«In this situation, music may be more likely to be hallucinated than
other kinds of sounds, such as speech, due to the intrinsic regularity of music and its repetitive, relatively predictable structure,» says Jason Warren, a neurologist at University College London.
Not exact matches
Some
of those who spoke with the Post got the impression that Apple wanted to hire senior executives to run some
kind of TV and / or movie venture, while
others said it
sounded like Apple (AAPL) was working on a possible acquisition to jump start such an effort.
Thus are you commanded: the moment you hear the
sound of horn, pipe, lyre, zither, harp, bagpipe and every
other kind of instrument, you will prostrate yourselves and worship the golden statue set up by King Nebuchadnezzar [Dan.
They may feel that this
kind of power is, for example, ethically
sound only if one's concerns in the relationship are directed toward the
other and what is for the
other's good.
Andrea and
others that have had trouble with crumbly crust — I talked about this in Comment 101, but sadly, it
sounds like the
kind of cookie is the culprit.
And, that's
kind of crazy because I almost never drink creamer in my coffee anymore, but when I saw it the
other day it
sounded good to me.
Sorry if I
sound rude but ARGHHHHHHHHHHHHHHHHH How many people will believe the BS written about Wenger being some
kind of god at Arsenal, yes he has more power than
other managers at
other clubs but that is because he has EARNED it!
But I am not sure what impact he would bring at arsenal considering that he is a sanchez esque winger who prefers to cut inside and shoot — As much as it
sounds interesting to have both Sanchez and Mahrez cutting inside from their respective flanks, the center forwards on the
other hand would definately get starved
of those whipped crosses from the wings (the
kind similar to the one Sterling sent to Aguero for that City opening goal).
Whether it's Gary Neville, Denis Irwin, Patrice Evra or the many
others that came before them, United's full - backs are historically direct, good going forward and defensively
sound which
kind of illustrates what the club are all about.
It has an actual fan built into it and emits a nice «woosh»
sound without any
kind of rattling or
other noises.
And it
sounds like just in
other cultures where they are breastfeeding in public all the time and they are doing extended breastfeeding and breastfeeding is not as sexualized as it is in the West and that's
kind of really where we need to go with this.
i have twins... one started from day 1 with looking around (following voices /
sounds and or faces) and with lifting his head, the
other would just
kind of peek out
of one eye occasionally for a few days, and wil turn his head from side to side but not lift it the way his brother does... the first has also gained back weight lost in the first few days more rapidly, while the second (who latches on to the breast on his own better) is actually a little slower to gain back the weight (and eats for shorter durations)... i take this simply as a sign
of thier individuality seeing as both seem healthy and have had a great 1 week check - up.
«It may
sound like something rather technical and anoraky but is fundamentally about what
kind of relationship people have with each
other, in terms
of the rights and responsibilities they have towards each
other.»
In the latest designs it is being applied to mask all
kinds of other waves, with the potential for zeroing out
sound pollution and protecting cities from earthquakes.
But the
sounds are much more vulnerable to decay over time than
other kinds of information, and that leads to the TOT experience.»
Human languages offer several examples
of this
kind, and this indicates that in forming words we tend to prefer certain
sound combinations to
others, irrespective
of which language we speak.
But here on Earth, all
kinds of sounds are traveling through air, water, and
other objects.
«We
kind of give each
other a job evaluation, which
sounds a little embarrassing!
Caregivers are asked about a child's use
of sounds, eye gaze, words, objects, gestures and
other kinds of age - appropriate communication.
https://www.youtube.com/watch?v=Pyyeob9sztM (trusting vegetarians is surely not one
of my habits, just as with any
other man
of sound mental health, but in this case it
kind of makes sense.)
There's a
kind of a drug - addled in the Big Bend country sort
of twang to the whole thing and it feels like it could all go off the rails at any moment and burst into a hell hath no fury conflagration thanks to some lonely propane tank beside the tracks in some Chihuahuan Hooterville; and boy, that drummer works his ass off bringing the bass
sound and everything else he's supposed to do; and boy, they remind me
of Ed Hall and a bunch
of other whacky late 80s / early 90s Austin bands whose names escape me; and man, this band is awesome in that sort
of weird «lets go drop mushrooms in Marfa and look for the Marfa Lights» kinda way; and whoa, why don't I just shut up and let you listen for yourself?
So
sound chatty, confident and happy and people will want to know more about you; and be specific about the
kind of person you'd like to meet because if you aren't, you'll end up being contacted by
other members who aren't right for you.
Text on a screen can tell you people's opinions, their favorite
kinds of things, what their hopes and dreams are, but it can not let you know if you will talk over each
other in conversation, what they will
sound like, or if you all will have any
kind of chemistry that is found in a generic, cliche cart bump in the frozen food section.
i really enjoyed this game completed it like 4 times with the DLC i think i liked it more than the previous Mass Effect's the only bad thing is that in PS3 sometimes the cinematics
kind of freeze and theres only
sound is really weird but
other than that great game a must play for previous gen and in my opinion the best game series ever.
The simple -
sounding horns and piano work meld together to form the
kind of music that protagonist Philip (Jason Schwartzman) would listen to if for no
other reason than his idol and mentor, Ike Zimmerman (Jonathan Pryce), told him it was great.
I found in it something
of an explanation for, or at least a corollary to, the picture's title, in that the demon in The Right Stuff refers to the
sound barrier while the demon in Refn's film refers to, perhaps, soft obstructions
of other kinds.
Put that way, it
kind of sounds like Air Bud or any
other Disney - like movie about someone befriending a lovable canine.
It's here that the critics
of single - sex education begin to
sound like opponents
of another
kind of separation: the racial and economic segregation in American public schools documented by Savage Inequalities author Jonathan Kozol and
others.
Unfortunately there is no EQ or any
kind of ways to augment your
sound other than edit the volume button.
I haven't yet read any
other works by this author, but this book
sounds kind of like City
of Saints and Madmen by Vandermeer which has been on my TBR for too long.
Although it has only a single speaker, audio from the Titan generally
sounded better than
other tablets
of its
kind.
The
other thing I
kind of knew going in, but I wanted to gather the language to say, is the idea
of the sync point, which is stuff that comes from film
sound theory, but it's where the
sound you're hearing syncs up with the image you're seeing.
If the owner has noticed the dog responding to certain
kinds of squeakers or
other types
of sounds, like crinkle.
Predictable and consistent behavior Prefers human company, especially children Relatively «directable» without training Affectionate Able to be banged around, by kids and clumsy humans Comfortable indoors, and in the climates you live in and take vacations Doesn't require a lot
of exercise Calm in the home; not hyperactive Medium high food drive; medium high prey drive (for fetching) Able to take, and learn from, a correction Low initiative Low fearfulness Submissive Low
other - dog aggression Quiet; not highly reactive to bark at sights and
sounds around the home or in public Image
of a guard dog without the actual follow through (if you are into that
kind of thing) Easily Housetrained (some breeds are easier than
others)
Socializing is familiarization
of your JRT puppy with different people, children,
other dogs, animals and getting them used to all
kinds of environments,
sounds, smells...
Anything you want her to be relaxed about — meeting all
kinds of new people, dogs,
other animals, encountering all
kinds of city sights and
sounds — it all needs to happen now.
It helps explains a 10 - year - old (to me) mystery as to why my older labradoodle, shortly before she turned two, basically overnight, went from a happy - go - lucky typical lab - type temperament to a nervous, skittish girl, terrified especially
of any
kind of loud noises suddenly
sounding behind her, unsure around
other dogs and sometimes even people.
Socializing is familiarization
of your JRT puppy with different people, children,
other dogs, animals and getting them used to all
kinds of environments,
sounds, smells and situations.
There are
other companies — like Stray and Kiwi Experience — that do hop - on / hop - off bus tours, but they
kind of sounded like massive incestuous orgies that I would've loved at 22, but felt a little too old for at 28.
well theres always a way to make it «Fair» for the lack
of a better word despite him being nearly invincible he can still be pummeled by
other powerfull forces who threaten the earth for example if he does nt stop them in time then said people or planet will die then its gameover there be no point in him keep on going
kind of way hmmmm this is
sounded a little harder then i thought
It
kind of sounds like training wheels to me as it offers an anti-crash system, a damage control system and weapons trajectory control plus many
other features that appear to take control from the pilot.
The over-world theme from Skyward Sword
sounded like it should have been some
kind of opening to a Star Trek movie, or some
other movie about space.
The dream and nightmare worlds look,
sound and behave differently, and morph between each
other in real time, enabling all
kinds of tricky maneuvers and bonus puzzly bits for secret areas.
With the resurgence
of many
of those franchises (as well as Tim Schaefer trying to relive the days when he did something
other than design failed business plans and games that
sound better on paper,) Ron Gilbert and Gary Winnick reunited again to bring us a perfectly encapsulated blast
of old - school gaming, a pixelated wedge
of surreality that brings back the days when puzzles were
kind of obtuse and games were dialogue - heavy, and none
of that was in any way a bad thing.
is used here as raw material, providing an example
of the
kinds of nuance that the
sound bite and
other media filters destroy.
These include HIV retroviruses bouncing rhythmically to the
sounds of Beyoncé's «Sweet Dreams» in a
kind of demented and mischievous Merce Cunningham performance, heart - filled condoms floating carelessly up through the streets
of Soho, and the artist himself playing an alienated punk walking the streets and parks
of Paris among
other disjointed yet equally compelling sequences.
Including
other elements, films and
sound, the whole set exceeds the exhibition space itself with parallel and temporary appearances connecting the inside and outside
of le plateau, shaping a
kind of inhabited archipelago in constant evolution.
, you are lying on the floor
of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions
of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts
of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions
of universalism, and I'm glad we don't, but the particles
of air bring traces
of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door
of this house, and if we tell each
other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for
sound, swirling as it moves, bringing the
sound of a drum, like that Kabuki story where a fox recognizes the voice
of its parents as a girl plays a drum made out
of their skin, or any
other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse
of a concrete wall and you can feel the tectonic movements
of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light
of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass,
sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign
of love, like singing to a corn field, and all acts
of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a
kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
There is a group — well, that gravitates — without wanting to
sound immodest I would say that this gallery here, for instance, my gallery, the Green Gallery and perhaps Feigen and a few
others of that
kind form some
kind of nucleus.
Like
other Ward installations, it is a
kind of multisensory theater — you feel springy firehose underfoot, smell old rubber and soiled strollers, hear the
sound of gospel.