Sentences with phrase «other kind of scene»

The following quote from Ryan Coogler, writer and director of Black Panther — a superhero blockbuster — on working with Rachel Morrison, supports the notion that there is no reason for the dearth of women cinematographers behind the camera when shooting action — or any other kind of scene.

Not exact matches

We can see this ambivalence, Appleby explains, in the two kinds of religious activists, or «militants,» on the scene today: extremists, on the one hand, and peacemakers, on the other.

Our upcoming main stage event in Los Angeles on October 28th features a talk on the evolution of the LA food scene by renowned restaurant critic, Jonathan Gold; a talk on building a kind coffee empire by Todd Carmichael, TV host and the founder and CEO of La Colombe; insights into how vegetables have become a trend by the woman whose company has been responsible for introducing kiwis and other fruits to the American market, Karen Caplan of Frieda's and other talks on the science of flavor, the convergence of sci - fi and food, leaving a popular band to become a chef, and much more.

Interesting — looks like they used Ajax or some other kind of active behind - the - scenes database interaction in that feature.

Unlike other dating sites which just offer emo sections (which normally only contain a few profiles) the whole of Emo Scene is aimed at emos and emo dating and so you can guarantee to find the kind of people you're looking for.

Unlike other dating sites which just offer goth sections (which normally only contain a few profiles) the whole of Goth Scene is aimed at goths and gothic dating and so you can guarentee to find the kind of people you're looking for.

And some would point to that kind of a scene for finding other singles.

Unlike other dating sites which just offer goth sections which normally only contain a few profiles the whole of Goth Scene is aimed at goths and gothic dating and so you can guarentee gothh find the kind of people youre looking for.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

Truly, the only other person with any kind of a part is Felicity Jones and she basically has one scene to shine.

Sofia Coppola's exquisite second feature is filled with these kinds of small, beautifully acted scenes that, when taken together, paint a rich portrait of two like - minded souls who take solace in each other when the rest of their lives seem to be spinning out of control.

This kind of biographical film always faces the danger of having scene after scene of famous people meeting other famous people, but Kaufman deploys it all smoothly and effortlessly, bringing this heady world of revolution - minded artists and intellectuals to life as vividly as he did for the space - race pioneers of The Right Stuff and the Prague Spring lovers of The Unbearable Lightness of Being.

Dominika and the other main characters in the Moscow scenes speak English with the kind of heavy Russian accents you associate with Smersh or Spectre agents in Bond stories.

In addition to Isaac, Chastain and Oyelow, other actors deserve recognition for their work here: Albert Brooks is Abel's consigliore, in a style reminiscent of his Drive character; Alessandro Nivola is the most frightening type of gangster — the quiet, powerful kind; Catalina Sandino Moreno (Maria Full of Grace) is outstanding in her only scene; Elyes Gabel captures the frustrated driver looking for hope; Peter Gerety is spot on as the Teamsters lead; and Jerry Adler is a most unusual Jewish business man.

There's an actual tenderness that develops between Tyler and Bomer, though their shared scenes create an altogether different kind of energy from the other characters, as if indeed this was the episode of some cheesy television series whirring back and forth between the banal subplots of its human characters.

We used everything we shot, maybe a moment or two we didn't use in the mom's house, other scenes that could be brilliant as DVD extras, that kind of thing, but it's hard to choose.

Tsui sets his avoidance dances in confined spaces (tiny apartments, backstage dressing rooms), but To's are set out in the open: a fountain in a public park, a street corner, a sidewalk (a similarly choreographed scene plays out as well early in Romancing in Thin Air, itself a kind of compendium of all of To's romantic comedies, where Sammi Cheng and Louis Koo wander outside the grounds of the hotel, oblivious to each others» presence despite occupying the same film frame).

Britton has the most quietly powerful scene — in which she and Bateman have the kind of emotional honesty that other films of this sort (* cough * August Osage County * cough *) lack, but Hahn and Bateman have a sequence that almost equals it (and is far funnier in an uncomfortable sort of way).

These scenes are more about two people connecting, even if both are kind of maybe not being honest about who they are (one more than the other).

Kunis, Bell, and Hahn continue to share a pleasant level of camaraderie, even though the movie mostly splits them up, occasionally putting them back together for check - in scenes where they grin at each other's wisecracks and prompt each other for anecdotes like they're hosting some kind of round - robin talk show.

Ahead of the its release, fans were wondering if there would be a Logan post-credits scene and were picking apart rumors, wondering if we'd be seeing any other familiar faces beyond Logan and Patrick Stewart's Professor X. Well, it turns out that there's an extra scene at the beginning of the film that wasn't included in early press previews, and another Marvel character does appear in Logan... kind of.

There will be many conversations and laughs had thanks to Deadpool 2's mid-credits scene, an instant contender for one of the very best to ever appear after a comic book, or any other kind of movie.

He created trailers for STAR WARS, CLOSE ENCOUNTERS OF THE THIRD KIND, AMERICAN GRAFFITI, and other major films, and produced behind - the - scenes documentaries about film - making.

On an ending note, Rosenthal emphasizes that this kind of musical addition didn't work out quite as well for others as it did in «La La Land» — such as fellow Oscar contender «Manchester by the Sea,» which also made attempts at adding in music — specifically for its climactic scene (watch out for spoilers).

In 1980 Steven Spielberg re-edited his original Close Encounters of the Third Kind dropping several smaller scenes and adding other sequences.

This is anachronism the other way — not the kind that, in scene after scene of Blazing Saddles and Young Frankenstein, made an ultimately tiresome contemporary joke out of an originally promising genre parody.

The other astronauts disappear completely for a chunk in the middle and it's kind of jarring when they show back up — there's not a ton of urgency in the space shuttle scenes, but it's not nearly as out of whack as the plot imbalance in Interstellar.

On a strip of cheap motels, gun stores, tourist traps, and various other establishments, this motel houses all kinds, from the tourists looking for something cheap (or, in one of the movie's funniest scenes, booking the wrong hotel) to the working class who have basically turned it into permanent lodging.

The large majority of them ring false, but I kind of admired the scene where the geologist's father's (Blu Mankuma) friend (George Segal) tries to call his son to say good - bye, only to hear them screaming in panic on the other end.

«Boyhood»: Richard Linklater's masterwork, and a piece of cinema as superb as it is unique, with one boy's step - by - step trek through the years brought to meaningful, beautiful life in a film made up almost entirely of the kinds of real, wrenching and funny scenes other, lesser movies either cut or never include in the first place.

But don't we want to create the kind of scene I described at the onset — one where our stu - dents think deeply about real problems, engage meaningfully with their peers and professionals in the field of study, and develop an ability to think critically both about the ideas of others and their own?

Perhaps no other magazine engenders the kind of behind - the - scenes fascination that The New Yorker does.

Japan, as a country, has always had developers that, among other aspects, are concerned with deep details and a perfection for graphics; the kind of thing you see in game cut - scenes from Japan.

The recently - launched August journal is a «new kind of travel magazine: Each issue focuses on one location, immersing the reader in its rich art, architecture, and design scene, and sharing encounters with locals, their habits, and their pleasures — in other words, the sights and souls that form the fabric of each

Several works here are by artists included in the historic Ninth Street Exhibition of 1951, mounted by Vicente and other Club members in a building that was slated for demolition — a kind of proto - alternative space that shifted attention away from the commercial galleries of 57th Street to the downtown artists» scene.

If it can map your face and other objects in a scene, it can measure all kinds of data that just wouldn't be an option with 2D photos.

RECO needs to employ some hired guns to weed out the riff - raff, because being a Realtor too often amounts to being a licensed socialite whereby alliances are formed amongst same, whether in - house brokerage-wise or not, and that kind of behind - the - scenes familiarity with others» lack of ethics / morals leads unendingly to wheeling and dealing for the benefits of the wheeler - dealers» pockets first and foremost.