Sentences with phrase «other significant art»

Exhibiting a single work is a risk at an art fair, but «putting on an exhibition and meeting other significant art world people is key», he says.
What about other significant art movements in Italy, like Italian Futurism, Italian Abstraction?

Not exact matches

Paint at an art studio - If you or your significant other like to paint check out your local art studio for classes.
Having a baby was a crash course in the art of direct communication with my significant other.
Daters can also schedule an appointment at the Osher Art Study Room for a more intimate experience with a significant other.
Show Them You're Fun What better way to prove to your significant other or to a potential mate that you're still fun and perhaps even a little bit quirky than to go on theWynwood Art Walk.
Dear Captain Awkward, What do you do if your significant other thinks that you will go no where Henry Durand is a young federal agent who is given a difficult assignment: spy on his mother and her boyfriend who is suspected of leading a gang of art
The source material here is a novel by David Ebershoff, which plunks The Danish Girl somewhere between biopic and literary adaptation; among other things, the movie de-queers its 1920s art world milieu, with Gerda portrayed as more or less straight here, despite the fact that her real - life equivalent had a significant sideline drawing lesbian erotica.
Pupils can step inside these great homes of London for an immersive experience linked to local history, significant people as well as many other cross-curricular topics from art and design to science and biology.
In their analysis, NORC researchers Nick Rabkin and Eric Hedberg test and ultimately confirm the validity of an assumption made with prior SPPA data, that participation in arts lessons and classes is the most significant predictor of arts participation later in life, even after controlling for other variables.
The plan sets a target of 66 % of working - age New Mexicans earning a college degree or post-secondary credential by the year 2030 — a rigorous goal given the current attainment rate of 45 %.1 The plan also sets a vision for New Mexico to be the fastest growing state in the nation when it comes to student outcomes, with a goal to increase the percentage of students who demonstrate readiness to more than 60 % on the state English language arts (ELA) and math assessments.2 These efforts are significant considering New Mexico's historically lower student academic proficiency rates compared to other states and to national averages3, and demonstrate how leaders are driving a sense of urgency to improve.
If the significant others in our lives are not book lovers than we can find another connector, perhaps movies or the fine arts.
Other collections include works from French impressionists including Paul Gauguin, Renoir, Degas and Monet, and significant pieces from 18th and 19th century American art.
A handful of other significant Irrational Games staff tied to Infinite's development, including its longstanding art director Nate Wells, departed back in August.
Recent solo exhibitions include Whitford Fine Art, an exhibition of his early 80's steel sculptures; other significant exhibitions include Hayward Gallery and Serpentine Gallery, Guggenheim, Venice, Ikon Gallery, Birmingham, Galerie Josine Bockhoven, Amsterdam, Robert Steele Gallery, New York, Bodo Niemann Gallery, Berlin, Waddington & Shiell Gallery, Toronto, Musee Dʼart Moderne, France and The National Gallery, Australia, Flowers Gallery, London, Whitford Fine Art, London, and Henry Moore Institute, Leeds.
She studied animation at the School of Visual Arts 1970 — 72 and joined a working collective, Women Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art world.
Prior to this position, Gule was Curator of Contemporary Collections at the Johannesburg Art Gallery, where he organized a number of significant exhibitions including: Meschac Gaba's «Tresses and Other Projects» (2007), Kay Hassan's «Urbanation» (2008), and Tracey Rose's «Waiting for God» (at Johannesburg Art Gallery [2011] and the Bildmuseet, Umeå, Sweden [2011 — 12]-RRB-.
Ian Stephenson (1934 - 2000) taught painting at the Chelsea School of Art alongside Richard Hamilton, Victor Pasmore and Jeremy Moon, and was exhibited widely with other significant artists of his day, including Patrick Caulfield, Howard Hodgkin and RB Kitaj.
Representing more than 20 artists, «Kaleidoscope» brings together artworks from the Arts Council Collection and other significant collections.
The latest entry is the imaginatively titled exhibition «Fluxus and the Essential Questions of Life,» with works mainly selected from the George Maciunas Memorial Collection at the Hood Museum of Art, Dartmouth College, but with significant additions from MoMA and other sources.
Other significant works: Art Club 2000, Untitled (Times Square / Gap Grunge I); William Kentridge & Handspring Puppet Company, Woyzeck on the Highveld; Charles Ray, Oh!
From 2007 through 2010, as Curator at Middlesbrough Institute of Modern Art (mima), Delahunty organized such significant exhibitions as British Surrealism & Other Realities, 2008; Katy Moran: Paintings, 2009; Ellsworth Kelly: Drawings 1954 — 62, 2010; and A Certain Distance, Endless Light: A
Snyder has held administrative and teaching positions at New York University (1987 - 1996), Pacific Northwest College of Art (1996 - 2000), College of Santa Fe (2000 - 2009), and Santa Fe University of Art and Design (2009 - present), where he oversees nine departments and developed a number of significant partnerships with external groups including Robert Redford's Milagro Initiative, the Georgia O'Keeffe Museum, and the American Academy in Rome, among others.
Galleries come in all shapes and sizes, and while some of them are committed to showing artists who they believe are historically significant and will go down in art history as significant, others are more motivated to show art that is «commercially viable.»
2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York
The Brant Foundation Art Study Center presents an exhibition by Jason Rhoades (1965 - 2006) featuring a selection of works from The Brant Collection and other significant works from throughout his career.
Be sure not to miss booths by Blain Southern from London and Berlin; Galleria Continua from San Gimignano, Beijing, Les Moulins and Havana; Gagosian from New York, Beverly Hills, San Francisco, London, Paris, Rome, Athens, Geneva and Hong Kong, featuring a vibrant contemporary program; Galerie Lelong from Paris, representing prominent contemporary artists and estates from the United States, Latin America, Europe, Asia, and Australia; Pace Gallery from New York, Palo Alto, Paris, London, Hong Kong and Seoul, a leading contemporary art gallery representing many of the most significant international artists and estates of the 20th and 21st centuries; Galerie Perrotin from New York, Paris, Hong Kong, Tokyo and Seoul; and David Zwirner from New York; among others.
one of the most significant collaborative movements of Post War art and eventually incorporated the work of Yves Klein, Lucio Fontana, Piero Manzoni, Daniel Spoerri, Jean Tinguely, and Günther Uecker among others.
Had he escaped from Arte Povera and fine art — or found his significant other in himself?
Other significant exhibitions include: a retrospective in 2013 (Osaka Museum, Aomori Museum, and National Museum of Art, Tokyo); Walker Art Center (2008), La Maison Rouge, Paris (2007), The National Museum of Art Osaka (1994), the Van Reekum Museum, Apeldoorn and the Stedelijk Museum (1991).
Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).
British Folk Art: The House That Jack Built is the first significant exhibition of British folk art at a national gallery, and includes nearly 200 paintings, sculptures, textiles and other objects, spanning the 17th to 20th centuriArt: The House That Jack Built is the first significant exhibition of British folk art at a national gallery, and includes nearly 200 paintings, sculptures, textiles and other objects, spanning the 17th to 20th centuriart at a national gallery, and includes nearly 200 paintings, sculptures, textiles and other objects, spanning the 17th to 20th centuries.
Nelson «twice nominated for the Turner prize, never the winner, has finally been accorded that other mark of British artworld stardom: representing the UK at Venice, the largest, most established and still the most significant event in the international art calendar.
This revised presentation is organized by Robert Scalise, Assistant Director for Exhibitions and Collections at the UB Art Galleries in collaboration with The Art Students League of New York, and will include additional artwork from the university's significant collection and other lenders.
Other significant solo exhibitions include Innen Stadt Außen at the Martin - Gropius - Bau in Berlin (2010); Your chance encounter at the 21st Century Museum of Contemporary Art in Kanazawa, Japan (2009 — 2010); The New York City Waterfalls, a major public art project for the city of New York (2008); Notion motion at Museum Boijmans Van Beuningen in Rotterdam (2005); Colour memory and other informal shadows at Astrup Fearnley Museet for Moderne Kunst in Oslo (2004); Chaque matin je me sens différent, chaque soir je me sens le même at Musée d'Art Moderne de la Ville de Paris in France (2002); Your only real thing is time, at The Institute of Contemporary Art in Boston (2001); and The curious garden at Kunsthalle Basel (1997), among many otOther significant solo exhibitions include Innen Stadt Außen at the Martin - Gropius - Bau in Berlin (2010); Your chance encounter at the 21st Century Museum of Contemporary Art in Kanazawa, Japan (2009 — 2010); The New York City Waterfalls, a major public art project for the city of New York (2008); Notion motion at Museum Boijmans Van Beuningen in Rotterdam (2005); Colour memory and other informal shadows at Astrup Fearnley Museet for Moderne Kunst in Oslo (2004); Chaque matin je me sens différent, chaque soir je me sens le même at Musée d'Art Moderne de la Ville de Paris in France (2002); Your only real thing is time, at The Institute of Contemporary Art in Boston (2001); and The curious garden at Kunsthalle Basel (1997), among many otheArt in Kanazawa, Japan (2009 — 2010); The New York City Waterfalls, a major public art project for the city of New York (2008); Notion motion at Museum Boijmans Van Beuningen in Rotterdam (2005); Colour memory and other informal shadows at Astrup Fearnley Museet for Moderne Kunst in Oslo (2004); Chaque matin je me sens différent, chaque soir je me sens le même at Musée d'Art Moderne de la Ville de Paris in France (2002); Your only real thing is time, at The Institute of Contemporary Art in Boston (2001); and The curious garden at Kunsthalle Basel (1997), among many otheart project for the city of New York (2008); Notion motion at Museum Boijmans Van Beuningen in Rotterdam (2005); Colour memory and other informal shadows at Astrup Fearnley Museet for Moderne Kunst in Oslo (2004); Chaque matin je me sens différent, chaque soir je me sens le même at Musée d'Art Moderne de la Ville de Paris in France (2002); Your only real thing is time, at The Institute of Contemporary Art in Boston (2001); and The curious garden at Kunsthalle Basel (1997), among many otother informal shadows at Astrup Fearnley Museet for Moderne Kunst in Oslo (2004); Chaque matin je me sens différent, chaque soir je me sens le même at Musée d'Art Moderne de la Ville de Paris in France (2002); Your only real thing is time, at The Institute of Contemporary Art in Boston (2001); and The curious garden at Kunsthalle Basel (1997), among many otheArt Moderne de la Ville de Paris in France (2002); Your only real thing is time, at The Institute of Contemporary Art in Boston (2001); and The curious garden at Kunsthalle Basel (1997), among many otheArt in Boston (2001); and The curious garden at Kunsthalle Basel (1997), among many others.
In 1938 he joined with other artists who shared this perspective to found the Transcendental Painting Group, one of the most significant artistic associations formed outside a major urban center to advocate for abstract and non-objective art.
Amalia Ulman in Significant Others (I am small, it's the pictures that got big) with Vittorio Brodmann, Mathew Cerletty, John Kelsey, Calla Henkel & Max Pitegoff, Shelly Nadashi, Bunny Rogers and Cally Spooner at High Art in Paris 22 March -26 April 2014
From Pop Art to contemporary drawings and Urban Art, we bring you some Valentine's Day art that might just be the perfect gift for your significant othArt to contemporary drawings and Urban Art, we bring you some Valentine's Day art that might just be the perfect gift for your significant othArt, we bring you some Valentine's Day art that might just be the perfect gift for your significant othart that might just be the perfect gift for your significant other.
Join artist Caroline Wollard (Co-founder, BFAMFAPhD), Magda Sawon (Founder, Postmasters Gallery), Sarah Van Anden (Program Specialist, Department of Cultural Affairs), and a representative from Goldman Sachs Urban Investment group, which helps artists and arts organizations gain access to significant investment capital through tax - credit and other funding structures.
The Laing Art Gallery has also received a number of significant gifts from the CAS since the organization was established in 1910, including works, amongst others, by Marlene Dumas, Duncan Grant, Peter Joseph, and Ben Nicholson.
The 20th - century hang presents a fresh and open account of British art, highlighting significant figures such as Walter Sickert (1860 - 1942), Gwen John (1876 - 1939), Stanley Spencer (1891 — 1959), Francis Bacon (1909 - 1992), David Hockney (b 1937), Tracey Emin (b 1963) and Damien Hirst (b 1965), as well as many other less well known names.
Other significant solo exhibitions include Currents 96: Tim Eitel at the Saint Louis Art Museum, Missouri (2005 - 6); Tim Eitel: Terrain, a traveling exhibition organized by the Museum zu Allerheiligen / Kunstverein Schaffhausen (2004 - 5); and Tim Eitel at Künstlerhaus Bethanien, Berlin (2002).
Even now, decades after its closing in 1957, the powerful influence of the Black Mountain College continues to reverberate as some of its students are considered to be true milestones of American modern and contemporary art — Willem de Kooning, Rauschenberg, Cy Twombly, Franz Kline, Francine du Plessix Gray, Charles Olson, Robert Creeley, Dorothea Rockburne and many others made an impact on the world in a significant way.
Impressively, Beckmann was able to make the utmost use of this radical (and late) relocation and was able to bring about significant transformations in his painting — producing among other works his triptych masterpiece «The Argonauts» — while also teaching at the art schools of St Louis, Missouri, and at the Brooklyn Museum in New York, where he also found time to mount a retrospective of prints and drawings.
Taken together, the interviews reveal the ways the winds of change manifest in his art as examined on the eve of two separate and significant shows — one held in The Hamptons in 2015 and the other in New York City in 2016.
Other significant shows have included «Zero to Infinity: Arte Povera 1962 - 1972» (2002 - 3) at Tate Modern, the Walker Art
Documents relating to John Biggers» work as an artist and arts advocate include planning and promotional material from a number of public exhibitions of Biggers» work as well as handwritten research notes on African art; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University in Houstart; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University in HoustArt Department at Texas Southern University in Houston.
Other significant solo exhibitions include Directions: Tim Hawkinson at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., (2001) and Humongolous: Sculpture and Other Works by Tim Hawkinson, organized by The Contemporary Arts Center, Cincinnati and simultaneously on view at The Arnoff Center for the Arts, Alice F. and Harris K. Weston Art Gallery, later traveled to the Akron Art Museum, Ohio; Center for the Arts, Yerba Buena Gardens, San Francisco; Southeastern Center for Contemporary Art, North Carolina; and John Michael Kohler Arts Center, Wisconsin (1996 - 97).
Over a very short period since its establishment in 2011 Faurschou Foundation has profiled itself as a significant art institution with solo exhibitions of among other artists Ai Weiwei, Cai Guo - Qiang, Louise Bourgeois, Shirin Neshat, Gabriel Orozco, Danh Vo, and Bill Viola.
Over a very short period since its establishment in 2011 Faurschou Foundation has profiled itself as a significant art institution with solo exhibitions of among other artists Cai Guo - Qiang, Louise Bourgeois, Shirin Neshat, Gabriel Orozco, Danh Vo, Bill Viola, Ai Weiwei, Yoko Ono and Peter Doig.
a b c d e f g h i j k l m n o p q r s t u v w x y z