Sentences with phrase «other sleight»

The wild card here is whether Warren Lichtenstein will screw us little unitholders with a creeping takeunder at below full value or some other sleight of hand.

A toothpick floating in mid-air without any support — this may sound like it involves hidden threads, magnets or other sleight - of - hand tricks from magicians.

-LSB-...] Tricks, Hiding Declines and Other Sleights of Hand June 14, 2010 shewonk Leave a comment Go to comments McI has a new post up about the «trick».

Not exact matches

They introduce invidious discriminations and encourage sleight of hand in creating sundry forms of «diversity» other than diversity of thought.

Usually an astute group of naysayers will select one or the other to put forward, but I have seen both used almost simultaneously in what can only be admired as sleight - of - hand in service of going nowhere.

Yet (with a little sleight of hand that comes from peeking ahead and thinking of Frye's basic distinction), we can already sense that one text is going to emphasize centrifugal meanings and the other, centripetal meanings.

Attorney Michael Hrab — a former neighbor — also warmed up the crowd with a bit of theatrics and a sleight - of - hand magic gag that he used to jab other Democratic candidates.

But the governor only gets there by employing sleight - of - hand — moving some spending off - budget, changing the timing of debt payments, reclassifying other spending.

On other fronts, Camilli's lab is busily figuring out how the cholera - fighting phages — called ICP1 — did their genetic sleight of hand.

As word spread that RHIC had created a quark - gluon fluid, Son and a number of other theorists began to wonder if they could use Maldacena's sleight of hand and substitute the equations of a black hole for the ones normally applied to quarks and gluons.

The Apartment is a writer's movie's full of brilliant sleights, such as Bud's unconscious habit of reiterating what others say, not just expression-wise but opinion-wise (that wonderfully irritating suffix learned from David Lewis's Mr Kirkeby, smoothest of the ageing roués).

«Southside With You» B «Sandstorm» B «Frank and Lola» B «Sleight» B «Love and Friendship» «Hunt for the Wilderpeople» B «Complete Unknown» B - «The Fits» B - «The Lovers and the Despot» B - «Goat» B - «Wiener Dog» B - «The Free World» B - «Jacqueline (Argentine)» C + «Other People» C + «Agnus Dei» C «Captain Fantastic» C «Morris from America» C - «Swiss Army Man» C - «Belgica» C - «Yoga Hosers» D +

If you hold other goals for schooling (e.g., workforce readiness) then it is rhetorical sleight of hand.

Others grouse that it's a marketing ploy, a sleight - of - hand trick that gets you to pay for a useless piece of paper.

In other words, instead of adjusting the conforming loan limit to reflect what is actually happening in the marketplace, the government is trying to prop - up the housing sector with a little financial sleight - of - hand.

Unsurprisingly, affiliate bloggers tend to resolve that problem in the following way: not only should you apply for IHG's co-branded credit card, you should also convince your significant other to apply for the card, so you can take advantage of the cards» overlapping annual free night awards to book up to 4 consecutive free nights (Frequent Miler ably demonstrates this sleight of hand here).

This seems a strange sleight of hand in that other «historical» figures in the show include Alex Katz, Buffet and Polke, all notably senior to Kippenberger.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

So any «sleight of hand» (not well specified in the article) that Norway may be using today in some respects might soon be canceled out by recognition of other activities it can not currently claim.

I have explained the trick creating the illusion of the «Greenhouse Effect of 33 °C warming by greenhouse gases» which anyone with even half a brain could follow, as well as giving some other examples of the fake fisics created to hide this sleight of hand, and all the response I get is silence or verbal diarrhoea as distraction.

In other words, in a sleight of hand, the IMF builds into its analysis its own support for carbon taxation while distorting the meaning of the word «subsidy.»

Firstly, in a sleight of hand it pivots away from its weak absolute emission reductions to trumpet expected per capita emission reductions, claiming Australia will reduce its emissions per person by more than other countries.

With a similar sleight of hand, others insert archaeology into the debate, so that the Anthropocene can be traced to the first domestication of plants and animals some 10,000 years ago.

This action in Oklahoma has nothing to do with «rights» or «religious freedom» or «tolerance» or any of the other distractions and politically correct sleight of hands.