Sentences with phrase «other quotidian»

The one disappointment is that the company has not extended its design initiative to other quotidian home devices, such as door locks and security systems.

Her sculptures are sensual, brightly colored works combining textiles and other quotidian materials to create beautiful, uncanny objects.

The chairs, blankets, flower - filled vases and other quotidian objects in her work further signify spaces of domesticity and maternity.

Not exact matches

«I have come to believe that the true mystics of the quotidian are not those who contemplate holiness in isolation, reaching godlike illumination in serene silence, but those who manage to find God in a life filled with noise, the demands of other people and relentless daily duties that can consume the self.»

And as every mother knows, Mary also experienced the quotidian sorrows of motherhood: the first bruised knee, the unkind words of other children, the frightening illnesses, the surprised eyes of a little boy the first time he witnesses injustice, cruelty, or the suffering of another, the gifts she wished she could give him, the memories she wished she could preserve forever, the disappointments she wished with all her heart she could stop.

Fever Pitch is about the quotidian and what one man can learn about himself by participating in the national obsession; The Soccer Diaries starts with a child in search of something thoroughly other, a citizen cheating on his own country's sporting culture.

Nathan Silver tackles melodrama in Thirst Street, fusing its emotional bigness with his unique form of quotidian portraiture without one cancelling the other out.

Beyond communicating quotidian information and sharing content, by building these tools into our ecosystems, we create an opportunity to extend not only the learning, but also our students» connections with others.

«That Sidibé was a «popular» photographer rather than a satirical pop commentator on vernacular culture — which is to say he was a photographer firmly grounded in his environment who combined work - for - hire portraiture with his own exploratory documentation of the quotidian excitement of his Bamako neighborhood — made him one among several recording angels of a new generation of urban Africans, of which the other most important Malian example was his elder, Seydou Keita.

Some landscape painters convey reality in compellingly quotidian detail, reflecting or critiquing the complex relationship between humans and nature; others construct neo-byzantine visions of the future that may thrill or terrify; some work intuitively to give form to the ephemeral, conveying that which can not be spoken; and many bend or break accepted rules of vision, reminding us that perception itself is both a privilege and a discipline.

In other works, the same lightness of hand with paint, color and line, hints at the somber and dejected aspects of the domestic and quotidian - drooping flowers, in a vase or overcome by rain, and the view, from a distance, of the warmly lit interiors of people's homes through window panes.

In the exhibition, artists Jeff Colson, Renee Lotenero, Kristen Morgin, Joel Otterson, Rebecca Ripple, Aili Schmeltz, and Shirley Tse take quotidian and overlooked objects outside of their usual settings and modify, disassemble, and / or reassemble them, catapulting the objects into other dimensions, ones that are, at times, strange, comical, and unnerving.

The project manifests as an evolving inventory that records quotidian aspects of life in Beirut, some transitory or joyful, others illustrative of how the city's history is sublimated into daily customs.

In the late 1970s, the artist took photographs of many of these performances, in addition to others in which she used similarly quotidian materials such as rubber tubing, ropes, and crumpled papers.

A set of monochromatic illustrations to The Brothers Karamazov by Fyodor Dostoyevsky from the late 1930s incorporate a greater sense of narrative than many of Neel's other compositions and show the actors at various key stages of the existential drama; her own life is referenced in often richly colored, quotidian scenes depicting herself in the company of her lovers.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Even later in his long career, as other artists began to adopt Abstract Expressionism, he continued to work slowly and methodically in a realist mode, drawing inspiration from both the old Victorian houses of small New England towns and the mundane, quotidian world of the city, featured in such famous paintings as the Art Institute's Nighthawks.

The works thus comprising Alvi's oeuvre not only reconsiders the worth of disposed paper products, but it also points to the importance of neglected quotidian objects — logs, tree trunks, and coins, among other items, combine with the collages and subsequently meditate on themes of consumerism, economy, desire, and commercialism.

The grouping is canny and unforced — the sophistication and life experience seeping through the Johns enhance the meanings of the other works, lending layers of depth to the quotidian motifs circulating among them, while their heterogeneous explorations of recycled imagery reflect the distance that Johns himself has traveled from the simple declarations of his targets, flags and maps — and that the country has traveled from post-World War II to post-Vietnam.

Some went back to the exploration of perceptual stimulation after working in others (if related) styles... And succeeding generations of artists — notably but not exclusively painters, and notably but not exclusively Americans — have referred to op mannerisms or even return to op practices, interested all over again in what can be done to stimulate the eye beyond the expected, beyond the quotidian, beyond the prosaic.

The artist makes portraits of undocumented Latin American immigrants, and of other distinct communities, using the focused attention of observational painting to mark those who are socially unmarked in society, along with the apparently anonymous goods that constitute a transnational trade in quotidian objects such as flowers, garments, handcrafts and letters.

Other artists in the show employ strategies of accumulation and «recuperation,» drawing on objects present in their surroundings to create dense, poetically lyrical works that combine a love of abstraction with a commitment to the use of quotidian materials.

His paintings, on the other hand, often reflect the quotidian.

Brooding and violent, at times absurd and at others disquieting, the LONDON PICTURES reveal what might be termed the nervous system of quotidian contemporary society: the impulses, outbursts, sorrows, hopes, temper and desires of daily urban life.

From the press release: Brooding and violent, at times absurd and at others disquieting, the LONDON PICTURES reveal what might be termed the nervous system of quotidian contemporary society: the impulses, outbursts, sorrows, hopes, temper and desires of daily urban life.

Others, including Moyra Davey, Christian Marclay, and Alison Rossiter, draw inspiration from the quotidian, the obsolete, and the ephemeral.

The qualities and intentions attributed to Denny's paintings, of an interactive dialogue between the observer's perception of quotidian architectural space within which they meet the painting and the spatial illusions created by the paintings themselves — are actually qualities Denny had imbibed from Barnett Newman, in his paintings and his professed intentions (amongst other qualities)-- and so, to denigrate Newman's (and Rothko's) as subjective, «private» visions is completely unwarranted, but it chimes with Bunker's wish to portray «publicly engaged» art as somehow an advance on «high modernist» subjectivity.

Think of the quotidian «underenforcement» of constitutional provisions (or adminsitartive or criminal provisions) on the one hand and the breakdown of civil order and civil war on the other.