Sentences with phrase «other kinds of abstraction»

Other artists are doing other kinds of abstraction.

Not exact matches

In the conception of the physical as «acting,» on the other hand, change of other kinds in addition to locomotive change are admitted, so that a mechanistic analysis must accordingly be only of an aspect of physical acting, which means that since it leaves out of account other aspects or features of change or motion, it is an abstraction.

Other series by Zeng have combined art - historical traditions, often resulting in a kind of abstraction that marries Western and non-Western styles.

But today, with emerging painters like Sarah Crowner and Sergej Jensen exploring formalist abstraction through sewing, embroidery, and other craft mediums, that kind of thinking seems out - of - touch.

The show's first section, «Gestural Abstraction,» is dominated by two brushy, wall - filling paintings — one by Lee Krasner, the other by Joan Mitchell — of a kind that has been a staple at the museum since the 1940s.

When Donald Judd very reluctantly abandoned painting in 1961 - 62 in favor of working in three dimensions, it was because he had finally concluded that a philosophically tenable painting was not possible — philosophically in the empirical - perceptual sense of being entirely available visually, and tenable in the sense of being free of abstraction or any other kind of representation.

Some of his work is photorealistic; other series utilize a kind of madcap abstraction.

To contemporary eyes, their pictorial strength is so self - evident, so enduringly fresh, you have to chuckle at those pundits who a half - century ago deemed Post Painterly Abstraction (both the style and the exhibition) a failed «rescue action for quality» against the «turgidities» of certain kinds of abstraction on the one hand and the vapidity of «newfangled art» onAbstraction (both the style and the exhibition) a failed «rescue action for quality» against the «turgidities» of certain kinds of abstraction on the one hand and the vapidity of «newfangled art» onabstraction on the one hand and the vapidity of «newfangled art» on the other.

If the show intended to nod at the kinds of abstraction influenced by American painting of the 1960s (Morris Louis, Helen Frankenthaler and others painted on canvas with acrylics in a way that seemed to up the ante of the watercolour tradition), why not chose a late 60s John Hoyland, a 70s Bert Irvin or a recent John McLean rather than this dreary thing?

To that end he has painted on canvas, fabric, stretched plastic; used resins, lacquer, minerals of all kinds; appropriated images high and low; mixed abstraction and representation; and conjured up Benday dots and metal engraving, among other reproductive techniques.

Emily Nathan, writing for artnet this week notes: «Along with other younger artists, Ekblad is putting her own stamp on a kind of evocative abstraction that had seemed exhausted by earlier masters, from Wassily Kandinsky and Joan Miró to Jackson Pollock and Asger Jorn, and her works offer a refreshing return to the simple, physical pleasure of sculpture and painting.

Greenwold is rejecting what he calls «this kind of sanitized notion that abstraction is on one side and figuration is the other side, and God forbid they should ever mix in art or in anything.»

Mr. Stanczak remained affiliated with the Martha Jackson Gallery until it closed in 1979, by which time Op Art had been largely superseded by Minimalism and other more austere kinds of geometric abstraction — at least within the confines of New York.

Installation view Photo: Genevieve Hanson, NY March 5 — April 18, 2009 Curated by Peter Ballantine When Donald Judd very reluctantly abandoned painting in 1961 - 62 in favor of working in three dimensions, it was because he had finally concluded that a philosophically tenable painting was not possible — philosophically in the empirical - perceptual sense of being entirely available visually, and tenable in the sense of being free of abstraction or any other kind of representation.