Sentences with phrase «other on the abstract paintings»

Not exact matches

On the other hand, a Lucien Smith rain painting, despite the seemingly endless hype for the abstract painter, left the block without an owner.

But, on the other hand, there is also the energy, seriousness, and resolve of classic abstract painting.

Some of these paintings, abstract or monochromatic, dwell comfortably in the language of their medium, but others flirt with photography and textile pattern printing, perhaps an «oblique» reference to painting's material connection to textile: paint and color on canvas or linen.

The yellow wall behind her and the other two at this gathering, where the woman in the middle is pouring tea for the gentleman on the right, is decorated with generic abstract paintings.

Avery's daring color juxtapositions and abstracted depictions of classic subject matter exerted a highly important influence on Post-War American painting and anticipated the works of Mark Rothko and Adolph Gottleib, among others.

I think the thought depends on being at a greater distance from the early 20th century, that while Reinhardt and everyone else could not imagine abstraction (whatever he may have said to the contrary) other than as a struggle to find what an abstract as opposed to a representational painting really might be and do, is no longer the case.

Continuing the Warholian reference, on show will be a series of large scale unique silkscreened portraits of the artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based on Warhol's urine oxidation paintings, abstract works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.

The way the paint was applied to the canvas, or dripped on it, gave his abstract expressionism a level of distinctiveness in the similar way his personal life was different from other artists.

I may yet remember Jason Gringler's shattered mirrors as painting from Stefan Röpke in Cologne, Sheila Gallagher's painting in plastic from Dodge, Rachel Beach's abstract sculpture of reclaimed wood from Blackston (like Dodge, on the Lower East Side), videos by Araya Rasdjarmrearnsook of art students from Tyler Rollins, or Patrick Jacobs's peepholes onto constructed other worlds from The Pool NYC.

Even dedicated fans of his work have inevitably faltered at one or another of his forking paths over the past twenty years, while Bradley, on the other hand, shifts gears without pause: from starkly minimalist to gestural abstract paintings with stops in between, from discomfiting assemblage sculptures to boldly graphic silkscreens, and from jagged, sometimes comic drawings to obdurate geometric sculptures.

While Butler's article focuses on abstract painting, many of her ideas and the ideas she cites can be applied to other mediums.

Alongside the exhibition, pioneering works by Gerhard Richter from the collection of the Museum Ludwig are being presented, including icons such as Ema (Nude on a Staircase) from 1966, 48 Portraits of German intellectual figures from 1971/72, the abstract painting War from 1981, and the glass work 11 Panes from 2003, among others.

Though Greene does do landscapes, aerial landscapes, and other figurative work, it will be his abstract paintings on display in Clifton Springs.

'» At a time when abstraction remained on the fringes of the art world, the group aimed to «foster public appreciation of [abstract] painting and sculpture,» and grant «each artist an opportunity for developing his own work by becoming familiar with the efforts of others.»

On the other hand, we were greeted by the strange miniaturist refinements of Kai Althoff, who made a very powerful impact with a group of small paintings and drawings, some of them abstract.

He went through his black and white phase, and came out the other side in the late 1970s making paintings and prints of utter clarity, but which reintroduced colour, built up paint in low relief and explored once more the illusion of three dimensions, suggesting volume and spatial depth in what could look a little like a late - century and cheerier abstract take on Giorgio de Chirico's bleak city centres in lovely, hard colours.

Soon after the month - long Corcoran Gallery solo exhibition, Jane Frank began to apply not just spackle but a variety of other materials - sea - weathered or broken glass, charred driftwood, pebbles, what appears to be crushed graphite or silica, and even glued - on patches of separately painted and encrusted canvas (canvas collage)- to her jagged, abstract expressionist paintings.

On the other end of the spectrum was Spanish artist Miguel Angel Garcia's pigment print View from the Empire State building Looking South, a scenic photograph abstracted by the painted red highlights of water towers throughout the city view.

Bradford's monumental painting My Grandmother Felt the Color, 2016, is currently on view at the BMA in a gallery dedicated to social abstraction, alongside other artists who have turned to abstract imagery to convey the humanity, complexity, and ongoing impact of specific cultural experiences, such as Jack Whitten and Ross Bleckner.

When Gates was making them, he was reflecting not only on his father's tar kettle but also on the abstract painting of Jasper Johns and others, art considered the high - water mark of American modernism.

Being fortunate to have been residing on the East Sussex coast and now the Ayrshire coast together with his world travels inspires Stuart to create his abstract paintings and other contemporary art.

My abstract art is conceived from my life experiences and observations then developed depending on my mood and other differing influences like listening music while I paint.

A small, flat silhouette in the shape of a vessel is painted on one side with a nude female Venus figure, and on the other side with abstract patterns in washy colors — a careful method with a quick look inherited from Modern painting masters.

In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products.

His abstract line drawings, on the other hand, bring to mind the contours of pre-Columbian Mexican pottery, as well as the stylized, repetitive shapes common to the paintings of Chicago imagists Roger Brown, Christina Ramberg, and Jim Nutt.

This includes paint (another tool at her disposal); Color Field painting; the brushstroke, squiggle, and line; Chinese and Japanese art; Indian miniatures; abstraction; figuration; abstract illusionism; inspirational posters; children's book illustrations; greetings cards; thrift store merchandise; wheels from bicycles, go carts, and strollers; buttons; embroidery and appliqué; mythology; essays on other artists.

Rauschenberg moved on to make his most perfectly abstract works since the white paintings more than 20 years before: the «Jammers,» bannerlike geometrical compositions — often supported by rattan poles — that used gorgeously dyed monochromatic silks and other fabrics he'd found while visiting India.

This show is a collection of abstract acrylic paintings on paper - some very large and others quite small.

In this exhibition six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their recent paintings to be shown alongside works by other artists who have had a significant impact on their thinking and the development of their practice.

September 24 - October 29, 2011 MINUS SPACE is delighted to present the exhibition Ted Stamm: Paintings, an overview of paintings, works on paper, street interventions, and other materials by the late NYC - based abstractPaintings, an overview of paintings, works on paper, street interventions, and other materials by the late NYC - based abstractpaintings, works on paper, street interventions, and other materials by the late NYC - based abstract painter.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love StorOn the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Storon the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

«Air Mail Stickers» will now be in the opening exhibition, along with other recent acquisitions by artists who are not American by birth but have resided here, including «July 4, 1967,» the Whitney's first work by the Japan - born conceptualist On Kawara, or «Blanco y Verde,» an abstract painting from 1959 by Carmen Herrera, the 99 - year - old Cuban - born artist, who now resides in Manhattan.

Other highlights include the opening of an installation exhibition on the theme of «migration» in East Hampton and a solo show of abstract paintings in Quogue.

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

Enlarged and photoshopped, it has been stripped of its colours and put on the ground together with other materials causing the image to lose its original meaning and reminding us of abstract painting without actually being one.

In his most recent multiple works he has combined an abstract painting with its copy by mounting one on top of the other in a type of Siamese twin orientation.

The climax of «Rift Raft» was the massive diptych of the same name (above)-- more than 18 feet wide — on one side depicting the recent wave of immigrants struggling to come ashore in Europe, and on the other, a privileged bubble of female nudes, abstract paintings and art dealers looking at their phones.

Thus, some paintings border on recognizable «pretty» bouquets, while others appear wild, aggressive, and totally abstract.

Explore this magical collection of glass sculptures, then look for other inspiring color combinations in abstract expressionist paintings on the Museum's third floor.

On the 6th floor lobby and inside the painting classroom paintings depicting various imagery — some more abstract than others — are hung on the walls while sculptural paintings are positioned around columns and placed on the floor and hung from the ceiling creating a maze of workOn the 6th floor lobby and inside the painting classroom paintings depicting various imagery — some more abstract than others — are hung on the walls while sculptural paintings are positioned around columns and placed on the floor and hung from the ceiling creating a maze of workon the walls while sculptural paintings are positioned around columns and placed on the floor and hung from the ceiling creating a maze of workon the floor and hung from the ceiling creating a maze of works.

Ethel Lebenkoff pushes painting still closer to stripped - down images from life on the hand and abstract painting on the other.

Many others of the New York based abstract expressionists went on to explore and create black and white paintings: Pollock, Motherwell, Barnett Newman and Franz Kline.

Using traditional oil paints, epoxy resins, house paints and other mixed media, his abstract variations range from small explorations on paper to large - scale paintings.

In Forms 1, irregular, roughly geometric forms in four loose columns situate themselves on a grey ground, which looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final colour... Here, Parsons does not take some real world starting point and abstract from it in the process of representation, rather she invents by pushing the paint about on the canvas until forms suggest themselves.

The paintings are based on an abstract grid composed of circles, some of which are self - contained while others are fused into «peanut - shaped» groups of two or more.

Viewers got to see Hayuk's colorful, layered weave paintings that balance between tradition, psychedelic, strict geometry and abstraction, Revok's abstract geo - based works inspired by patterns and waste materials from urban environments, Peterson's signature b / w visions of power struggles and conflicts in the society, and Deiana's meticulous ball point pen on paper works that create abstraction out of textures, TV static and other everyday occurrences.

But then, on the other hand, you know, I met recently the daughter of Arshile Gorky, and she told me that the color schemes of his abstract paintings are absolutely like Armenian rugs.

We will be presenting a work on paper by Mark Rothko from 1957, a suite of prints from the 1960s pop series by Roy Lichtenstein and a classic black and white work from 1955 by the abstract painter Franz Kline as well as two early works by Andy Warhol from 1964, one an iconic painting from his Electric Chair series, the other a silkscreen on paper from the Race Riot series.

A painter, sculptor, and printmaker, Sultan is regarded for his ongoing large - scale painted still lifes featuring structural renderings of fruit, flowers, and other everyday objects, often abstracted and set against a rich, black background; but he is also noted for his significant industrial landscape series that began in the early 1980s entitled the Disaster Paintings, on which the artist worked for nearly a decade.

Realized by Color Field artist Sam Gilliam, this unique painted work layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.