He has been juried into the prestigious Laguna Plein Air Competition, Plein Air Easton, California Art Club Gold Medal Exhibitions, International Museum of Contemporary Masters «Salon International», Napa Valley Museum, The Haggin Museum and many
other national exhibitions.
Not exact matches
Hashem and her brother later ran a booth at the Canadian
National Exhibition, selling artefacts, glassware, and
other Egyptian goods.
The policy statement, «SIDS and
Other Sleep - Related Infant Deaths: Expansion of Recommendations for a Safe Infant Sleeping Environment,» and an accompanying technical report, will be released Tuesday, Oct. 18, at the AAP
National Conference &
Exhibition in Boston and published in the November 2011 issue of Pediatrics (published online Oct. 18).
The President's
other engagements in Paris include bilateral talks with French President Francois Hollande, and the launch at the UNESCO of an
exhibition on Nature Conservation in Ghana, with a focus on the Mole
National Park.
Earlier, the General Manager of the
National Theatre, Mallam Kabir Yusuf Yar» Adua, conducted the Minister around the facilities at the complex, which include; the banquet, cinema and
exhibition halls, the sub-power station, the water works, the police post and the artiste village, among
others.
A new study to be presented at the American Academy of Pediatrics 2015
National Conference &
Exhibition in Washington, DC, found that children in foster care were three times more likely than
others to have an ADHD diagnosis.
The Strong is home to the International Center for the History of Electronic Games (ICHEG), the
National Museum of Play, and the Brian Sutton - Smith Library and Archives of Play among
other ventures, and all three played a part in contributing content to the
exhibition.
Opening: «Pixar: The Design of Story» at Cooper - Hewitt
National Design Museum This
exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand - drawn sketches, and
other original artwork.
Recent solo
exhibitions include Whitford Fine Art, an
exhibition of his early 80's steel sculptures;
other significant
exhibitions include Hayward Gallery and Serpentine Gallery, Guggenheim, Venice, Ikon Gallery, Birmingham, Galerie Josine Bockhoven, Amsterdam, Robert Steele Gallery, New York, Bodo Niemann Gallery, Berlin, Waddington & Shiell Gallery, Toronto, Musee Dʼart Moderne, France and The
National Gallery, Australia, Flowers Gallery, London, Whitford Fine Art, London, and Henry Moore Institute, Leeds.
She has participated in global
exhibitions at Vizcaya Museum and Gardens, Miami, FL; 2014 La Biennale de Montreal, Montreal, QC; Young Art Museum, Davie, FL; Farnsworth Art Museum, Rockland, ME; Museum of Contemporary Photography, Chicago, IL;
National Center for Contemporary Art, Russia among
others.
Other monographic shows of his work at the Parrish Art Museum include: The Prints of Roy Lichtenstein, a major
exhibition organized by the
National Gallery of Art, Washington, D.C., (1995), and Roy Lichtenstein: American Indian Encounters (2006) that paired his paintings with Native American artifacts from the Montclair Art Museum.
He has also participated at group
exhibitions at the following institutions: The Hammer Museum, Los Angeles, California (2014); The
National Museum of Norway, Oslo, Norway (2014); The New Museum, New York, United States (2013); The Palais de Tokyo, Paris, France (2012), among many
others.He has participated in various biennials, including: The Sharjah Biennial 12, Sharjah, United Arab Emirates (2015 & 2007); The 30th Biennial of Graphic Arts, Ljubljana, Slovenia (2013); The XIV International Biennial of Sculpture, Carrara, Italy (2012); The 9th Gwangju Biennale, Gwangju, South Korea (2012); Whitney Biennial, New York, United States (2006); Sao Paulo Biennial, Sao Baulo, Brazil (2006); 2nd Guangzhou Trienal, Guangzhou, China (2005); The 50th Venice Biennale, Venice, Italy (2003 & 1999); The 7th International Istanbul Biennial, Istanbul, Turkey (2001), among
others.
Mark Lewis (b. 1957; Canada) has had solo
exhibitions at the Hamburger Kunstverein; MUDAM, Luxembourg; Kunsthalle Bern; Columbia University, New York; The
National Gallery of Canada, Ottawa; Patrick Painter, Los Angeles; Triple Candie, New York; among many
others, and has participated in numerous group
exhibitions.
Other exhibitions have taken place at the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; Hood Museum of Art, Hanover, New Hampshire; Portland Art Museum, Maine; Ogunquit Museum of American Art, Maine;
National Academy, New York; and American Academy of Arts and Letters, New York.
Her work has been included in group
exhibitions at the Weatherspoon Art Museum, Greensboro, NC; the
National Academy Museum, New York, NY; Garis & Hahn, New York, NY; and Trestle Gallery, Brooklyn, NY, among many
others.
Her past
exhibitions and projects have been presented at international art museums and esteemed institutions including the Andy Warhol Museum, the Salvador Dali Museum, the Museum of Modern Art / PS1, the
National Arts Club, amongst
others.
Inspired by NFL player protests during the
National Anthem, the group
exhibition features work by Jones, Melvin Edwards, Lauren Halsey, and Deborah Roberts, among
others.
The show is a part of the 2017 Wallis Triennale, a
national exhibition which focuses on Swiss art, as well as
other European artists.
Recent projects include conceptual collaboration with architect Jean Nouvel for the
National Art Museum of China in Beijing and
exhibitions and installations in Singapore, Hong Kong, Paris, Vienna, Rome, Lausanne, Zurich and Brussels, among
other cities.
Tompkins has been featured in numerous group
exhibitions, including Black Sheep Feminism: The Art of Sexual Politics, Dallas Contemporary, Dallas, TX (2016); The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York, NY (2014); CORPUS, Zacheta
National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York, NY (2014); Elles, Centre Pompidou, Paris, France (2011); among
others.
His work has also been shown in
exhibitions at venues such as The
National Gallery of Art Norway; ISCP, New York, NY; Museum Quartier, Vienna, Austria; Frauenhofer Institut, Berlin, Germany; Astrup Fearnley Museum for Kunst, Oslo, Norway and many
others.
Geng's solo
exhibitions include Mount Sumeru, Klein Sun Gallery, New York, NY (2017); Poetics of the Body — The Sculpture & Video Art of Geng Xue, Fengmian Art Space, Yuexiu District, Guangzhou, China (2016); Borrowing an Easterly Wind, Klein Sun Gallery, New York, NY (2015); Mr Sea, ZERO Art Center, Beijing, China (2014); and The
Other Side,
National Museum of Wales, Cardiff, UK (2009).
The Museo Nacional Centro de Arte Reina Sofía offers a wide and varied program of temporary
exhibitions in modern and contemporary art, produced by the museum or in collaboration with
other cultural,
national and international institutions.
Juarez's work has been in numerous group and solo
exhibitions and he has received awards from the Guggenheim Fellowship, The
National Academy of Art, and The American Academy of Arts and Letters, among
others.
Complementing the
National Portrait Gallery's
exhibition, «Elaine de Kooning Portraits,» in Washington, DC, this
exhibition comprises self - portraits, likenesses, and reflections on Elaine de Kooning by
other artists, including Arshile Gorky, Fairfield Porter, Hedda Sterne, Alex Katz, Robert De Niro, Sr., Ray Johnson, Joop Sanders, Paul Harris, Edvins Strautmanis and her husband Willem de Kooning.
Our
exhibition programming features a full range of visual arts, including painting, drawing, photography, sculpture, printmaking, ceramics, and
other media by local, regional,
national, and international artists ranging from emerging to professional status.
Showcasing paintings and drawings spanning from 1992 to 2017 and demonstrating the singular ambition and dynamism of Saville's work, this
exhibition spans five rooms of the Scottish
National Gallery of Modern Art and places the artist alongside major new works, installations and photography from five
other artists preoccupied with the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street, and
others.
Other recent solo
exhibitions include «Jiro Takamatsu» at Stephen Friedman Gallery, London, England (2015); «Jiro Takamatsu: Mysteries»,
National Museum of Modern Art, Tokyo, Japan (2014); «Jiro Takamatsu», Stephen Friedman Gallery, London, England (2013); «Jiro Takamatsu Words and Things, Refinement and Tautology», NADiff Gallery, Tokyo, Japan (2011); «Point Line, Form of Absence», Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2009); «Photograph of Photograph», Yumiko Chiba Associates / Viewing Room Ginza, Tokyo, Japan (2008); «Universe of His Thoughts, Fuchu Art Museum, Tokyo, Japan (2004); «1970s Three - dimensional Works and
Others», Chiba City Museum of Art, Japan (2000).
The Sobey strives to be truly
national in scope: the
exhibition and award ceremony alternate year - to - year between the AGNS and
other visual arts institutions around the country.
Hammond has had over 40 solo
exhibitions and her work has been shown internationally in venues such as: the New Museum, the
National Academy Museum, the Downtown Whitney Museum, and White Columns in NYC; the Brooklyn Museum and Smack Mellon Studios in Brooklyn; the Bronx Museum; P.S. 1 MoMA Contemporary Art Center in Long Island City, Queens; the Museum of Contemporary Art and the Hammer Museum in Los Angeles; the
National Museum of Women in the Arts, in Washington, D.C.; the Tucson Museum of Art and Museum of Contemporary Art in Tucson; the Walker Art Center in Minneapolis; the Phoenix Art Museum; Site Santa Fe, the Center for Contemporary Arts in Santa Fe; the Vancouver Art Gallery; the American Center, in Paris; the Neue Galerie, in Graz, Germany; the Gementemuseum Den Hague in The Hague, among
others.
After attending the San Francisco Art Institute (then known as the California School of Arts), Wiley, along with Robert Hudson, Bruce Nauman, Robert Arneson, and Roy DeForest, among
others, formed the Bay Area Funk movement, which gained
national notoriety after the infamous «Funk Art»
exhibition in 1967 at the University Art Museum in Berkeley (now the Berkeley Art Museum and Pacific Film Archive).
He has had over thirty solo
exhibitions and has won awards at The
National Academy, Allied Artists of America, Society of American Graphic Artists and many
others.
Now in its 19th iteration, the
exhibition has been a springboard for numerous artists leading to
national press coverage, recognition, gallery representation and acquisitions by museums and
other prominent collections.
Barclay represented Scotland at the 2003 Venice Biennale and her work has also been included in several
other national and international
exhibitions such as the British Art Show, Canberra Contemporary Art Space, Australia and Kettle's Yard, Cambridge.
Our Gallery exhibits and promotes member work with fresh shows each month, and also
other local and
national artists in special monthly
exhibitions.
Retrospective
exhibitions of his work have been mounted at the Tate Modern, London, the Fundació Joan Miró, and the
National Gallery of Art, Washington, D.C., among
other venues.
Since 2006, he has organized nearly 50 solo and group
exhibitions at both MINUS SPACE's gallery in Brooklyn, as well as
other collaborating venues on the
national and international levels, including in Mexico, Belgium, Australia, and New Zealand.
His work has been the subject of
exhibitions at The Museum of Modern Art, New York; Whitney Museum of American Art, New York; Kunstverein Amsterdam, The Netherlands; Walker Art Center, Minneapolis;
National Museum of Contemporary Art, Oslo; CCS Bard, Annandale - on - Hudson, New York, among
others, and is included in renowned private and public collections internationally.
The
exhibition has been a springboard for numerous artists leading to
national press coverage, recognition, gallery representation and acquisitions by museums and
other prominent collections.
Joan Semmel's work has been featured in
exhibitions at the Whitney Museum of American Art, New York (2016); Brooklyn Museum, New York (2016); Museum of Modern Art, New York (2014);
National Portrait Gallery, Washington, DC (2014); Paula Modersohn - Becker Museum, Bremen, Germany (2013); Bronx Museum of the Arts, New York (2013); Jewish Museum, New York (2010); Museum of Modern Art Arnhem, The Netherlands (2009); Wexner Center for the Arts, Columbus, OH (2008); Museum of Contemporary Art, Los Angeles (2007);
National Museum of Scotland, Edinburgh (2007); and Blanton Museum of Art, Austin, TX (2006); among
others.
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with
national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as
other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site
exhibitions and single - site group
exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
Most recently, Swallow was in a group show at the Tate, «Remix», as well as included in the 1st Quadrennial of Contemporary Art, Ghent, Belgium, among
other national and international
exhibitions.
She also built the ICA's administrative and curatorial staff, co-curated the inaugural
exhibition, «Declaration,» and formed a
national advisory board at the ICA of respected individuals in the arts and business sectors, among many
other accomplishments.
Other significant
exhibitions include: a retrospective in 2013 (Osaka Museum, Aomori Museum, and
National Museum of Art, Tokyo); Walker Art Center (2008), La Maison Rouge, Paris (2007), The
National Museum of Art Osaka (1994), the Van Reekum Museum, Apeldoorn and the Stedelijk Museum (1991).
His work has been included in group
exhibitions at Ullens Center for Contemporary Art in Bejing, Witte de With Center for Contemporary Art in Rotterdam, Birmingham Museum and Art Gallery, The
National Art Museum of China in Bejing, Royal Academy of Art in London, and Kunsthaus Wien in Vienna, among many
other institutions.
Since the mid 1980s, Ottersbach's works have been included over one hundred international group and solo
exhibitions and are held in some of the most important international collections today including the permanent collections of the Blibliothèque Nationale, Paris, the Museum of Modern Art, New York, the Getty Center, Los Angeles, and
National Gallery, Canberra Australia amongst
others.
Major
exhibitions of El Anatsui's work have appeared at the Sterling and Francine Clark Art Institute, Williamstown, Royal Ontario Museum, Toronto,
National Museum of Ethnology, Osaka, Rice University Art Gallery, Houston, Venice Biennale, and the Biennale of African Art, Senegal amoung many
others.
British Folk Art: The House That Jack Built is the first significant
exhibition of British folk art at a
national gallery, and includes nearly 200 paintings, sculptures, textiles and
other objects, spanning the 17th to 20th centuries.
Other venues that have presented recent solo
exhibitions include Kunsthalle Bremerhaven, Germany (2012); Centro de Arte Contemporáneo de Málaga, Spain (2011); Haus der Kunst, Munich; Zach?ta
National Gallery of Art, Warsaw (both 2008); M?csarnok Kunsthalle, Budapest (2007); and Museu Serralves, Porto, Portugal (2006).
Buy a
National Art Pass and you can enjoy 50 % off entry to major
exhibitions at Tate, V&A,
National Gallery and hundreds of
other venues across the UK for the next 12 months.