This counterpoint of our emotional life may be conjured up in a powerful way by Mahler's
music, but its apparent directness may
obscure its complex roots in diacritical relationships which the various musical forms bear to each
other.
«It is in fact the case that you will
obscure your talent by allowing yourself to be pimped, whether it's the
music business or yourself doing the pimping... Nothing but harm will come in the long run, from allowing yourself to be exploited and it is absolutely NOT in ANY way an empowerment of yourself or any
other young women, for you to send across the message that you are to be valued (even by you) more for your sexual appeal than your obvious talent.»