Sentences with phrase «other objects in the room»

His palette comes from Crayola: this time the paintings were done in a Pepto Bismol pink that also covered the walls and most other objects in the room.

Once it heats up, it radiates heat to other objects in the room.

And if you have wood furniture of a certain color (mine is dark mahogany) should you think about picking up that color in some of the textiles and other objects in the room?

Not exact matches

Lets say you find yourself in the middle of a large room that as far as you can see is completely void of any object other than yourself.

So, it's really keeping them out of those areas and setting up the areas for your older children that they can play in, with those toys like the Lego's or you know the dolls or the clips and stuff that have little objects and then they have other areas where the older child can play with the younger child for age appropriate toys, so that they can play together by keeping the non - age appropriate toys either in a separate room or in that older child's room so that you can keep them separated and not necessarily have to baby proof that older child's room, because It's gonna be nearly impossible to do.

In addition, studies done in other cultures about the effects on children of nighttime child - rearing practices have shown that attachment object use was less common when children slept in the same bed or in the same room as their mothers and were breastfed longer (Gaddini & Gaddini, 1970; Hong & Townes, 1976; Litt, 1981In addition, studies done in other cultures about the effects on children of nighttime child - rearing practices have shown that attachment object use was less common when children slept in the same bed or in the same room as their mothers and were breastfed longer (Gaddini & Gaddini, 1970; Hong & Townes, 1976; Litt, 1981in other cultures about the effects on children of nighttime child - rearing practices have shown that attachment object use was less common when children slept in the same bed or in the same room as their mothers and were breastfed longer (Gaddini & Gaddini, 1970; Hong & Townes, 1976; Litt, 1981in the same bed or in the same room as their mothers and were breastfed longer (Gaddini & Gaddini, 1970; Hong & Townes, 1976; Litt, 1981in the same room as their mothers and were breastfed longer (Gaddini & Gaddini, 1970; Hong & Townes, 1976; Litt, 1981).

There is clear evidence that the risk of SIDS is associated with the amount of clothing or blankets on an infant and the room temperature.182, 218,294,295 Infants who sleep in the prone position have a higher risk of overheating than do supine sleeping infants.182 It is unclear whether the relationship to overheating is an independent factor or merely a reflection of the increased risk of SIDS and suffocation with blankets and other potentially asphyxiating objects in the sleeping environment.

Water bottles and other objects were hurled across the room in some of the worst fighting ever seen in the Turkish parliament, in a new sign of the severe political tensions in the country.

The MP did not object — she and dad got on well - but other people objected on her behalf and, although what goes in in the Tea Room would normally stay in the Tea Room, the feminists of Fleet Street had a field day.

Some of the children will quickly reorient themselves in the room and find the object, whereas others will not.

Events for the younger set included a tour of «the fourth dimension» — a room full of hypercubes and other higher dimensional objects that gave me a touch of vertigo; a chamber of robots that you could teach to play football; a demonstration of forensic science involving (real) guns and a (fake) cadaver in a staged crime scene; a live cooking show in which physicists, chemists, and anthropologists explained the science and origins of food; and a walking tour through the natural history of excrement featuring — you guessed it — a dizzying array of animal feces.

When we're seeking to craft a meditation nest conducive to self - growth and happiness, the intentional decisions we make in terms of decor, altar objects, and other design choices can help us raise the room's vibration.

As blue objects and art started to fill my home, I tried to keep other colors subdued — especially in rooms meant to be more relaxing, like the bedroom.

Online Dating at Australia's Premier Greek Dating Site An office is generally a room or other area where administrative work is done by an organizations users in order to support and realize objects and goals

An office is generally a room or other area where administrative work is done by an organizations users in order to support and realize objects and goals

Learn More An office is generally a room or other area where administrative work is done by an organizations users in order to support and realize objects and goals

Posters and other images or objects on walls or in the rooms are great to capture students» attention.

If your hot water heater is normally located in, or next to, a room with expensive flooring or other hard - to - replace materials / objects - consider asking your plumber to move it.

Even if you don't live in an area that's vulnerable to earthquakes, floods, tornadoes, and other natural catastrophes, designate a safe room in your home that's free from potential hazards like broken windows and flying objects.

The activity takes place in a real - life room, which is a room with a couch, chairs, and other objects commonly found in a home.

She may build a nest, which often includes shredding paper and fabric, hoarding a private area of the room, and adopting a «pup» in the form of a shoe, stuffed animal, or other available object.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

- get Public Works tasks from Isabelle - early on you'll have to build a school - choose the outside look from a selection of options then work on the inside - inside includes work on benches, lockers, tables and more - later you'll work on a hospital, cafe, a shop and more - the hospital tasks you with working on multiple rooms - use the stylus to drag and drop items into the playing field - tap the object to change the perspective and move them all easily to somewhere on the grid - drag the characters around as well - tapping on the D - Pad lets you change the camera angle - move around with the Circle Pad and interact with others by pressing the A-button - the plaza is where old and new animals are gathered - a speech bubble above a head denotes requests - once you've wrapped up the development of a property, a scene will play where the animals interact with the property - animals will say specific things when they are in stores / school or comment on things that are placed around the house - throw in your own favorite characters by purchasing amiibo cards - scan them and they will enter the house or scene - cards also give requests from characters before you even meet them in the game - some characters are exclusive to the cards - put data back on the card and give that information to the friend

Apart from the traditional choice - driven narrative, players must physically interact with Asuka through the Joy - Cons; what's bound to be perceived to some as a grave misuse of hardware - or the most ingenious use of HD Rumble to others - players may gesture to hold hands with Asuka, interact with objects on - screen, massage parts of her body, or do other lewd things in the Dressing Room.

Individual collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

While the activity in room A explored some aspects of sex — concentration, fantasy, exclusion, inclusion, shame, regression — room B was concerned with hate and fear, savagery, domination and resentment expressed through others while Acconci remained the passive object of these emotions.

These works, like «Providence Spirits (Gold)» (2017), are the most lovely objects in the show and are meant to stand out as carry horses for the metaphor of wealth and the gap between the lives these heavily aestheticized and finely crafted paintings represent and the lives (alluded to in other rooms) that are deemed worth significantly less.

The finest of the later paintings is The Italian Straw Hat (1952), a tensely rendered depiction of a room in the artist's house, which includes, among other things, the title object, a sewing basket, and a Calder mobile.

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

For instance, in a small side room, US artist Dario Robleto's Setlists for a Setting Sun (The Crystal Palace)(2014) and The Sky, Once Choked with Stars, Will Slowly Darken (2011) are comprised of, among other minerals and objects, sea urchin teeth, homemade crystals, glass domes, audio recordings and mica flakes (which can be found in the mountains of New Mexico).

In other words, viewers no longer focus on an object atop a pedestal placed within the open space of a room as they do in regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a wholIn other words, viewers no longer focus on an object atop a pedestal placed within the open space of a room as they do in regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a wholin regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a whole.

Twenty - eight - year - old Mack recently relocated his studio from a room within the Studio Museum in Harlem, which he occupied as part of a yearlong residency, to a sprawling space in the Bronx, scattered with paint, peg boards, packing blankets, umbrellas, and other sundry objects, all fodder for his visceral sculptures and wall - hangings.

From 1988 to 2005 a programme of restoration within the Museum was carried out under Peter Thornton and then Margaret Richardson with spaces such as the Drawing Rooms, Picture Room, Study and Dressing Room, Picture Room Recess and others being put back to their original colour schemes and in most cases having their original sequences of objects reinstated; Soane's three courtyards were also restored with his pasticcio (a column of architectural fragments) being reinstated in the Monument Court at the heart of the Museum.

The Dante Hotel invited the public to imagine the life of fictitious individuals through personal and other objects left behind in a hotel room.

Just as her large - scale paintings of Mickey Mouse, Batman, and Homer are mirrored in the source material photographs in the next room, they are similarly mirrored by the various lunch boxes, posters, and other objects that permeate our lives.

A sculpture comprised of a cut - out of a muscular, young Karl Largerfeld and a small pile of dried beans can be placed in the gallery in such a way that the object flattens, merging with the other assemblages in the room.

The oversized wine glasses, blown - up hands of grandfather clocks, and other random objects are feel somehow completely necessary in the room.

From the town to Collezione Maramotti, the posters lead us toward the exhibition space, where every room presents a single work that creates a relationship between «objects» belonging to the history of the location (the first Max Mara factory, now housing the Collection) and other elements linked to a much wider story, not solely Italian, by creating «stopovers» in an itinerary that can be assembled at will by viewers.

You will be given dot stickers of different sizes and colors, and you may stick them onto the walls and other objects in the all - white room.

Called «Triple Point (Planetarium),» a constellation of materials — photographs, drawings, tripods and other objects — will be in an installation similar to the one that occupied the first room of the pavilion.

However, central to Mahon's performative practice is an almost unwavering focus on the immediate present, and so external factors such as the audience members in attendance on a particular day, or indeed insects flying in from an open window become just as important as other inanimate objects in the room.

What's on view: The gallery, which is separated into two exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.

And it was like a functioning apartment with a kitchen, living room, bedroom, and other objects in it.

At the time, while I recognized in the installations in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other domestic waste, and scrapped vehicles on the one hand and natural outdoor settings or orderly exhibition rooms in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.

Kenny Schachter ROVE, London Props & Propositions, Cleveland Institute of Art, Cleveland, Ohio 2004 Five Ways to Say the Same Sadness, University Art Museum, University at Albany, New York eRacism: electronica, Contemporary Art Museum St Louis, St. Louis, Missouri reFunkt: prints & dvds, The Project, New York eRacism, Rutgers University, New Brunswick, NJ; traveled to Artists Space, New York 2003 Foddah, Drew University, Madison, New Jersey Some: Of Place and Desire, ArtHouse, Austin eRacism, DiverseWorks, Houston, TX; traveled to Portland Institute of Contemporary Art, Portland 2002 What's Inside a Boy, The Project, Los Angeles eRacism, ICA at Maine College of Art, Portland Incontinent, Wood Street Gallery, Three Rivers Arts Festival, Pittsburgh, Pennsylvania 2001 Hole Theory, The Project, New York 2000 Eracism: White Room, ThreadWaxing Space, New York The Hole Inside The Space Inside Yves Klein's Asshole, Concordia University, Montreal Eating The Wall Street Journal And Other Current Consumptions, Mobius, Boston 1998 Recent Work, The Project, New York 1996 Buddy Performance Objects, with Jim Calder, Touchstone Theater, Bethlehem, Pennsylvania 1993 William Pope.L, Horodner Romley Gallery, New York 1992 William Pope.L, Drew University, Madison, New Jersey 1991 How Much is that Nigger in the Window, 30 performances, writings and installations, Franklin Furnace, New York

Featuring an image of an object that appears often in Anthea's work - there was a wavey boot the other side of the big bum in her room at last year's Turner Prize.

While it is the largest object in the room, the work has an airy presence that doesn't demand the same attention as other, more gritty works in the exhibition.

A «Berlin room» shows off works made for or in the city: Francis» huge abstract expressionist painting «Berlin Red,» commissioned for the city's Neue Nationalgalerie in 1969; and Kienholz» «Volksempfaengers,» made up of radios and other objects from Berlin junk shops and flea markets.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

If a chair is brough in from the cold into a room at 25C then placed in the centre, at least 5 2 metres from any other object, that chair will reach the equilibrium of the atmosphere, not the radiation from other objects, as those objects are already thermalised with theh atmosphere and aren't giving off much radiation.