In the late 1970s Stella broke with the hard - edged style of his previous work and began to produce sensuously coloured mixed - media reliefs that featured arabesques, French curves, and
other organic shapes.
The finely detailed, hand - painted miniature patterns in gouache an unusual visual register to the transparent watercolors, layering silhouetted bodies in sinewy vines and
other organic shapes, and confusing traditional distinctions between figure and ground.
The finely detailed, hand - painted miniature patterns in gouache add an unusual visual register to the transparent watercolors, layering silhouetted bodies in sinewy vines and
other organic shapes, and confusing traditional distinctions between figure and ground.
At tony art galleries in Hong Kong and London, patrons gladly pay up to $ 4,500 for photographs of images that evoke seashells, ferns, bacteria, and
other organic shapes.
Not exact matches
Furthermore they implement projects, with global and regional partners, which facilitate conversion to
Organic Agriculture, empower local stakeholders and strengthen supply chains as well as help raise consumer awareness and
shape the future of the
organic sector by training a new generation of leaders through our
Organic Leadership Courses and
other services.
This means that, among
other things, the industry will be discussing which ideas the «next generation of the
organic industry» should use to further develop the
organic movement in production and on the market, and how the generational transition can be
shaped successfully.
* 1 sugar pumpkin, or
other sweet variety (not a carving pumpkin), about 5 pounds (I used an
organic sugar pumpkin) * Sea salt * Freshly ground black pepper * 1 tablespoon olive oil * 1/4 pound mild Italian pork sausage (I used
organic sausage) * 4 ounces elbow macaroni (I chose a different pasta
shape, and used
organic pasta) * 5 ounces Fontina, cut into 1/4 - inch cubes * 2 ounces Gruyère, cut into 1/4 - inch cubes (I used Provolone instead) * 3 scallions, diced * 1 teaspoon chopped fresh rosemary (I omitted this) * 1 teaspoon chopped fresh thyme * 1 teaspoon chopped fresh sage * 1 cup heavy cream (I used raw milk instead)
Despite these hurdles, several years ago the team discovered chlorobenzene, a ring -
shaped molecule containing six carbons, along with
other chlorinated
organics, using a sample from a mudstone Curiosity drilled at Yellowknife Bay near its landing site in Gale crater.
Artist Laurie Nye's
other - worldly paintings filled with omnipotent female cyborgs and
organic geometric
shapes feature at the current group show at The Dot Project in London.
assumes a sort of
organic geometry, with portions of dyed fabric cut into rectangular and square
shapes whose colors bleed into each
other.
Though it also sports burn - marks and blemishes, the composition of Opus assumes a sort of
organic geometry, with portions of dyed fabric cut into rectangular and square
shapes whose colors bleed into each
other.
Other times it is embodied in an
organic shape weaving its way through rigid lines.
Drawing from biomorphism and minimalist sculpture, along with Neo-concretism and
other Brazilian vanguard movements of the 1960s and»70s, Neto incorporates
organic shapes and materials that engage all five senses, producing a new type of sensory perception that renegotiates boundaries between artwork and viewer; the
organic and the manmade; and the natural, spiritual, and social worlds.
Diverse as ever, McLean's select exhibition contains two mixed media works; presented on the ground floor of the gallery, the Untitled paintings are comprised of dense, black
organic shapes that veer to the abstraction on neutral backgrounds, adorned with daubs of coloured paper that on some sides have been hastily cut and
others impatiently ripped, a nod to the rebellious humour of McLean who's body of oeuvre comprises witty sculptures made of rubbish and even his own body.
«The Cherry Tree III,» an aquatint with drypoint and etching, comprises vertical leaning lines and
other geometric and
organic shapes in the colors of nature against a background of pink and orange.
Geometric abstraction features the arrangement of simplified
shapes, while
organic abstraction describes pictures with forms that resemble plant, animal, or
other living matter.
In Gregory Wright's paintings,
organic shapes represent bodies of information that move about, morph, combine, and reemerge into something
other than their original state.
Above all, his forms pay tribute to the works of
other modernist sculptures, echoing the
organic and abstracted
shapes of Barbara Hepworth's, or the deliberately disproportional, undulating and imperfect reclining forms of Henry Moore.
The composition of
organic shapes, inflected with polka dots and
other patterns, has a 1950s vibe.
Picasso may be a touchstone but so are the
shapes of leaves, waves, clouds and
other organic elements as evidenced in Pas de Deux (2013).
Taking her patterns from disparate sources — sometimes textiles, sometimes foliage or
other natural forms — the artist embraces repetition but eschews absolute precision, leaning instead toward an
organic, charmingly imperfect progression of
shapes.
On The
Other Side at Kunstmuseum Winterthur — a compact gallery with big ideas, which in recent years has hosted exhibitions of work by such major names as Édouard Vuillard, Gerhard Richter and Richard Hamilton — is restricted to works in wood, metal and ceramics used in
organic and constructed
shapes
These windows also dissolve into each
other, and ghostly
organic shapes appear within them, forming bright white silhouettes — both visual apertures and obstructions.
In contrast, two of the artist's work intricately traces haptic gestures, with a nod toward disappearing landscapes and lost language: Inga Dorosz» drawings track and map recognizable renditions of trees and
other organic forms, yet the tiny line work pixilates and separates the scenes like disappearing data; Léonie Guyer's small works remove information further — little abstract
shapes are like punctuation that has lost its conversation and therefore its purpose, yet they remain like memories of forgotten stories.
While Cellule No. 6 is nearly a cube and Cellule No. 5 is cylindrical, the
others have more
organic shapes, again dictated by intended usage of the spaces they contain.
Juxtapositions of skin, clay, soil, and
other organic elements compose flat digital
shapes, which the artist repositions on pedestals and as wall pieces that perform a gestural migration throughout the space.
And you have this aspect of Freud, with this kind of mound of Play - Doh and the way that the
organic shapes are on top of each
other.