Sentences with phrase «other single artist»

According to the Florence County Museum, «the Smithsonian American Art Museum owns more work by [William H.] Johnson than any other single artist.»

As a sociologist, intentional or not, he is absolutely brilliant, and just on the strength of his Rocky and Rambo pictures, he's managed as good a diary of the fears and hopes of the last twenty years as any other body of work from any other single artist.

Not exact matches

I have had this experience three times now, on three different occasions, in admittedly similar circumstances, but not similar enough to explain the coincidence: I am speaking from a podium to a fairly large audience on the topics of — to put it broadly — evil, suffering, and God; I have been talking for several minutes about Ivan Karamazov, and about things I have written on Dostoevsky, to what seems general approbation; then, for some reason or other, I happen to remark that, considered purely as an artist, Dostoevsky is immeasurably inferior to Tolstoy; at this, a single pained gasp of incredulity breaks out somewhat to the right of the podium, and I turn my head to see a woman with long brown hair, somewhere in her middle thirties, seated in the third or fourth row, shaking her head in wide - eyed astonishment at my loutish stupidity.

GETTING TOGETHER For the first time, researchers have picked out two specific atoms and smashed them into each other (as suggested in this artist's conception) to form a single molecule.

While celebrity solo (in more ways than one) artists like Nicki Minaj are starting the new year just «focusing on their work,» other singles are «feeling refreshed and ready to put themselves out there,» Tinder's resident sociologist affirms.

Singles can show their top artists, see what music they have in common with other users, as well as displaying their «Anthem».

- Musician - Artist - Entrepreneur - Marketing Guru - Single Dad (every other week)- Slack Buddhist - Tattoo Enthusiast - Yoga / Weights / Running - Don't drink or do drugs and don't want to be with anyone who does either to excess.

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Single Artist Dating Dating and Friendship for Creative Individuals «Nothing gets your creative ideas flowing quite as much as being around other creative people.

At the end of our review process, we have observed that some sites work tremendously well in providing a connection between two singles living in the same area, and others offer nothing but scam artists and pesky bots.

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I gotto say, I was surprised by Pharrell Williams, who has never struck me as a powerful artist, but in picked singles he was the best choice over any other.

They don't have to have a single degree, but they should speak other languages or know things about other parts of the world or history or certain artists or musicians.

Other worthy stops include Bergamot Station, housing Santa Monica's single largest concentration of art galleries, and Broadway Gallery Complex for contemporary works by local and international artists.

The Beatles: Rock Band is not only a great game but it pushes the single artist music games to a new level not even closely matched by any other title.

Impressionism wasn't the innovation of a single painter, but a group of interconnected artists riffing off each other's techniques and styles, gradually advancing...

Impressionism wasn't the innovation of a single painter, but a group of interconnected artists riffing off each other's techniques and styles, gradually advancing the art.

Nearly every single response at least mentioned the desire to connect with other artists, for various reasons:

I'm an artist, I work for others to make money, but with my own personal work I never made a single cent.

Other noteworthy inclusions were Frédérique Loutz's exquisite artist's books made from a single folded sheet of paper; a giant display of lithographs dwelling on contemplation, traces and loss, from conceptual artist Marie - Ange Guilleminot's ensemble Nuancier (Color Chart); Mélanie Delattre - Vogt's fine lithographic drawings, based on culinary images from a 1970s freezer manual where disembodied hands cut up squid, duck, pig and bunches of rhubarb.

As Monet, or Still or Rothko — indeed as most other great contemporary artists — Diebenkorn demonstrates that it is possible to construct a universe by exploring a single idea to its frontiers» (T. Albright, quoted by G. Nordland, Richard Diebenkorn, New York, 1987, p. 189).

This major exhibition is the first at the Museum to present work by a single artist other than Noguchi.

Art in that context was perceived as standing on its own and possessing meaning in and of itself, requiring no reference to the artists who made it, other than singling them out for their achievement.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

One recent series of paintings, for instance, relies upon supports made from store - bought fabrics — some single - hued, others patterned — on which the artist affixes fishing lures.

Generate outstanding exhibitions, scholarly research, educational and other cross-disciplinary programs that broaden the definition of a «single - artist» museum; and

On the one hand his five paintings, including the famous Green Target and White Flag, are perhaps the strongest single body of work in the show, but on the other, one suspects Johns was the only artist not to be represented with a recent work because it is a fashionable position to assume only his early nark counts.

It's a show that features the work of eleven artists and collectives, including Piotr Bosacki, Little Warsaw and Ex-artists» Collective among others, presenting speculative alphabets, a classroom, educational videos and sculptures articulating the complexities of communication and the unresolvable problem of engineering a single, unifying tongue — a «universal (perfect) language» — within that.

True, few other fairs insist on its trademark single - artist booths, although the Armory Show's are a high point.

Other artists have used a single bold word to queer the city's ubiquitous advertising — most famously, Barbara Kruger's untitled commission from the Public Art Fund in 1991.

She also gave a lecture in 1959 on women artists at the Ridley College in St. Catharines, Ontario, singling out Emily Carr (the only Canadian artist she mentioned), as well as European artists such as Suzanne Valadon, Angelica Kauffman, and Paula Modersohn - Becker, among others.

Famous as the world's largest open submission show, there are certain things the Summer Exhibition delivers on every single year: a panorama of art in all mediums, a remarkable mixture of emerging artists and household names, and more to see and explore than any other exhibition you're likely to visit this year.

Short essays on single artists and significant works punctuate each historical chapter, including texts and interviews by noteworthy writers such as Thelma Golden, Philippe Vergne, Thomas J. Lax, Lawrence Rinder, Christopher Bedford and others, on artists like Kara Walker, Mark Bradford, Lorna Simpson, Norman Lewis, Glenn Ligon, Theaster Gates, Clifford Owens, Jennie C. Jones, Julie Mehretu, and more.

Other artists who will be included in this exhibition are Dan Flavin (sculpture installations and drawings), Joe Goode (paintings from the Torn Sky series), Donald Judd (a single stack, wood blocks and woodcut prints), Sol LeWitt (sculpture and drawings), Robert Mangold (paintings), John McCracken (sculpture), John McLaughlin (paintings), Cy Twombly (drawings), and Agnes Martin (works on paper).

But as with the Ink Forest Group before this, Kwon was not interested in aligning himself with a coterie of artists working under a single aesthetic program; in fact, Kwon was beginning to seek out other artistic scenes at this time.

Taking drawings specifically as the focus — the skill they most admired in each other — this exhibition brings together works from the two single - artist collections at Watts Gallery and Leighton House for display in parallel.

These artists» aim was to create an art that was non-hierarchical (no single part of the work takes precedence over any other) and thus entirely democratic.

There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.

Concurrent with the curatorial regime change, James will place works by a selection of artists from his renowned stable within the subjugated Gildar Gallery (Daniela Comani, Ramiro Gomez, William Powhida, Carol Selter, Jim Thompson), while also deploying the efforts of other internationally recognized veterans aligned to his aims (Sandow Birk, Ben Jackel, Erika Rothenberg) along with a single Denver defector, (Adam Milner).

In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.

Retrospectives look back over the work of a single artist; other common types are individual expositions or «solo shows», group expositions (collective exhibitions or «group shows»), or expositions on a specific theme or topic («survey shows»).

This was one grouping of artists — though there could be many others — that did not beg the inclusion of a single male artist.

Clyfford Still's one - man museum will house 94 % of the artist's oeuvre, more works by a single artist than any other one - person museum in the United States (Georgia O'Keeffe, Andy Warhol, Isamu Noguchi, Norman Rockwell, and C.M. Russell to name most).

This question may well be the province of the new Clyfford Still museum, which bests any other hagiographic museum dedicated to a single artist's work, in possessing 94 % of his lifetime output: 825 paintings, 1,575 works on paper and 3 sculptures.

At the urging of his close friend, the artist Paul McCarthy, Puusemp gathered newspaper clippings, letters, and public notices that chronicled the Rosendale project, publishing them as a single volume titled Beyond Art — Dissolution of Rosendale, N.Y.. Now, in an exhibit titled «Against the Romance of Community,» the Swiss Institute explores those documents alongside other artworks focused on how communities behave, interact, and identity themselves.

But as late as 1981, when Arneson was shown with five other like - minded California ceramic sculptors in the Whitney Museum exhibition, Ceramic Sculpture: Six Artists, there was a backlash, with New York Times art critic Hilton Kramer singling out Arneson as dominated, «by a gruesome combination of bluster, facetiousness and exhibitionism — plac [ing] a fatal limit on what his gifts allow him to accomplish, or even to conceive.