Sentences with phrase «other musical work»

Not exact matches

Essentially, a copyright protects literary, musical, dramatic, artistic and other qualifying creative works.

Rare indeed in philosophical works are passages like the one in the City of God where Augustine marvels at how some people can wiggle their ears, others can perfectly mimic the voices of other men, and some can even «produce musical sounds from their behind»!

The same may be said of musical works, or works in any other artistic medium.

Planting seeds through song, Miss Jamie take young kids and their families on a musical adventure to her «farm», where they learn values like hard work, exercise, and being kind to animals and each other.

This safe, patent pending technique works as follows: Drifting, «non-linear» music which does not conform to expected musical formulas is combined with slowed nature sounds, other natural sounds, and special pulse - rates to help slow the body's rhythms and encourage relaxation that has been shown effective in resetting the body's inner clocks and transcending time - zone related jet - lag symptoms.

In addition, all children learn to sing, play a musical instrument, draw, paint, model clay, carve and work with wood, speak clearly and act in a play, think independently, and work harmoniously and respectfully with others.

This study builds on a growing body of work about the social implications of musical engagement with others.

This work, published in May in the journal Brain, adds invaluable information to our understanding of amusia and, more generally, of the «musical brain,» in other words the cerebral networks involved in the processing of music.

Tell Jambo anything you might want other folks to know, such as your alma mater, occupation or musical tastes, then Jambo assigns you an ID number and provides software that works with a Wi - Fi or Bluetooth wireless networking connection.

Though he would pen other Broadway musicals such as Sarava and Wildcat, as well as novels including East Wind, Rain and The Wildwood, it was The Rainmaker that would maintain its hold as Nash's defining work.

During the early 1990s, around the time of Twin Peaks, Lynch was extremely busy, working on Julee Cruise's first two albums, staging the musical play Industrial Symphony No. 1: The Dream of the Broken Hearted, with Cruise and Badalamenti's music, developing other short lived television projects and continually creating visual artwork.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

Les Misérables certainly looks strikingly different than most of the other Broadway musical - turned films released in recent years, thanks to some picturesque visuals and unusual camera angles conjured up by director of photography Danny Cohen (who received an Oscar nod for his similar work on King's Speech).

Rachel and Alison are nominated each other in the Best Performance by an Actress in a Television Series — Musical or Comedy category at the Golden Globes for their work in The Marvelous Mrs. Maisel and G.L.O.W., respectively.

Tom Kitt and Brian Yorkey's rock musical Next to Normal debuted on Broadway eight years ago and, in addition to winning three Tony Awards (Best Original Score, Orchestration and Performance by a Leading Actress in a Musical), it accomplished something no other such work had done since 1996's Rent: It won the Pulitzer Prize formusical Next to Normal debuted on Broadway eight years ago and, in addition to winning three Tony Awards (Best Original Score, Orchestration and Performance by a Leading Actress in a Musical), it accomplished something no other such work had done since 1996's Rent: It won the Pulitzer Prize forMusical), it accomplished something no other such work had done since 1996's Rent: It won the Pulitzer Prize for Drama.

Movie will be a modern musical like no other, says co-creator, currently starring in People, Places, Things, working on a comedy radio play and flummoxing New Zealand customs

On an ending note, Rosenthal emphasizes that this kind of musical addition didn't work out quite as well for others as it did in «La La Land» — such as fellow Oscar contender «Manchester by the Sea,» which also made attempts at adding in music — specifically for its climactic scene (watch out for spoilers).

In In the Mood for Love, the camera is pinned down, obliged to repeat the same povs again and again on repeated activities and behaviors, like musical refrains — Leung and Cheung knocking on each other's doors and talking to each other's offscreen spouses, Leung's wife barely glimpsed behind the partition at the hotel where she works, Cheung walking down the steps of the noodle - shop and wiping the sweat from her brow with the back of her hand.

Movies work by building and releasing tension, a pattern demonstrated more nakedly in the musical than in nearly any other genre.

Her musical «career» requires that she work a day job as a grocery store cashier in order to make very modest ends meet, yet she also abandoned the idea of writing original songs or otherwise doing much more than playing other people's music, so whatever burning ambition she may have once had has long since been dampened.

0:00 — Intro / Jay's Trip 17:25 — Review: Fright Night 51:55 — Review: Conan the Barbarian 1:15:40 — Trailer Trash: Ghost Rider: Spirit of Vengeance 1:20:35 — Other Stuff We Watched: Hot Coffee, Score: A Hockey Musical, A Beginner's Guide to Endings, Liberia 77, Trigger, Pontypool, Daydream Nation, Small Town Murder Songs, Major League, Crazy Stupid Love, Final Destination 5, Field of Dreams, Master Chef, Fright Night, Child's Play, Whatever Works, Billy Madison, Baseketball, Fright Night: Part II, Louie: Season 1 2:09:50 — Junk Mail: TF3, Pirates 4, Favourite Batman and West Memphis 3, Original Planet of the Apes Origin Story, Reversible DVD and Blu - ray Covers, Good Books on the Filmmaking Process, Amazon.com, Film Junk Action Figures 2:34:25 — This Week's DVD Releases 2:36:55 — Outro

Among the topics discussed are the film's musical elements, the amount of time it took to make the film, and comparisons to some of Marshall's other work for the studio (which he seems quite proud of): Pretty Woman and The Princess Diaries.

Semi-Finalists: DATE NIGHT's faux sexy number with Carrel & Fey works pretty well for laughs, WINTER»S BONE has fine music throughout but one scene gives it more play, GREENBERG - if you combine both of Greta Gerwig's musical moments I'll take them but one is too comatose and the other is super super brief.

Making music with other kids is one of the best ways to encourage practicing at any time of year, giving youngsters a chance to make musical friends and let positive peer pressure work its motivational magic.

In my view it is enormously valuable to have a teacher within the school itself to coordinate rehearsals and events, liaise with other staff, follow up on children who have missed lessons (finding out if there is an underlying financial or family problem of some sort), meet with parents at the regular parents» evenings, arrange for permission slips for an event, work with the drama specialist / enthusiast on plans for a musical.

You can take music apart and find how it works, create music yourself, find out how other people make music and how they perform it, learn about musical instruments and look at the backgrounds of different musical styles.

In other schools, students and community members identify a neighborhood each year to work in together, or all students stage a school musical to inform and entertain the larger neighborhood.

The works Rabbit Ears produces are narrated by celebrity actors the likes of Jeremy Irons, Danny Glover, Jack Nicholson, Denzel Washington, Mel Gibson, Garrison Keillor, Nicolas Cage, Jonathan Winters, Michael Palin, John Candy, Morgan Freeman, Sigourney Weaver, Anjelica Huston, Meg Ryan, Meryl Streep, Glenn Close, Amy Grant, Kathleen Turner, Catherine O'Hara, Cher and others accompanied by musical scores composed and performed by top musicians of the day and illustrated by the best artists of our day.

Literary and dramatic works, lyrics, musical notations, graphic and sculptural works, sound recordings, architectural works, among others.

Still, early on, before the deafness, before recognition as a musical paragon of the highest possible order, Beethoven could, as the report - card phrase puts it, work and play well with others, especially fellow musicians, and he acquired several long - haul friends who rolled with his punches, though, alas, no lover (he was just too gauche for even the most admiring woman).

David Varela, a writer and producer working in a wide range of media including books, plays, films, speeches, musicals, websites, treasure hunts, alternate reality games, apps and many other projects that defy categorisation.

According to Copyright.gov, a copyright is «a form of protection provided by the laws of the United States (title 17, US Code) to the authors of «original works of authorship» including literacy, dramatic, musical, artistic and certain other intellectual properties.»

The Services may provide users with the opportunity to submit, post, display, transmit, perform, publish, and / or distribute content and materials on or through the Services including, without limitation, data, text, files, information, usernames, images, graphics, photographs, profiles, audio and video clips, sounds, musical works, works of authorship, applications, links and / or other content or materials (collectively, «User - Submitted Content»).

Among his recently published works in English: All Ears: The Aesthetics of Espionage (Fordham University Press, 2016); Phantom Limbs: On Musical Bodies (Fordham University Press, 2015); Apocalypse - Cinema: 2012 and Other Ends of the World (Fordham University Press, 2015); Kant in the Land of Extraterrestrials: Cosmopolitical Philosofictions (Fordham University Press, 2013).

Throughout the run of the exhibition, there will also be held Musical Concerts, Dance performances, a Documentary film on the original «Armory Show» of 1913, and related works by other artists and performers.

Music has been a source of inspiration to the artist throughout his career, and he often gives his works evocative titles that allude to 1990s hip hop or other musical sources.

The works on display are: 432Hz (2009 - 2014), a wooden shell that contains honeycombs; Vorkuta (2003), a refrigeration chamber where the temperature of -30 °C contrasts with a chair maintained at a constant +37 °C by an internal thermostat; Mindfall (2004 - 2007), a container which contains a chair and tables, on which 21 electric motors turn on intermittently, one after the other, creating a sort of musical composition; Untitled (2003), a small iron room crossed by blasts of hot and cold air channelled into the space by powerful fans; and Sub (2014), a new work specially created for the exhibition at HangarBicocca, an assembly of aluminium and glass display units which the artist originally designed to exhibit her Inner Disorder (1999 - 2001) series of drawings.

Not that you would notice him limiting his scope or scale; even within these works he broadens out to include other disciplines such as performance, writing, public speaking, musical composition and installation.

Among these are Remanence: The Long Count / The Long Game from a collaborative work Ritchie created with, among others, Bryce and Aaron Dessner of The National, and Kim and Kelley Deal of The Breeders, and two new musical performances, Monstrance and Remonstrance, which will both take place March 29 on site at the ICA and at the nearby Chapel of Our Lady of Good Voyage.

Arcangel is celebrated for his modifications of popular video games, a series of which were on view in that show; he also reuses appropriated gradient patterns from Photoshop, YouTube videos, and other bits of digital pop culture to craft prints, drawings, musical compositions, videos, and performance works.

«Christian Marclay: Festival» at the Whitney Museum of American Art, 945 Madison Avenue, through September 26, whitney.org The master of turntablism and author of creative musical notation (such as the 60 - foot, 2010 «Manga Scroll» on which Marclay composed a score of booms and bangs and other noises culled from the pages of Manga comic books) is presenting work in almost every conceivable medium for this exhibition.

The exhibition features new physical pixelated sculptures («PixCell» s) made out of toys, taxidermied animals, musical instruments and other everyday objects, new works in his Direction and Ether series that visualize the effects of gravity, and new works in his Villus series that cover an object's contours and textures with «villi.»

Drawing from music pedagogy, musical languages, and pop musical references — including the Orff Schulwerk, Béla Bartok's Mikrokosmos piano learning exercises, and Louis Armstrong's classic song, «What a Wonderful World,» among others — the work connects visual signs, musical symbols, and real world referents.

In addition to releasing musical works and giving concerts both in Japan and abroad with Shuta Hasunuma Philharmonic Orchestra, Hasunuma has produced many works in other fields including film, theater, dance and music.

High Standards: Musical revue celebrates the Great American Songbook with works by Irving Berlin, Cole Porter, George and Ira Gershwin and others.

Aside from her drawings on paper, her video works also consist of interferences that give rise to other readings, where the combination of musical composition and images submerges us in an all - encompassing experience.

Given that the number of possible arrangements in a deck of cards is an «astronomically large number» (see above), the program will not run through all the possible combinations of musical notes during the lifespan of planet earth — assuming constancy of electrical power to the work and other contingencies.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Other works employ his trademark musical scores, translating speeches by James Baldwin and Martin Luther King Jr. into musical notation by assigning notes to the letters of the alphabet; they'll appear in transcription as well as in a video where the scores are performed.

Charles Gaines's new original master composition for the Art Biennale is derived from his most recent body of work, Notes on Social Justice, a series of large - scale drawings of musical scores from songs, some borrowed from as early as the American Civil War (1860 — 1865) and others dating from the mid twentieth century.