Sentences with phrase «other scenes in the movie»

How do other scenes in the movie reinforce the idea of using violence to solve problems?

It was a highly choreographed scene, with multiple props and screens, so the odds of a post-shot tweak were higher than other scenes in the movie.

Not exact matches

Before it was turned into a movie, (which was great in some scenes, painful in others) Ender's Game was an absolutely amazing book.

Unlike other independent films in which big names are ridden into the ground like a sweaty mule, shoehorned into every possible scene in the movie, «Moms» Night Out» has an ensemble cast - an amazing feat for a film with a budget just under $ 5 million, according to Andrew and John Erwin, the brothers who directed the film.

Together with Christian Theobalt, leader of the research group «Graphics, Vision & Video» at the Max Planck Institute for Informatics, they could solve another problem: with their method, they can display people in full even if they had been partly obscured by other characters in a movie scene.

The film wasn't great, but I had a really lovely night, and would recommend some of the other outdoor movies the British Film Institute are screening this summer, especially if, like me, you grew up watching the film Grease with the iconic Drive - Thru movie date scene... something it's otherwise very hard to recreate, living in the UK in this day and age.

What other filmmakers would start a major superhero movie with a scene where a rich couple find out their infant is deformed, lock him in a cage, and throw him into the sewer?

Based on our city's census data, our high number of Starbucks coffee shops, and the fact that there seems to be a lot of cheesy romcom movies and TV shows set here set in our city than any other place on Earth, huge publications like Forbes magazine and Marie Claire have been frequently ranking the Seattle adult dating scene as the center of the singles universe..

What i didn't like were the two full bits ripped from other movies: the wild animal in the convertible scene (Tommy Boy) and the inappropriate wedding singer (Old School).

Without fail, the dullest installment in any superhero movie franchise is the origin story, during which audiences anxiously awaiting The Big Bad Guy have to suffer through, yaaaawn, scenes of childhood trauma, romantic tragedy, and other expository effluvia, by which point the closing credits are fast approaching.

Although many scenes in the movie are filled with tension, other parts of the movie are notably lacking in substance.

If the guard is not precisely self - aware, he does make the act of torture (and murder, which becomes a natural extension) into a scene you might recognize, not only from other movies or stories about torturers, damaged souls in need of punishing or saving.

A great date movie for couples who like to share their revulsion at squelchy death scenes and hug each other in dread.

Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchise.

I did notice that Langella's teeth were brownish and rotting in his close - ups, but dazzling examples of expensive dentistry in all other scenes of the movie.

The interviews and behind the scenes footage fill most of the screen, but we can see the movie in a small box that changes place depending on the other content we view.

Django Unchained, Tarantino's deliriously kicky and shameless (and also overly long and scattershot) racial - exploitation epic, is set in the slave days, and among other things, it's a low - down orgy of flamboyant cruelty and violence: whippings, a scene in which a man gets torn apart by dogs, plus the most promiscuous use of the N - word ever heard in a mainstream movie.

That scene - as well as a few others - belongs in different movie.

The actress / singer dropped off the movie scene for several years in order to pursue her musical career and other ventures, then came back with a bang for a supporting role in Whip It, a comedy drama following an ex-pageant queen's experiences on a roller derby team.

Absolutely no effort is shown in any one scene other than from the actors, none of which deserve to have their names associated with a movie of this nature.

When Cheadle said this, it was his first day working on the movie, filming a scene where he and several other Avengers land in Wakanda.

But Last Days works only when it deviates from this pattern, as it does in a hilarious scene depicting the rock star's friendly yet indifferent agreement to buy space in the yellow pages from a clueless door - to - door salesman (Thadeus A. Thomas, the movie's only perfectly cast actor), or when it focuses on other members of Blake's entourage, or when the camera retreats at a snail's pace from the mansion for what feels like eternity.

Ben Stiller / Owen Wilson Shared Filmography: «The Cable Guy» (1996), «Permanent Midnight» (1998), «Meet The Parents» (2000), «Zoolander» (2001), «The Royal Tenenbaums» (2001), «Starsky & Hutch» (2004), «Meet The Fockers» (2004), «Night At The Museum» (2006), «Night At The Museum: Battle Of The Smithsonian» (2009), «Little Fockers» (2010), «Night At The Museum: Secret Of The Tomb» (2010) «Zoolander 2» (2016) Given the incestuous nature of the modern comedy scene, with everybody cropping up for cameos in each other's movies, it's easy to overlook that Ben Stiller and Owen Wilson have appeared in eleven movies together (with a twelfth on the way).

There is a mystery at the heart of the movie — it's established in the opening scenes, when we see Orlando visiting a sauna and then puzzling over some missing paperwork — but no crime, other than that of being a sexual minority in an intolerant time and place.

That's our convoluted way of saying that The A.V. Club looked both high and low for the best scenes of 2015, culling from a whole spectrum of films — some likely to appear on this week's best - movies - of - the - year list, others unlikely to appear on any such list, and at least one certain to get called out in our public shaming of the year's worst movies.

By the time the movie gets to the final climax, basically where every last character is suddenly together in a big obviously - in - a-warehouse-set with an impending action scene pitting them all against each other, I had completely lost interest in the story.

Unlike other movies in similar genres, the war scenes never feel gratuitous or extravagant for the sake of showing off.

In the movie's early scenes, the queasy feeling that these two don't even like each other is so palpable it leaves a residue of sourness that extends through the rest of the film.

And Rebecca Ferguson and Keala Settle, playing songbirds of distinctly different class strata and mustache capacity, make the most of their supporting roles; in two of the movie's best scenes, each explores the psychic pain of a lifetime spent feeling like the Other in almost every room they enter.

All the other actors are trying to do their job seriously and trying to portray theirs characters at least as believable but you can tell that any time Adam, David, Rob, Chris, and Kevin where in a scene together they where just goofing off with each other rather than make a movie.

Three inserts are located in the case: a scene selection list / ad, a Disney Movie Rewards sheet with code and information on the heavily - promoted soon - to - end program, and a booklet which announces DVDs and other media involving Playhouse Disney fare.

The issues behind the scenes of other TV news shows are portrayed in the movies Groundhog Day, Swing Vote and Mad City.

But the movie is a great example of his ability to change emotions on a dime, gracefully; when interacting with Good in their various power plays, Hardwick creates the vivid sense of his character Cass being a potentially toxic macho figure in some scenes, but a purely sensitive man in others.

The new clip features interviews with Guillermo Del Toro, who, among others, discusses the shower scene in the movie, and the trap that Hitchcock set for audiences.

The tsunami sequence in The Impossible is likely to get most of the attention — and rightfully so, since it's ten of the most harrowing minutes most moviegoers are likely to see this year — but the movie is actually filled with smaller but no less gripping scenes of these family members scrambling to find each other amid of landscape of wreckage and strangers.

I truly can not think of a movie that I've seen that was so blatantly torn to shreds in post-production in the editing room, to a point where it feels like no single scene belongs in the same movie as any other one, and that no one working on the film even realized they were working on the same one as all of these other people involved.

But with these two movies — one set against the backdrop of the movie biz, the other in the music scene — shooting last year back - to - back, we can only imagine the unbelievable stack of footage Malick's teams of editors are sorting through, as they cut half the cast out and help him find the movie and tone he wants.

The only other scene worth the film it's printed on is Colin Farrell at the supermarket, accosting the pharmacist (a snippet of which you can see in the closing credits of the movie).

Check out that and nine other post-credits scenes you may have missed below, but beware of spoilers for the end of the movie in order to explain the context.

Parents should be aware that there are a few other scary scenes — hunters shoot Elliott several times (with tranquilizer darts rather than actual bullets, thankfully... but still), Elliott gets sick and is captured, and then later many of the humans are endangered in several different ways — but I can't stress enough how sweet and pure and joyful this movie is overall.

F. Gary Gray's «The Italian Job,» on the other hand, is nothing more, or less, than a slick caper movie with stupendous chase scenes and a truly ingenious way to steal $ 35 million in gold bars from a safe in a Venetian palazzo.

In other words, if Madonna — who apart from the sex scenes barely registers as an actress in Body of Evidence — had played Stone's part in Basic Instinct, she would have «owned» the movie toIn other words, if Madonna — who apart from the sex scenes barely registers as an actress in Body of Evidence — had played Stone's part in Basic Instinct, she would have «owned» the movie toin Body of Evidence — had played Stone's part in Basic Instinct, she would have «owned» the movie toin Basic Instinct, she would have «owned» the movie too.

Boogie Nights contains more great characters and scenes than most movies deliver nowadays, and definitely is worth watching for no other reason than to view one of Hollywood's major filmmaking talents in action.

Although some movies in the Marvel canon have a better sense of rhythm and plot progression than others, you can guarantee that any Marvel movie will always have a scene or two that brings things to a screeching halt.

Most scenes have little in terms of pushing forward a story, merely existing to show us how a couple of dumb stoners make asses of themselves, including accidentally imbibing urine, urinating on their nosy neighbor, and sing songs that are as seemingly ad - libbed as every other aspect of the movie.

But in his review, Barber does single out the South Korean action scenes that, in his words, feel too much like a James Bond movie: «[S] pies mutter to each other via micro-radios, metal suitcases are packed with diamonds, and the hero bumps into an old CIA associate, Everett Ross.»

D.P. Linus Sandgren shoots the many musical numbers, and numerous other scenes besides, in gorgeous widescreen long takes that privilege space and bodies in ways managed by few modern movie musicals.

The first sex scene in «Blue Is the Warmest Color,» Abdellatif Kechiche's French coming - of - age drama about a young lesbian couple, lasts longer than any other sequence in the movie.

Letts» work contains frequent verbal bouts, and showdowns between various characters, but the staginess of the movie — particular in scenes that get stuck in one room for minutes upon minutes on end with different people shouting at each other — can be tiring, and certainly visually lifeless.

In one of the best scenes — created for the movie but deftly reproducing Bukowski's brand of black humor — they wake up in each other's arms, then each goes to the toilet to vomiIn one of the best scenes — created for the movie but deftly reproducing Bukowski's brand of black humor — they wake up in each other's arms, then each goes to the toilet to vomiin each other's arms, then each goes to the toilet to vomit.