — played by Russell Crowe and Ryan Gosling — who have been expensively tasked with solving the mystery surrounding the death of a missing porn actress, and what other kind of fascinatingly damaged female character can there be?

Not having read Roald Dahl's 1982 children's book, I can't say how faithful this adaptation is (though colleagues have suggested that darker aspects have been watered down), but it seems to follow the same basic trajectory: Cute British orphan Sophie (newcomer Ruby Barnhill) gets abducted by the title character (played, or performance - captured, by recent Oscar winner Mark Rylance), who turns out to be the smallest and kindest inhabitant of Giant Country; Sophie winds up enlisting the Queen (Penelope Wilton) in an effort to stop the other, meaner giants (led by a performance - captured Jemaine Clement) from eating England's children.

The characters are tough, take no shit kind of people and it's a fun time to watch them interact among others like them and to watch the faces of those who simply don't understand them.

In a review for New York magazine's Vulture.com, Emily Yoshida added, «There's a kind of late afternoon enchantment that wafts over the film and keeps the characters fixated on some other life they could be living.

West is a talented actor in his own right, primarily known for his work on both The Affair and The Wire, and he should be able to bring the right kind of weight to a role that seems like it'll hold some serious gravitas over Lara and the other characters in the film.

Sarah Silverman, as Naomi Watts» friend Sheila from the diner, has proven herself to be a real treasure in her dramatic roles bringing heart and sass to what would otherwise be a throwaway character whose main purpose is to be the kind of emotional ballast to Susan that sometimes only other adult can be.

Nolan North, who has voiced the character in other Marvel games, goes for a kind of scenery - devouring mania throughout the game as he voices Deadpool, the dual voices in his head, and even Nolan North as himself.