Sentences with phrase «other story elements»

Since I have questions about the structure of the book this early, and because the manuscript is a little on the long side for a debut, I would recommend soliciting editorial feedback for structure, continuity, pacing and other story elements.

We won't be tempted to split our focus on other story elements.

Unfortunately it's never expanded upon, joining other story elements — like the murder of a white pro-civil rights minister — as subplots that fail to come together with King's story in any meaningful way.

The movie has some fun with its lone human villain — Ioan Gruffudd as Gugino's new scumbag architect boyfriend — but it hits the same dead - end as every other story element.

Not exact matches

(BV neglects a weirder element of the story, that Bill Campbell, a pal to Steve Jobs and an Apple board member until after Jobs died, remained an advisor to Schmidt and other Google executives long after Schmidt left the Apple board.

As with all the other core elements of the Brand Mapping Process ©, the Signature Story applies equally to your personal, team or business brand — and there will be times when the primary means through which you share about your brand will be your Signature Story.

And other than those elements, the rest of the story is, according to the New York Times, exactly the same: Peter Hodgson later discovered Silly Putty in a toy store and ran with it.

Its stories lack tension because they gloss over the climactic cross and other crucial gospel elements.

Many other elements of this particular story were added much later, including the identification of Attis as a savior, which began in the 6th century.

Sorry peeps, but the telling of one story to next will almost always change from person to person; some elements will disappear and others will be added to fix the nature of the storyteller.

The history of the postal service from the 17th Century onward is the story of efforts of elements within the power structure of the national state to promote their own interests and to defeat those of others (through their own use of its facilities and through using access to the content of the mail as a source of intelligence).

But if there is a hard core of authenticity, and if the process of transmission has been largely an expansion of this tradition by, and its accommodation to, the influence of parallel stories in other traditions, then the unique element in the tradition in comparison with its parallels is that which has the highest claim to authenticity.

In terms of faith, apart from his love of the Mass, the time at the Oratory also gave him a strong grounding in Thomist metaphysics, and certainly this was a key element in the way he portrayed evil, death, immortality and many other things in his stories.

And again, through the work of other scholars like Bultmann and Buri, with their frank recognition of the mythological element in the biblical story, we have come to see that the affirmations of Scripture have their abiding significance, not in spite of, but precisely because of their being stated in language which can only be described as highly metaphorical.

The story begins with the first ideas of the early Greek philosophers — Thales, Pythagoras, Democritus and others — leading to the theory of the four elements of Plato and Aristotle.

He sees the vital ingredient of SF as otherness: «A true science fiction story has as its keystone an imaginative element which can not be properly expounded in any other literary form.»

The story of development of vaccines against rubella and other childhood diseases in the 1960s pits a daring young biologist against his world - famous boss, testing that used prisoners, intellectually disabled children, and other disenfranchised subjects, political roadblocks that nearly derailed the research, and other elements of high drama.

The isotopes of other elements told the same story.»

The Last Story is not the last classic japanese RPG, as it diverges deeply from the tradition of the genre, lacking some of its core elements and borrowing something from others.

Both sit together for this running, screen - specific look at historical elements, story / character areas, sets and locations, period details and visual effects, cast and performances, editing, and some other areas.

The film's single downside is a certain nagging sense of deja vu: the fact that so many of the elements of the story — the dark force, the all - empowering object, etc. — have been usurped over the years (by «Star Wars» and others) that you feel as if you've been down this road many, many times before.

Episode 3 deepens the story with new characters, trying to explain who is the Admin, but on the other hand there's no real action: the element we appreciated in the previous chapter.

As David, the son of Korean immigrants, navigates his nascent desire, the film rests not on eroticism per se, but on the connective tissue it weaves among sexual and other identities: Spa Night recombines elements of the emigrant saga and the coming - of - age story into a searching, fresh - faced portrait, highlighting in the process the genres» keen correspondences.

As a screenwriter first and foremost (and a director with little to no innate visual sense), I tend to prize narrative and story over most other elements in film.

The story itself is simple, obvious and stereotypical, perhaps this is intentional so you can focus on the many other elements Crimson Peak has to offer (i.e. Panic Room, Gravity).

Its basic plot, of a conspiracy to produce something worthless so as to profit further down the line, is a paraphrase of The Producers, but there are elements of any number of other movies or types of movie: the Horatio Alger rags - to - riches story, the hard - boiled newspaper melodrama (at one point, the editor's face is so close to the employee at whom he's shouting that their noses touch).

It feels so different, and is in ways an art house horror about children's social anxiety, among other reasons I would certainly recommend it as a simple piece of Hollywood entertainment mixed with elements of a classic ghost story.

Neither of these games are terrible by any stretch, but in both cases the gameplay and story elements you'll encounter are simply handled better in other games.

Frankly Richard III, with its tangled back story of the Wars of the Roses, is complicated enough without inviting the audience to consider all these other elements.

In fact, it so desperately wants to capture that beatnik - y place and tone where crime films and swinging London met that it just seems to try too hard, slathering the movie with music, trippy visuals and other elements that just can't make up for the deficit of a weak and blandly told story about a ex-con (Colin Farrell) hired to look after a reclusive young actress (Keira Knightley) who finds himself falling in love, which of course puts himself in direct confrontation with one of London's most vicious gangsters.

As long as you know that you're going to see plot elements, story backgrounds, and characters similar to other, better films, you will be in the right frame of mind to enjoy Doom strictly as b - movie entertainment and nothing more.

Beta House, as a standalone film, isn't much more than a completely raunchy regurgitation of story elements found in other frat comedies, such as Animal House and Revenge of the Nerds.

What is often the case for films / stories of this nature, is that their intention to uplift, inspire and motivate, overtakes other elements required for success.

Others have said episodic (derisively); I say all - of - a-piece, because of the way all the elements in the story are linked, as the gang of five that we follow from North Africa to Czechoslovakia holds together.

Those are such giant elements of the story that aren't visualized like the others.»

In addition, as Tonto is more important, there are elements of Native American mysticism introduced to the story that brings other - worldly occurrences to the fore, especially in the actions of the all - white horse later dubbed «Silver», whom Tonto sees as a great spirit who resurrects John Reid from the dead to fulfill his destiny to bring justice back into the world.

The Myth is full of so many different elements, most of them which would work well enough on their own, but tend to cancel each other out when presented within the context of the same overall story.

It's an incredibly straightforward story about partners that are at odds with each other that is only elevated by the script's successful world - building elements.

While its element of adventure may seem to be in tune with co-producer Amblin Entertainment's other popular films, the grim nature of the story distinguishes it from generally upbeat Disney films.

A kick - ass shooter that has RPG elements, character customization, menacing alien combatants, a killer story, matchmade co-op activities, challenging end - game content, competitive multiplayer, and is tied together in a persistent world where I run across other real players as part of my daily routine.»

I'm curious about its balance between Disney fan service and original story elements, completely in the dark about its RPG elements and character progression, and curious about how the ideas that have impressed me so much in Toy Story will manifest in other wostory elements, completely in the dark about its RPG elements and character progression, and curious about how the ideas that have impressed me so much in Toy Story will manifest in other woStory will manifest in other worlds.

The film does an outstanding job developing this angle on Kinsey's personal story but at the expense of practically every other element of the man it touches.

They discuss story and script issues, shooting in China, cast, characters and performances, sets and production design, the score, some facts behind the tale, and other production elements.

This one looks at the relaunch of the series, story / character elements, cast and performances, sets and locations, stunts and action, production design and effects, and a few other filmmaking topics.

Without much in the way of conflict, then, what's left is a piece that relies on every other element of story and craft to convince us that there's a reason we've gathered to watch Malcolm McDowell, self - consciously good as two - fisted octogenarian sports writer O.B. Keeler, or Jeremy Northam, excellent as hedonistic Walter Hagen, the anti-Bobby, if you will — it's unclear what flag they're saluting.

You don't get atmospherics here — that's the job of the surrounds — but instead all of the «forward» effects such as explosions, car noise, and any other element that needs to be there to assist the story.

It is a simple story, especially the war elements that could probably be found in many other documentaries but Luft Gangster has a lot more going for it.

The other key element that makes this film great to see is that it doesn't talk down to children and has an interesting story for the adults that have to take them s audience members of all ages can enjoy the movie.

Some of these stories will follow up on story seeds that were planted in the original Mercs For Money limited series and the main DEADPOOL book, but I also have high hopes for weaving in elements from some of the other Deadpool limited series.

Each is as important as the other and in order for the audience to accept the unbelievable that unfurls before them, the characters must be endearing and compatible to such a unique story; one composed of fantastical and relatable elements.