Sentences with phrase «other painting techniques»

The various layers create a sense of depth and allows for a certain play with light unavailable in other painting techniques.

This is no different than with any other painting technique.

Not exact matches

Painted in 1939, just before the outbreak of World War II, it then represented a new line for Picasso, whose abstract techniques have done more to influence 20th century painting than that of any other artist.

With this eBook, kids can master different painting techniques as they create DIY wall art and other fun decorative crafts.

The people who do research to work out the right temperature and humidity levels to keep paintings, manuscripts, and other artifacts in good condition are generally physical scientists with expertise in particular analytical techniques.

New scientific techniques have helped identify different materials used in mummification and have helped identify the components of paints, glues, and other materials.

Some are painted or drawn, and others, drawn with the fingers in the soft walls, are more elaborate and akin to a technique called finger - fluting familiar from Palaeolithic rock art in southern Europe.

On 24th June, Annie Sloan herself will be showing our paints and techniques amongst other greats.

With stalls from other passionate crafts people and experts, Annie Sloan herself will be showing her paints and techniques amongst other greats.

Annie Sloan herself will be showing our paints and techniques amongst other greats.

With stalls from other passionate crafts people and experts, we will be showing our paints and techniques amongst other greats.

Shiny things in my case are mostly new crafts, techniques (like matte painting or fusing cakes) or other things I've never tried before.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

Students will: • Produce creative work, exploring their ideas and recording their experiences • Become proficient in drawing, painting, sculpture and other art, craft and design techniques • Use a range of techniques to record their observations in sketchbooks, journals and other media as a basis for exploring their ideas • Use a range of techniques and media, including painting • Increase their proficiency in the handling of different materials For more Champions of Change lesson plans and materials for BBC Children in Need, visit and our Tools and Resources pages to download directly: https://www.bbcchildreninneed.co.uk/championsofchange/resources Thank you.

Straight stitches take on an aesthetic all their own in this look at quilting picturelike textiles via embellishments from paint, embroidery, and other stitchery techniques.

Butler writes that Deleget «has never been particularly interested in traditional painting approaches such as wet - on - wet and glazing, color mixing, or other techniques that create the illusion of three dimensionality.

Most artists until this turning point painted according to Classical Realism methods, using realistic perspective, shading, and other techniques to create recognizable scenes and subject matter.

Pollock studied under Thomas Hart Benton before leaving traditional techniques to explore abstraction expressionism via his splatter and action pieces, which involved pouring paint and other media directly onto canvases.

Gaitonde's highly individual technique involved multiple layers of paint, some translucent, others opaque.

«Border Theory» revives painting techniques pioneered by Helen Frankenthaler, Morris Louis and other Color Field painters in the 1950s and 1960s.

While I am borrowing his composition, it was not my intention to use his method of paint handling other than trying his technique of Sfumato and adhering to his color palette.

Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy.

Eliav's practice involves a complex relationship with other works of art, following a process that includes digital reworking, reproduction and distortion, alongside traditional oil painting techniques.

Paintings rendered with the Overlay technique - mainly from The 1920s and «30s - predominated In the show at Michael Werner, perhaps because that Style became more genuinely Picabia's own than any of the others.

And his processes as a printmaker lie well outside conventional techniques: he rarely printed a plate the same way twice, often painted over his prints, cut down and repurposed his plates for other images, and experimented with grounds and unusual supports, including fabric.

ARQUETOPIA, Publa, interior view EXAMPLES OF TECHNIQUES WE OFFER (BUT NOT LIMITED TO THESE) Drawing • Painting • Natural pigments (cochineal, indigo, and other pigments) • Paper • Printmaking • Graphic design • Textiles • Mexican textiles (weaving, embroidery, back - strap weaving) • Sculpture • Ceramics • Mexican ceramics (Talavera, loza vidriada) • Gold leafing and antique art techniques • Wood carving • Performance • Ephemeral (including food and other perishable materials) • Photography: digital photography and alternative photographic processes • Digital media • Design and illustration RESIDENCY PROGRAMS WE OFFER (CLICK EACH FOR INFORTECHNIQUES WE OFFER (BUT NOT LIMITED TO THESE) Drawing • Painting • Natural pigments (cochineal, indigo, and other pigments) • Paper • Printmaking • Graphic design • Textiles • Mexican textiles (weaving, embroidery, back - strap weaving) • Sculpture • Ceramics • Mexican ceramics (Talavera, loza vidriada) • Gold leafing and antique art techniques • Wood carving • Performance • Ephemeral (including food and other perishable materials) • Photography: digital photography and alternative photographic processes • Digital media • Design and illustration RESIDENCY PROGRAMS WE OFFER (CLICK EACH FOR INFORtechniques • Wood carving • Performance • Ephemeral (including food and other perishable materials) • Photography: digital photography and alternative photographic processes • Digital media • Design and illustration RESIDENCY PROGRAMS WE OFFER (CLICK EACH FOR INFORMATION) 1.

Her early work features trompe - l'oeil techniques and paintings often complement each other and their environs.

In the late 1940s, Ossorio developed wax - resist technique, building up a rich visual vocabulary in layers of wax, black ink, water - based paintings, and other drawing materials.

Other shock tactics are used: emptiness (large canvases painted a solid color, with a thin line running down the side), pornography and scatology, lack of painting technique, or abstract non-representation carried to an extreme (see page 57).

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

One of the largest exhibitions MoMA has ever lavished on an artist, the Polke show — titled «Alibis» — will serve as a vital introduction to his work (which most Americans have only seen in dribs and drabs) and help viewers understand how his early importation of Pop techniques helped shape the work of Kippenberger, Oehlen, and the other standard - bearers of visionary postwar German painting.

In addition to Laura Owens's untitled (2016), other works in the exhibition that combine digital and hand techniques to introduce network themes onto the canvas include a pair of untitled paintings by Albert Oehlen (2008) and Avery Singer (2015), and a series of Chat Paintings produced in oil by Celia Hempton in 2015 paintings by Albert Oehlen (2008) and Avery Singer (2015), and a series of Chat Paintings produced in oil by Celia Hempton in 2015 Paintings produced in oil by Celia Hempton in 2015 and 2016.

He has restored paintings from the collections of the Frick Collection, the Isabella Stewart Gardner Museum, the Rijksmuseum in Amsterdam, and the Yale Center for British Art, among many others, and has published extensively on topics relating to conservation study, treatment, technology, and technique.

Other artists, such as Helen Frankenthaler were well known for the technique of soaking the paint into the untreated canvas.

Determined to explore Frankenthaler's innovations, Louis and Noland returned to Washington and, along with other members of their circle, began experimenting with this stain - painting technique.

His nudes, on the other hand, reveal echoes of the past, as can be seen in the small series made in 1997 which comes back to life in the rectangular outlines of a canvas and in the change of technique to oil painting.

In the mid-1920s, he experimented with soft - focus, etching, Bromoil Process, and other techniques of the pictorial photographers such as Alfred Stieglitz who attempted to produce photography on an equal artistic plane with painting by trying to mimic it.

With a range of traditional and nontraditional materials, including acrylic and oil paint, ceramic, paper, canvas, carpet, and larvae, as well as varying techniques — from painting, pouring, cutting to burning — the artists employ different degrees of chance, and some more than others.

Painting is just one of McKenzie's tools: she also works in design and fashion, but here she uses illusionary techniques to great effect to comment on, among other things, architecture and how it can shape our experience of the world.

These prints represent all manner of special processes and innovative techniques in printing — such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of photographic images into digital prints; screen printing; and many others.

The technique of automatic drawing was transferred to painting (as seen in Miró's paintings which often started out as automatic drawings), and has been adapted to other media; there have even been automatic «drawings» in computer graphics.

As a painting technique which uses paint or any other liquid medium, the pouring painting technique relies on experimentation with materials and colors.

The co-director of Minus Space, Deleget has never been particularly interested in traditional painting approaches such as wet - on - wet and glazing, color mixing, or other techniques that create the illusion of three dimensionality.

Over the next decade, Motherwell's production of large - scale collages even outpaced his creation of paintings; his enthusiasm for and dedication to the collage technique for the remainder of his career sets Motherwell apart from other artists of his generation.

The resulting combinations of their concentrated techniques add yet another layer to the already complex levels of association to be found in these paintings which reference among other things the colorful clothing and bangles of Indian women, devotional garlands, and the cosmic diagrams of Tantric art.

Using computer graphics, printmaking, cartoon and newspaper appropriations, impasto - like chunks of paint, and every other gesture and technique under the sun, Owens shows massive, colorful canvases that are simultaneously rapturous and amusing.

Working with unconventional materials and techniques, Uklański resuscitates artistic vernaculars from a number of various historical movements, adopting the idioms or «dialects» of Art Informel, Color Field Painting, Abstract Expressionism and Fiber Art, among others.

To that end he has painted on canvas, fabric, stretched plastic; used resins, lacquer, minerals of all kinds; appropriated images high and low; mixed abstraction and representation; and conjured up Benday dots and metal engraving, among other reproductive techniques.

She shares an interesting perspective on the physically demanding nature of spray painting in relation to traditional oil painting, as well as other differences and advantages the technique offers including speed and a uniform surface.

He adapted his painting techniques to cope: his children or other assistants held his palettes, placed paintbrushes in his permanently curled fingers, and even moved his canvases underneath his paintbrush so that he could hold his arm still to reduce the pain.»