Sentences with phrase «other objects in the house»

They may also interact destructively with furniture, plants or other objects in the house.

Not exact matches

Trash cans in other areas of the house are still full of bacteria and other objects you don't want in your baby's mouth.

Among other things, he objected to gay marriage, high speed rail, regulating lobbyists, banning smoking in cars with children and letting MPs tweet in the House of Commons.

The same happens with other objects: in house facades, trees or stones — a «human face» can often be detected as well.

Lots of non-violent, non-gory but otherwise unsettling scenes worth mentioning: many «jump» scenes when people or objects startle others; we hear some noises during the night in many scenes (creaking doors and floorboards, screams, eerie whispers, doorknobs turning, pounding at doors) and doors slam shut as people run past them; we see eerie carvings and sculptures throughout a house, a maelstrom and sculptures come alive and scream and a skeleton sits up abruptly; a ghostly face is seen at a window and in a ceiling, windows become eyes, ghostly children are seen a few times (in one scene, a ghostly baby from a sculpture crawls under the sheets as a woman lies in bed) and a woman's hair is braided by invisible hands.

If you move furniture or other large objects in the house or yard, you need to show your dog what you changed by taking him to the new or newly positioned object.

They may lick their paws, other dogs in the house, or any objects they happen to think taste good or feel good on their tongues.

They yowl or whine frequently, fight with other pets, and / or destroy objects in the house.

While you can slowly train your growing puppy not to chew on certain things or objects, you can provide them with chew toys as a more positive and more rewarding chewable target than a furniture, bedding, carpet, upholstery, or any other item in your house.

Neutering your male pet also will help prevent unwelcome behaviors, such as marking in the house, humping people / objects / other pets, and wandering off.

They yowl or whine frequently, fight with other cats, and / or destroy objects in the house.

- get Public Works tasks from Isabelle - early on you'll have to build a school - choose the outside look from a selection of options then work on the inside - inside includes work on benches, lockers, tables and more - later you'll work on a hospital, cafe, a shop and more - the hospital tasks you with working on multiple rooms - use the stylus to drag and drop items into the playing field - tap the object to change the perspective and move them all easily to somewhere on the grid - drag the characters around as well - tapping on the D - Pad lets you change the camera angle - move around with the Circle Pad and interact with others by pressing the A-button - the plaza is where old and new animals are gathered - a speech bubble above a head denotes requests - once you've wrapped up the development of a property, a scene will play where the animals interact with the property - animals will say specific things when they are in stores / school or comment on things that are placed around the house - throw in your own favorite characters by purchasing amiibo cards - scan them and they will enter the house or scene - cards also give requests from characters before you even meet them in the game - some characters are exclusive to the cards - put data back on the card and give that information to the friend

Hitting other drivers, objects like houses or trees, or falling off the course will drastically slow you down, so when combined with the blazing fast speeds don't be surprised if you fail several times in a given stage.

The finest of the later paintings is The Italian Straw Hat (1952), a tensely rendered depiction of a room in the artist's house, which includes, among other things, the title object, a sewing basket, and a Calder mobile.

The same investigation of hybridization can be found in the combinations of house hold objects such as the sculpture Husqvarna / Art Déco N ° 1 (2012): in this work, the two objects, that are incredibly different one from another and belong to different decades fluctuate one on top of the other without ever touching each other evoking what Lavier calls the «failure of the ready made».

, now at the Pump House Gallery in Battersea Park, London, is a touring exhibition involving five artists, Dorothy Caldwell, Saidhbhín Gibson, Celia Pym, Freddie Robbins and Karina Thompson, each of whom brings their own approach to an investigation into damage and repair, disease and medicine, and the healing and restoration of landscapes, bodies, minds and objects through stitch and other media.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Cho's work has been reviewed and featured in numerous publications, among them Textile Fibre Forum (Australia); Fiberarts; Surface Design Journal; American Craft; Monthly CRART (South Korea); Fiber Art Today (Schiffer Publishing, Ltd.); Masters: Art Quilts (Lark Book); Quilt National 2003: The Best of Contemporary Quilts (Lark Books); Contemporary Quilt: Quilt National 1997 (Lark Books); No: Nouvel Object (Design House, South Korea); Art & Craft (South Korea); Fiberarts Design Book IV, VI & VII (Lark Books); and Art Textiles of the World: USA (Telos Art Publishing, England), among others.

For your degree show from the Royal College of Art last year, you bravely chose to exhibit your work in the art school's café area, filling it with bespoke tables, chairs and shelving units containing other textile, ceramic and wood objects as well as house plants poking out of a decoratively shaped hole in the wall.

This interdisciplinary series features engaged looking and active discussion about art and other objects housed in Brandeis collections.

In other works, the art objects themselves have been reproduced, recalling the likes of Josef Albers» square compositions, Yinka Shonibare's headless figures, Giovanni Anselmo's concrete and lettuce forms, Erwin Wurm's House Attack (2006) and Alexander Calder's suspended sculptures, among others.

«House Party,» integrates audio from Esther Ferrer, the 81 - year - old Spanish performance artist, and pieces made in response to the audio objects by other invited artists, including grotesque stuffed jars and textiles.

His past works give some indication of just how far he is willing to stretch the definition of sculpture in order to reshape the contours of our world: he has grafted human obesity onto everyday objects to create a series of «fat» cars and houses; asked passerby to lift their skirts, take off their trousers, lie on beds of fruit or stick pencils in their noses and ears to make «one - minute sculptures»; carried the curator of a museum around in his arms in a piece entitled «Be Nice to Your Curator»; and created houses that are fat, narrow, upside - down, drunk or inclined to attack other buildings.

Gary Hume is well known for his paintings in glossy house paint on sheets of aluminium, while Damien Hirst's work trades on objects familiar to us in other contexts: ashtrays, medicine cupboards and large glass showcases containing animals in formaldehyde.

From the town to Collezione Maramotti, the posters lead us toward the exhibition space, where every room presents a single work that creates a relationship between «objects» belonging to the history of the location (the first Max Mara factory, now housing the Collection) and other elements linked to a much wider story, not solely Italian, by creating «stopovers» in an itinerary that can be assembled at will by viewers.

The work continues the artist's practice of creating sculptures of drawings of everyday objects; in 2014, he filled the gardens of Chatsworth House with «pictorial illusions» of a pitchfork, gate and stiletto shoe, among others.

At the time, while I recognized in the installations in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other domestic waste, and scrapped vehicles on the one hand and natural outdoor settings or orderly exhibition rooms in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.

Other references are more obscure: Rasputin's fingernails are presented in a vitrine in a chamber built like a tree house (you have to climb a ladder to get to it), and it is pretty difficult to concentrate on the vitrine of objects related to polar exploration, which are on loan from the Royal Geographic Society, because there's a DVD of The Cure's Greatest Hits blaring over it.

You can take the run off (either via spout at bottom or if system on a tilt and make great biological living microbiome worm castings that really enrich soils through increased moisture retention & a complex microbiome or use the tea for feeding house plants, veggies or any other place you might have someone object to urine fertilizer, which is not balanced but high in Nitrogen.

If trees or other objects shade the house or it's in an area that doesn't get a lot of sun, a solar system will produce less power.

Make sure your grill is set up in a safe location, away from houses, trees and any other flammable objects.

Everything that helps make your house safer belongs to cash savers in this case: removing trees and other objects from striking distance of your house, equipping your home with alarm systems, smoke detectors, deadbolt locks, etc..

Standard Utica renters insurance will take care of the costs incurred to any moveable objects in your rental house including clothing, furniture, electronics, jewelry, paintings, rugs and any other moveable objects.

Contents insurance will pay to replace or repair objects such as jewelry, clothing, computers, textbooks, paintings, area rugs, furniture, and electronics and other moveable items (or contents) in your housing unit.

One part art - house film, one part nature documentary, one part guided meditation, Everything asks you to contemplate your place in the universe by experiencing the point - of - view of hundreds of other creatures, plants, and objects.

Most of the time, Brachman, who has had as many as four other practitioners work a joint open house, says the listed units are a different size or in another location within the complex, so sellers don't object to her working with the competition.

Some houses are decorated all in one go; others evolve over time, developing a layered look as their owners build up a collection of furniture and objects that reflect the way they live.