Sentences with phrase «other looking at the camera»

Two individuals are standing next to each other looking at the camera.

Not exact matches

Like a coward he refuses to look at the camera, has a smug, holier - than - thou expression, hates how he was born so he has mutilated his ears, too lazy to shave and get a real job he makes money from preaching his religious beliefs to others, gets his «opinion» published SOLELY because he steals Stedman Graham's name to try to validate himself.

It would either involve two people in chairs yelling at each other for a half - hour (something we haven't seen on TV yet), or it might be a camera trained on a guy looking up stats on a computer for an hour.

The only other bargains like that are in the Caribbean's «free ports» — Jamaica (perfume, watches, English china, British fabrics), St. Thomas (Scotch is $ 2.25 a fifth, cigarets $ 1.10 a carton, and look for Swedish glass and Danish silver), and Curacao, whose beach is pictured opposite (goods of the Orient, Swiss watches at half U.S. price, German cameras).

Both kids are happy, embracing each other, and are actually looking at the camera - at the same time!

The Newsroom is a behind - the - scenes look at the other side of the camera, following a team who make a nightly cable news show.

First Deputy Chief Joe Cecile said the department plans to look at the guidelines and others around the country while developing their own policy for cameras.

This has led other researchers and companies to look at converting sign language into text using cameras.

They will send their images to a central control unit, which might also have access to other cameras looking at the region of interest, as well as access to the internet for help in labeling what it sees.

So Marengo and two other astronomers decided to take a close look at the star using data taken with the Infrared Array Camera of NASA's Spitzer Space Telescope.

The other camera faces forward and records the image that the user is looking at.

Canadian Institute for Advanced Research senior fellows Brian Leander and Patrick Keeling supervised lead author Greg Gavelis at the University of British Columbia and, in collaboration with senior fellow Curtis Suttle, showed that this eye - like structure contains a collection of sub-cellular organelles that look very much like the lens, cornea, iris and retina of multicellular eyes that can detect objects — known as camera eyes — that are found in humans and other larger animals.

As for Goddard, he's come close to directing other movies since The Cabin in the Woods, like The Martian and The Sinister Six, but it looks like Bad Times at the El Royale is the one that's finally going to get him behind the camera again, although he did recently direct the wonderful pilot for NBC's The Good Place.

Constanzo also employs other horror tactics, most obviously the hovering camera — using a fish eye lens high above the characters to simultaneously make Mina look even more waif - like and also act as an evil eye of sorts looking down at the increasingly complicated scenario playing out.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

Many scenes involve the camera simply staring at Jesse as she tries out new looks and experiences, or letting others project their fantasies on to her.

In some scenes, information pills the camera looked up at the apes rising over their human counterparts while in others, see the camera panned over the humans who were overshadowing their simian rivals.

directions and that I could look at the reverse camera while other than reverse gear.

As part of its Information Package, our tester car also came with GM's Intellibeam headlight - control system, which uses a forward - looking digital camera mounted to the front of the rearview mirror to enable the car to turn on its high beams at night when no other vehicles are detected on the road ahead.

The STS - V also comes with GM's Intellibeam headlight - control system, which uses a forward - looking digital camera mounted to the front of the rearview mirror to enable the car to turn on its high beam headlamps at night when no other vehicles are detected on the road ahead.

This 7 - inch, dual - camera tablet looked a lot like some of the other 7 - inch tablets we saw at CES, but we appreciated the thought Dell put into making sure the device could connect with other components in the home.

A quick look at other specs makes for good reading too, like the Adreno 420 GPU, the 2560 x 1600 resolution on the 8.9 - inch display, 2 GB of RAM, a low weight of 375 gram, a very long 12 hour battery life, 802.11 a / b / g / n / ac Wi - Fi, a 8MP rear camera coupled with a HD front camera, and there's optional 4G LTE connectivity, so what's not to like?

One other new tablet worth a look at is the Novo 7 Venus that launched last month and is available for $ 149 through a site called TabletSprint — this new model runs Android 4.2 and compares closely to the Nexus 7 — featuring a Quad Core processor and HD 1280 × 800 IPS Screen; while also offering a few features the Nexus doesn't — including a 2 - Megapixel rear camera, a MicroSD memory card slot, and HDMI 1080p; plus 3G internet connection through its USB port — TabletSprint also includes $ 25 in Bonus Apps.

It runs Android 4.0 with a new version of Samsung TouchWiz that reduces the customization level found in previous versions, while adding new «smart» features, such as using the front camera to keep the screen lit as long as the user is actually looking at the phone or actively using the microphone to recognize select commands without user interaction and includes automatic facial recognition for various functions, such as photo grouping, contacts and sharing among other features.

The i872 looks to be an evolution of the discontinued i855 multimedia clamshell which adds Bluetooth with stereo audio support and an LED flash next to the 1.3 megapixel camera, and a full - size SD slot. No other details are known at this time, but the phone is expected sometime in the second quarter of the year.

Looking at rest of the other specs, the Galaxy Tab Iris is strictly a lower - end tablet that comes with a 7 - inch WSVGA display, 1.2 GHz quad - core processor, Android 5.1 Lollipop, 5 megapixel back - facing camera, Wi - Fi, 3G, 8 GB internal memory, microSD card slot up to 200 GB, 1.5 GB RAM and 3600mAh battery.

[youtube video link for mobile viewing] We've taken a look at the video quality on the BlackBerry PlayBook a couple times in the past but it's always interesting to take a stroll through the CrackBerry forums and find others that are impressed by the video camera as well as and more importantly — what they're recording with their PlayBooks.

A few of our readers have requested more information about what other photographers carry in their travel camera bag, so here's an in - depth look at what camera gear we carry on all of our trips.

The camera is something that I would certainly miss in the other version, even though it only had two zoom levels instead of the completly free camera of the Wind Waker, but moving it around without having to go in first person was useful in some ocasions, not necessary of course, but I really just like to use it a lot, and without it I imagine it was harder to see where Link was looking at, a feature that was underused compared to the wind waker I guess because of the wii version, something that honestly sucks (Link discovering the secret in the private island house for me was just amazing, there were no moments like that in TP).

The little touch of having your character look at the gun while reloading, swaying the camera accurately while climbing, and other such simple details like that make for a final product that needs to be praised for its accomplishment.

However, look at the game in motion from other cameras, or even specific angles when racing (I found myself spinning about quite a bit) and the graphics aren't that great.

One model is looking at the other, who is looking at the camera.

Perhaps you have looked askance at the work of Tom Sachs, taking his obsessive, proto - maker approach crafting guns, NADA landers, cameras, and other gadgets from recycled street materials as boyish antics fit for the quirkily endearing protagonist of a Spike Jonze movie.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London ArtfoLook Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artfolook through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Looking specifically at instances in which people voluntarily allow themselves to be used by other people, the project continues Thomasson's investigation into how stories are shared on camera, on stage and in everyday life.

Two figures, one in disconcertingly martial camouflage, the other wearing what looks like a woolly hat, but is apparently supposed to represent his brain, were inspired by people seen at an ice hockey match in New York, while a top - knotted figure pointing a video camera hints overtly at the current impulse to photograph distressing scenes rather than intervene — as in the recent incident when American youths laughed at and filmed a drowning man.

In the other, the camera looks back from the ship's stern at a disappearing river.

Partin's three other photographs in the show feature women who engage with him in some way: The subject of «Bushwick II» (2010) stands topless, looking straight at the camera, her face half in shadow and her skin marked harshly by the sun; in contrast, the figure in «Bushwick I» (2012) sits folded over her knees, her body positioned away from the camera; and finally, «Ulster Park» (2012) captures a woman in a red leotard standing in the woods with a camera.

Other than that we're looking at an 8 - megapixel main camera, 16 GB of storage and 1.5 GB RAM with a quad - core processor.

They do make the phone pretty awkward looking, but we're sure many people will be willing to look past that detail if it means they get to leave their other cameras at home.

It's stunning to look at, very well made, as fast as any other phone you can buy, and has a top - tier camera.

By now, though, you've probably noticed that your iPhone or iPad is still using the front - facing camera on your end, so it probably looks a bit weird for the other person when you're looking up at your television rather than looking at them.

Our top pick, and most other cameras we looked at, include some or all of these features for free.

Apart from the «notch» where Apple houses the iPhone X's ear speaker, TrueDepth camera array, and other sensors, the bezel is remarkably thin all the way around the screen which every other phone we've looked at has a huge bezel on the bottom.

This matches other supposed leaks and rumors of what the next iPhone will look like, including a hairline - like strip at the top that could house an earpiece speaker and front - facing camera (s), and no home button on the front.

Other than that, you're looking at a phone with a 6.0 - inch QHD 18:9 screen with Gorilla Glass 5, Snapdragon 835, 4 GB of RAM, microSD slot up to 2 TB, dual 16MP + 13MP rear cameras, 5MP front shooter, IP68 dust and water resistant, MIL - STD 810G certified, Wi - Fi ac, Bluetooth 5.0, and a 3300mAh battery with Quick Charge 3.0.

Aside from the camera features the ZenFone 5Z also has other notable traits that will make it compelling phone for consumers, especially at the $ 499 price tag that ASUS is looking to charge for it, not the least of which is the large, 6.2 - inch Full HD + display with a 19:9 aspect ratio.

Our Real Camera Review series digs deep into phone camera imaging, taking a close look at photo and video output in real world conditions, and using consistent samples for viewers to compare various phones against each Camera Review series digs deep into phone camera imaging, taking a close look at photo and video output in real world conditions, and using consistent samples for viewers to compare various phones against each camera imaging, taking a close look at photo and video output in real world conditions, and using consistent samples for viewers to compare various phones against each other.

The RemoBell app doesn't let you get a live look at the doorbell camera's view whenever you want, which all the other doorbell cameras can do.

Unfortunately the camera on the Z1 fell short against other smartphones, and the TFT TRILUMINOS display looked washed out at the wrong angles.