Sentences with phrase «other main characters in the film»

Not exact matches

We've made about five other films, but in the intervening years, the show business industry has moved entirely toward movies where the main characters have capes and tights.

The main characters in the film choose not to engage in the reckless behavior their friends are to instead find comfort with each other, and accept how they're lives have turned out.

Other concerns for parents include Hiller's girlfriend, who is a stripper (a sample of her work is the only sexual content in the film), and the cigar the main character uses as a «reward.»

In both films the main character (s) are perfectly content in their world and while others may come in and try to shake it all uIn both films the main character (s) are perfectly content in their world and while others may come in and try to shake it all uin their world and while others may come in and try to shake it all uin and try to shake it all up.

Porco Rosso, another «canon» classic from Studio Ghibli, somewhat bucks the trend of the majority of director Hayao Miyazaki's other films, in that it feature a male character as the main protagonist.

This movie is very character driven, with more than half the films run time taking place with our main characters just sitting in detention and talking with each other.

My other main gripe in the film were the girlfriend characters and their lack of explanation.

«Only the Brave» devotes the first half of its 2 hour, 15 minute runtime to allowing us to get to know these three and a few other main characters: firefighter Chris (Taylor Kitsch) and Eric's superior Duane (played by Jeff Bridges, who even does a bit of singing in the film).

Notably, while there are male characters in the cast (including husbands and fathers), they aren't the main characters and barely appear present in the trailer — suggesting an approach similar to the The Women where the staging of scenes emphasizes that the female characters» story is happening primarily in spaces unique to them and often overlooked in other films.

This is the second film I remember in recent years starring Sarah Jessica Parker (Failure to Launch being the other) where the supporting characters prove more interesting than the main players, to the point that the audience, as well as the filmmakers, would rather follow them to the detriment of the overall narrative.

Not that Takal's film is any less critical of its main characters, Anna (Mackenzie Davis) and Beth (Caitlin FitzGerald), both best friends who find their affection for each other severely tested when they decide to spend a weekend out in Big Sur.

Finally, the film concentrates on the moment when the four main characters cause enough friction with each other that they need to either let go, or get sucked in to more despair; once the friction is resolved, so is the segment of the story Williams chooses to tell.

On the other hand, the almost wall - to - wall techno music (reminiscent of Run Lola Run in its quieter moments), the arty slow - motion and slow - burn pacing of much of the film, and the enigmatic characterization of the main character, known only as «The Driver,» lend a surreal feel to the city I know.

Why do these films, and others in the action genre, concentrate on the fate of the main characters while overlooking the loss of human life and the cost of property damage that occur in their wake?

The first section of the film is an expositional wonder, as not only are the main characters (including Secretary of State William Seward (David Strathairn), Republican poobah Preston Blair (Hal Holbrook), radical abolitionist Thaddeus Stevens (Tommy Lee Jones) and various members of the White House - hold, among others) introduced and motivated, but the political issues involved are explained with a detail, clarity and respect for the audience's intelligence that's extremely rare in a Hollywood film.