Not exact matches
We review recent museum
exhibitions, gallery shows, photography auctions, photobooks, art fairs and
other items of interest to photography collectors large and
small.
Award for
Smaller Museums, Libraries, Collections, and
Exhibitions Carmella Padilla and Barbara Anderson, eds., A Red Like No
Other: How Cochineal Colored the World, Skira Rizzoli, in association with the Museum of International Folk Art
Fishman is currently the subject of two large
exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks,
smaller paintings and sculptures, and
other rarely - seen items.
With this
small but diverse selection of artists, the
exhibition provokes an open - ended dialogue on the state of photography as an increasingly diversified medium that intersects and informs
other fields of art making.
They might easily have rubbed shoulders with each
other at
exhibitions and in the bars and cafes favoured by artists at a time when the art world was much
smaller.
Both Fraser and Lewitt subvert dynamics of their
exhibition spaces: one at a mainstream New York museum, and the
other within a
smaller and more experimental «downtown» space.
«Untitled - Locomotive,» along with
other such
small ink drawings in the
exhibition as «Elizabeth at the Window» and «Seated Woman,» changed everything.
Dean Sobel, Director of the Clyfford Still Museum and curator of the
exhibition, said, «Shortly after Allied Works Architecture was selected as the lead designers for the Clyfford Still Museum, I began to notice these
small, compelling three - dimensional sculptures that were laying around their offices, with
others arriving on the scene over the three - year design and construction process.
All RAs are entitled to exhibit up to six works in the annual Summer
Exhibition, and they also have the opportunity to show their work in
small solo
exhibitions in our
other galleries.
Tour - goers will learn that this reaction only made Mrs. Whitney more determined to succeed in her own work and in her support of
other artists, showing
small exhibitions of their work, hosting art competitions and amassing a collection of more than 600 works of contemporary American art.
The works on display are: 432Hz (2009 - 2014), a wooden shell that contains honeycombs; Vorkuta (2003), a refrigeration chamber where the temperature of -30 °C contrasts with a chair maintained at a constant +37 °C by an internal thermostat; Mindfall (2004 - 2007), a container which contains a chair and tables, on which 21 electric motors turn on intermittently, one after the
other, creating a sort of musical composition; Untitled (2003), a
small iron room crossed by blasts of hot and cold air channelled into the space by powerful fans; and Sub (2014), a new work specially created for the
exhibition at HangarBicocca, an assembly of aluminium and glass display units which the artist originally designed to exhibit her Inner Disorder (1999 - 2001) series of drawings.
Wim Botha participated in several international groupshows, e.g. at Museum für Moderne Kunst, Frankfurt / M (2014 - 15), at Museum Biedermann, Donaueschingen (2014), at the Venice Biennial (2013) and the Göteborg Biennial (2011), at the Olbricht Collection c / o La Maison Rouge, Paris / F (2011), at the 11th Fellbach Triennial of
Small - Scale Sculpture (2010) and 7th Dakar Biennial (2006) as well as at the touring
exhibition «Africa Remix «(2004 - 07) and many
others.
With this
small but diverse selection of artists, the
exhibition will provoke an open - ended dialogue on the state of photography as an increasingly diversified medium that intersects and informs
other fields of art making.
Other exhibition highlights include a group of
small text - based portraits of artists and writers, made between 1966 and 1968.
He also hopes that the third,
smaller gallery will attract temporary
exhibitions from
other world cultures, such as ancient Egypt or Rome.
Smaller galleries feature rotating
exhibitions and a meeting room offers works on paper and
other glazed works from the Permanent Collection.
With major loans from the Uffizzi, the British Museum, the Ashmolean, the Getty, the National Gallery in Washington, and
other major institutions, this
exhibition is a
smaller version of a major monographic show that was at the Getty this summer.
The Los Angeles
exhibition at the Kohn Gallery will include his now famous painting of a meat dress (made popular by Lady Gaga), Incarnation, 2009, along with numerous
other smaller paintings and works on paper.
The present
exhibition groups a
small selection of works by Lawrence Wiener, Carl Andre, Hanne Darboven and Rosemarie Castorio among
others.
We also have an active program of loaning
smaller, banner
exhibitions developed for our Maryland Community Space gallery to area schools, libraries, visitor centers and
other interested institutions.
The
exhibition comprises two recent series of paintings, some as large as
small - mural scale, and
other smaller easel - scale pictures.
Exhibition highlights include: two ornate, figurative paintings by Australian artist Del Kathryn Barton; three large - scale, realist paintings by Terry Rodgers portraying gaunt and privileged youth; conceptual portraits by Swedish artist Sara - Vide Ericson; a mixed - media fragmented figure by Brooklyn - based artist Nathaniel Mary Quinn; four
small - scale sculptural works depicting contorted human forms by Korean artist Dongwook Lee; and one large - scale surrealist drawing by German artist Dennis Scholl; among
others.
According to Chris Appleton, executive director of the nonprofit WonderRoot, which administers the Walthall, KSU gave the artists two options: a scaled - down version of the
exhibition in
other university spaces — former gallery spaces are
small and in the library basement — or taking the
exhibition off - campus.
The Museum of Contemporary Art of Georgia's
exhibition The First 21: Working Artist Project, currently on view through April 19, is an act of transparency for the
small museum that hums on a cluttered road in Buckhead between hair salons, antique stores and
other compact (and public) galleries.
After the scale of some of the
other work in Feral 4 Ryan's work was
small, limited to a number of
small boxes containing a number of found objects, collections of words, black ink and the bits and pieces of an
exhibition space, masking tape threads etc..
From 1990 until 2000 he directed MoMA's Projects program, for which he assembled
small monographic shows by Art Spiegelman (the first
exhibition devoted to a «comix» artist in MoMA's history), Franz West, Ann Hamilton, and
others.
In a
small institution, the curator alone might be responsible for a show's title (subject to the director's veto), but more common is a meeting involving
other aspects of organizing and selling the
exhibition.
Certain
other projects were recognized under the aegis of NEH on the Road, an initiative that supports the adaptation of projects to fit into spaces
smaller than 2,000 square feet, so as to help with wider distribution of NEH grant - funded
exhibitions.
«The Words of
Others: Leon Ferrari and Rhetoric in Times of War» REDCAT (Roy and Edna DisneylCalArts Theater), September 16 — December 31, 2017 On tour: Pérez Art Museum, Miami, February 15 — August 12, 2018 Museo Nacional Centro de Arte Reina Sofia, Madrid, Performances of Palabras ajenas will be presented on April 14, 2018, accompanied by a
small exhibition Museo Jumex, Mexico City, Performances of Palabras ajenas will be presented on June 2, 2018
He has also participated in group
exhibitions that include, among
others, 11th Triennial of
Small Scale Sculpture, Fellbach, Germany (2010); BIENNALE CUVÉE 10, World Selection of Contemporary Art, OK Offenes Kulturhaus OÖ und Energie AG OÖ, Linz, Austria (2010); Making Worlds, the 53th Venice Biennale, Venice, Italy (2009); The Generational: Younger Than Jesus, New Museum, New York, USA (2009); Breaking Forecast: 8 Key Figures of China's New Generation Artists, Ullens Center for Contemporary Art (UCCA), Beijing, China (2009); China China China!
Curator Michael Klein, who has been studying and assembling a
small exhibition of Hartigan's works from the early 1960s, thinks a new examination of Hartigan's achievement is overdue, and he asks a powerful question: just where where does her art, and the art of
other pioneering women artists of the 1950s and 60s fit into the «canon» of American painting?
Last chances: «Particle and Wave,» an intriguing look at light as a tool of art (at Hosfelt Gallery through Saturday, March 19) features strong works by Jay DeFeo, Adam Fuss, Gay Outlaw and a dozen
others... «Eleven Etchings by Leonardo Drew,» a
small exhibition of very large prints recently produced at the incomparable (in San Francisco, at least) Crown Point Press, continues through April 2.
Group
exhibitions include: We Don't Owe You A Thing,
Small Black Door, Queens, NY; The New Brutalists, Parallel Art Space, Ridgewood, NY; andPlace Angle Position, Heskin Contemporary, NY, NY, among
others.
Don't miss, among
others, Jessica Dickinson's crudely elegant abstractions at Altman Siegel... on the same floor at 49 Geary St., Fraenkel Gallery's presentation of «Six New Animations,» ingeniously constructed by Christian Marclay from photographs of the sidewalk on strolls about town... more video, the best work in an
exhibition by Argentine Mexican performance art master Miguel Angel Rios at Gallery Wendi Norris... «Teresita Fernández:
Small American Fires,» burning intensely at Anthony Meier Fine Arts... and the small but museum - class retrospective of the optically challenging, intellectually exciting paintings of Bridget Riley at John Berggruen Gal
Small American Fires,» burning intensely at Anthony Meier Fine Arts... and the
small but museum - class retrospective of the optically challenging, intellectually exciting paintings of Bridget Riley at John Berggruen Gal
small but museum - class retrospective of the optically challenging, intellectually exciting paintings of Bridget Riley at John Berggruen Gallery.
Other exhibitions have included the popular «
Small Formats», with works ranging from late 19th Century to contemporary masters, and single - artists shows devoted to Sonia Delaunay, Lazar Khidekel and Alberto Magnelli.
The
exhibition (above, an installation view) covers
other, more intimate responses, including a series of
small self - portraits that mostly feature a goofy, slightly Jules Feifferish face applied to images of
other artworks or artists; a few sculptures, among them «Socialist Pizza,» which involves a Ray's Pizza box, two of Picasso's hefty 1930s beach maenads and a hammer and sickle; and a work using a photograph by Hans Haacke.
Run by a volunteer board of artists, The Halide Project produces two annual
exhibitions: a
small group invitational and a call - for - entry show, as well as affordable workshops, photographic study sessions, and
other casual events throughout the year.
Within the larger scope of Gates» output, this building, alongside the
others he has restored, is an integral part of his work: the buildings themselves can be, and are often, categorized as falling within his oeuvre as much as the
smaller pieces he will sell in gallery
exhibitions or art fairs to fund architectural projects such as the Bank.
Large works or
small installations should be scheduled as to not interfere with
other exhibitions.
Hassel Smith died five years after the question was asked, and in the ensuing years
small museum shows in San Jose and Laguna, as well as several
other exhibitions at private galleries have begun to fill in the gaps.
From January — March 2016, people attended events at big museums,
small galleries and
other locales — from free and teen - friendly events and
exhibitions to performances and parties around town.
The rooms are large enough to comfortably accommodate the art — 31 black paintings (twice as many as have been shown together in nearly half a century), plus more than 40 prints, drawings, rarely seen
small sculptures,
exhibition announcements and
other ephemera.
In her
exhibition New Work, Nancy Lorenz has made use of mother - of - pearl inlay, lacquer, white gold, and
small amounts of pigment, among
other materials, to create an engrossing body of work on view at Morgan Lehman Gallery until June 29th.
ROBERT MOTHERWELL: And I think maybe in those nine years, at the most, one
small exhibition at some
other gallery in America.
«The first North American solo
exhibition of Ernest Mancoba included four
small paintings ranging in date from 1958 to 1985 (one is undated) and some twenty works on paper (many of them likewise undated, but the
others are mostly from the early 1990s), giving art lovers on this side of the Atlantic at least a nodding acquaintance with an oeuvre I suspect we are going to get to know much better in coming years.»
From January — March 2016, attend events at big museums,
small galleries and
other locales — from free and teen - friendly events and
exhibitions to performances and parties around town.
He has curated
exhibitions at King's Cultural Institute, Somerset House and the Whitechapel Gallery, and his writing has been published by the New Statesman, Apollo, White Review, Various
Small Fires, Tate, the British Council and
others.
A
small exhibition of recently acquired works by Felrath Hines stands at the
other end of the spectrum.
But, drawings are not the only works on view here; the
exhibition also houses two
small sculptural forms, one made of painted polyurethane and the
others of aluminum, stainless steel, wood, and mirror.
The NPG's
small exhibitions are often good, and rooms 41 - 41a currently combine the unflinching focus of Ishbel Myerscough's precise delineations with the enlivening awkwardness of Chantal Joffe's more casually - styled depictions of each
other, themselves and their daughters — cue uninhibited nakedness (up to ten feet high) and heavy pregnancy (much
smaller).