Sentences with phrase «other practicing artists»

Seeing this enables the viewer to truly appreciate Auerbach's ability to explore a subject with the commitment and perseverance that is very rare in the practice of other practicing artists today.

Her substantial career has resulted in an extensive body of work, whose influence can be seen on many other practicing artists.

Not exact matches

A graduate of five fellowship and teaching certification programs related to her work as a Jewish educator, Iyengar - based yoga instructor and movement / expressive artist, Julie has nineteen years of experience guiding others in exploring Jewish wisdom, text and practices via the body in a variety of settings.

I've seen this in fellow artists and former students: Artists are often inspired by fields outside of the arts, and exposure to those other fields of study serves to deepen their artistic prartists and former students: Artists are often inspired by fields outside of the arts, and exposure to those other fields of study serves to deepen their artistic prArtists are often inspired by fields outside of the arts, and exposure to those other fields of study serves to deepen their artistic practice.

• Make it a «non-negotiable» • Recruit and hire teachers who buy - in from the get - go • Provide them with hands - on professional development and plenty of examples • Share and celebrate «best practices» • Identify teachers who do it well and have others visit their classrooms • Give instructional teams time to collaborate and to develop quality prompts • Stockpile successful A.R.T. plans and incorporate them into the school's curriculum map • Hire and / or bring in practicing artists to participate • And, most importantly, get excited - as though you had just seen a narwhal tusk for the first time!

Nimah loves creating coloring books as a way to involve others in art and her artistic practice without putting too much pressure on them to be «artists» themselves.»

Taiwan Journal of TESOL Teacher Development Teacher Education and Practice Teacher Education and Special Education Teacher Education Quarterly Teacher Educator Teacher Educators» Journal Teachers and Curriculum Teachers and Teaching: Theory and Practice Teachers College Record Teaching & Learning Inquiry Teaching Artist Journal Teaching Children Mathematics Teaching Education Teaching English in the Two - Year College Teaching English with Technology TEACHING Exceptional Children Teaching History Teaching in Higher Education Teaching Mathematics and Its Applications Teaching of Psychology Teaching Public Administration Teaching Science Teaching Sociology Teaching Statistics: An International Journal for Teachers Teaching Theology & Religion Technology and Engineering Teacher Technology, Knowledge and Learning Technology, Pedagogy and Education TechTrends: Linking Research and Practice to Improve Learning TEFLIN Journal: A publication on the teaching and learning of English Tertiary Education and Management TESL Canada Journal TESL - EJ TESOL in Context TESOL Journal TESOL Quarterly: A Journal for Teachers of English to Speakers of Other Languages and of Standard English as a Second Dialect Texas Journal of Literacy Education Texas Music Education Research The EuroCALL Review The Mathematics Educator Themes in Science and Technology Education Theory and Research in Education Theory and Research in Social Education Theory Into Practice Thought & Action To Improve the Academy Topics in Early Childhood Special Education Topics in Language Disorders Tribal College Journal of American Indian Higher Education Turkish Online Journal of Distance Education Turkish Online Journal of Educational Technology - TOJET

Collaborate with other artists from different disciplines and engage in critical dialogue about contemporary arts practices.

Democratic Practice: TACs encourage teachers and artists to work together, respect each other's ideas, and learn from one another.

First, as the narrator Marc shared with us, humorously and candidly, his views on the practice of medicine, his patients, artists and entertainers and women, among other subjects.

View works by contemporary Ubudian artists as well as traditional schools of art such as Batuan — practiced by Brahman artists — and Sanur, which features highly stylized paintings of sea creatures and other animals.

Skill challenges is an excellent design choice as it is a highly effective set of tutorials that provide a genuine feeling of how it would be for a mixed martial artist to practice in a multitude of sparring sessions in the gym; even to the realism of having a variety of other fighters training throughout the gym.

On the other hand, if you're able to use your creative mind to offer somethingon fivrr that would be fun, easy, and related somehow to the work you really love to do (rather than something that feels trivial) then it could be a stream of income to test ideas, practice sketching out quirky concepts, and as Chris said above, «create value, relationships or a portfolio that will build over time», selling work on fivrr / or donating work to silent auctions for organizations you believe in could complement a proactive artist's other marketing efforts.

There's an unseen world out there that we draw on to create the world we see, and artists are more practiced at doing that than perhaps any other profession.

Solomon never referred to Short Circuit again, and his shows put an early critical emphasis on the artists» independence and differences from each other, in both practice and personality.

In other cases, the artist's use of paper is essential in varying their practice, contributing to a greater narrative.

Through conversations with a wide spectrum of painters, performance artists, sculptors, photographers, video artists, and others, Trigg set out to investigate contemporary artmaking practices.

Artists» journeys have been documented throughout art history: Those whose main practice has been «walking» include British artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - Artists» journeys have been documented throughout art history: Those whose main practice has been «walking» include British artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - driven.

Nested within the show is a complementary presentation of images curated by Thomas, photographs by fellow artists — Derrick Adams, LaToya Ruby Frazier, Lyle Ashton Harris, Deana Lawson, Malick Sidibé, and Carrie Mae Weems, among others — whose practices have inspired her own.

The presented artistic contexts and conceptual positions in these four female artists» practices include references to mainstream comedy's systems and authors, and some are more explicitly gendered than others with literal and implied connections to the female body.

Erin Sweeny recounts her performative action of walking the length of Manhattan on Good Friday, and relates the project to other artists who incorporate walking in their practice.

Jessica complements her solo show, Door Hinges, with the work of sixteen other artists with diverse practices in a group show, ASSISTED.

Some of the artists mine popular culture to produce scathing or defamatory indictments of consumer mores; others take the moral corruptions of public and political acts as their defamed subject; and others practice détournement — using elements of well - known media to create new work with a different or opposing message — to elevate injury and injustice into the realm of high art.

Many of the artists mentioned, as well as many others, have practiced all three modes at one phase of their careers or another.

Along with three other contemporary artists, Jones created a new work in response to Thomas's practice.

This selection of exhibitions opening this month, features some of the most productive artists in the art world, others whose well - established practices are finally getting the attention they deserve, and promising emerging artists.

The 13 featured artists were each asked to contribute new paintings and drawings; for some artists, the pieces they've contributed are interrelated (works on paper are predecessors to paintings on canvas), while for others the two mediums represent distinct practices.

In the Company of Alice presents portraits and figurative paintings by a diverse group of artists - some established and some emerging, some for whom portraiture is the crux of their practice and others for whom creating a portrait has been a new exercise.

Situating itself within current art historical and political debates, the exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially engaged practice and the archive, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place.

Many artists have taken a «provisional» stance, while others are producing highly finished work that so blurs the line between two and three - dimensional practice that categories of media such as painting and sculpture become all but useless.

This group show will feature preparatory drawings and ideas «so you can glimpse some indicative sketches, meaningful items or other types of procedural steps in the creative practices of a range of local artists» (Legends of Drafts press release, Centotto).

In the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practice.

Her practice has been generously supported by numerous residencies and awards: Bronx Museum Artist In the Market Place Program, Emerging Artist Fellowship at Socrates Sculpture Park, Center for Book Arts Workspace Residency, Martin Wong Foundation Scholarship, among others.

He doesn't like to be called a curator, but part of his artistic practice involves organizing collections of other artists» things.

Since then, it has become common practice for artists, or their estates, to license the usage of imagery for the creation of textiles, ornaments, jewelry, or other works of decorative art.

Many artists work in these media in addition to their practices in painting, sculpture, and other so - called «fine arts.»

Art Review Evening Wednesday 16th May, 18:00 to 20:30 Artists / creatives / makers / art students are invited to this informal session to critique the exhibition and share each other's practices.

Among other topics, the conversation covered why the artist uses a common writing implement to produce some of her finest work and the artists who have most influenced her practice:

If you are or were part of an avant - garde center, gallery, non-profit organization, publication, artist group, or other type of artistic initiative that operated according to an alternative or avant - garde mission or practice, we are interested in hearing from you.

Drawing upon their complementary areas of expertise, they will work closely with Frank Stella and one another on exhibitions, publications, and other ambitious projects that fully engage the span of the artist's remarkable career, emphasizing his dynamic current studio practice and addressing its significance within in context.

The «Foreign Affairs» project are three European artist - led curatorial initiatives collaborating in a cultural concept aimed to explore the relationship between artist as curator and artist each presenting the other's creative practice.

BLACKLEY: I'm interested in asking you about your situation at Participant now, with commercial galleries or other more institutionalized or long - standing nonprofits, such as White Columns or Artists Space, and this kind of peer group or any sort of commonality or common practice that you may share.

We can see these drawings as a return to «the root» of the practice of an artist who strives never to lose sight of the essential humility of creation which is, probably more than any other philosophy, political thought, or religion, the true guarantor of society and evolution.

The works are organized thematically into groups including self - portraits, portraits of fellow artists and intimate scenes with family and friends, among other genres most practiced by women artists at the time.

After 20 years of working in production for other artists, both to gain experience and to support his own practice, James L. Hayes reflects on his early career experiences in «A Near Visible Past,» a solo exhibition at UNO St. Claude Gallery.

Through workshops led by Creative Capital grantees and other arts professionals, PDP teaches artists about self - management, strategic planning, fundraising, verbal communication, promotion and maximizing online capabilities to help them expand their skills and build more sustainable practices.

In this fully illustrated publication, Griffey situates Dial, Holley, and others within the historical institutional embrace of self - taught artists, including Henri Rousseau and Jean Dubuffet, and the modernist practice of repurposing found and salvaged materials.

Ordinary Pictures Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture - based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production.

With some of my daughter's heartbreaking reproaches about my art practice seared in my brain, I ventured out this week to see «To Be A Lady: Forty - five Women in the Arts,» a superb exhibition, curated by Jason Andrew, that features work by many legendary artist mothers, including Louise Nevelson and Grace Hartigan who famously left their offspring to be raised by others, and Alice Neel, an unconventional mother whose grandson Andrew's documentary reveals his father's deep resentment about Neel's choices.

To nearly everyone's surprise, Stella appreciated Hawkinson as someone who has inexplicably made memorable art from «gestures as lightweight, banal and self - absorbed» as those any other artist of his generation practice.